I had those dreams in which it turned out that Sandra isn’t dead, but still in hospital, or she’s just there as we go about our daily business, only to wake up and realise that of course it’s all a lie. There’s nothing as nerve wrecking, as guilt inducing and soul crushing as waking up from that sort of dream and Sara Goetter captured it well. All three of her comics dealing with the grief over the death of her mother are excellent depictions of what it feels like to lose someone dear to you in fact, hard to read because of it. It’s been a while since I had to cry this hard over Sandra, it having been five year since she died after all, but this went through all of my defences like a punch to the gut.
10 Things You Didn’t Know About Fujoshi: Fujoshi, which literally means “rotten girl,” refers to a type of anime fan who is especially interested in imagining male homoerotic subtext in her favorite media. But while the term “fujoshi” was only coined in 2001, rotten girls and their male counterparts, “fudanshi,” have been around since the Edo period. In “The Forgotten History of Fujoshi,” Keith and Mari Minton—two self-professed fujoshi—shared some of the fascinating origins of a subculture that is typically somewhat misunderstood.
The Ostrogothic Military: Whether the Ostrogoths themselves were an army, the nature of the army’s settlement and salary in Italy, and ethnic identity’s role in the formation of the army are all discussed. The army itself has rarely been studied as a separate institution, which may be because, throughout the Ostrogothic kingdom’s short life, the military was inextricably bound up with the nature and the fate of that polity.
Alternate Futurescape: The Bubblegum Crisis We Never Got: Where Bubblegum Crisis’ Knight Sabers were a mercenary team that’d take any job for the right price, FutureScape’s “Night Saviors” were advertised as “Four girls who will accept no money in their never ending battle against the Boomers!“ Fans familiar with Bubblegum Crisis and the Knight Saber mercenary group that were mostly motivated by revenge would probably have been a little more than shocked to see them instead portrayed as a super-heroine team fighting for “freedom and justice” under the new name of “The Night Saviors”.
Your audience doesn’t think you suck: To make your audience happy, you don’t need to be the most talented person. You don’t need to invest tons of cash into a project to make it watchable. You need an idea that you believe in and the enthusiasm to power through and put it out into the world.
The Left’s Long History Of Transphobia: Trans people generally lean left because we feel that we have to, but we’re also aware that liberalism won’t protect us when the chips are down. It’s easy to oppose an enemy that is consistently hateful, and at the end of the day trans people know where Republicans stand on whether or not we should exist.
Good gods do I hate most of what Marvel has been doing in the 21st century, from the debased widescreen storytelling to the shitting on everything its characters stand for, but what it has done right is providing space for more diverse superhero comics, both character and creator-wise. I stopped being a regular comics buyer, let alone a superhero floppies buyer since, well, the start of this century and getting a view of what the industry is like a decade and a half later I’m glad I did. Everything this dude listed as being more of a problem than Marvel pushing diversity is shit I’ve already seen in the nineties, then secondhand in the naughties, just more chaotically and more intensive. Pushing more titles, an obsession with events, an overwhelmingly short term focus at the cost of a long term vision: we’ve seen that all before. It’s just the speed that’s different.
The end result is a constant churn that just zaps all of my will to invest time and effort into the Marvel Universe — and I’ve been a Marvel fan for thirty years now. Best I can do currently is reading the “fringe” books: the Hawkeyes and Ms. Marvels that do new things at the edges of the Marvel universe, but even these get weighted down by events and extraneous shite. What I wouldn’t give for having a gimmick of just having twelve issues of a series coming out in a year with the same creative team, without crossover events or other crap cluttering it up.
None of which has much to do with diversity and its supposed flaws. Diversity is actually, as any fule should know, Marvel’s greatest selling point. Every time a white, male hero is replaced by a hero of colour, a woman, or both, it’s an immediate attention grabber in the way “the death of…” stories were in the nineties. Each new diverse hero creates immense goodwill among non comics readers, if done right because there’s such a hunger for heroes that look like America in the 21st century, Trumpian backlashes nonewithstanding. And if only Marvel could have a coherent, respectful way of marketing this diversity and not let it be buried under an avalanche of shite only diehard floppy readers care about, things like the Miles/Gwen romance would set the world alight, rather than being a one-week wonder…
A young witch hires a Beastfallen tiger man to be her bodyguard and occassional (involuntary) bed during her quest for her stolen grimoire.
Zero kara Hajimeru Mahou no Sho/Grimoire of Zero is a classic quest fantasy, which is unusual in anime. The first episode is mainly setup, with a meet cute when our nameless tiger man protagonist — on the run from a murderous witch — lands in the soup of Zero. She saves him, he runs away when it turns out she’s a witch as well, then she shows up again to steal back her soup. Long story short, she recruits him for her quest to get her grimoire back and the end of the episode has them setting out together. What makes all this fairly standard setup sparkle is the interaction between the Mercenary and Zero, who hit it off immediately. It’s hard to do this sort of banter well, to have two people snipe at each other without it coming over too spiteful or too artificial, but this episode managed to keep a light, funny tone to its banter.
The light tone of the interactions between Zero and the Mercenary does clash somewhat with the grim and gritty background it is set against. We’re in a world were witches are real and persecuted by an almighty Church, burning them to death. So far, so Catholic, but while I’m feeling sympathetic to the witches, at least some of them do seem objectively evil. Meanwhile there are also the Beastfallen, human/animal hybrids created by witches and which occassionally pop up among normal humans, as in the case of our tiger man Mercenary. Who seem to be hunted by humans and witches both from what we’ve seen from the Mercenary’s background. It feels inconsistent with the lighter, cuter mood between Zero and Mercenary. How the show will reconcile this will be interesting to watch.
Based on a series of light novels by the writer of My Little Sister Can’t Be This Cute and this time the twist is that the brother isn’t related to the little sister he fancies.
Really, you don’t need to know more than this. Our protagonist is really, really fond of his little sister and wants to fuck her. She’s a NEET and has been holed up in her room for a year, ever since their parents died. He is a light novel author who has been writing since middle school to make money to feed himself and his sister. His novels have mostly sold on the strength of the illustrations by one Eromanga Sensei and — surprise surprise — it turns out to be his little sister.
The first episode was a bit coy about what it wanted to be, but luckily the first minutes of episode two made clear this show is trash and no longer hiding it. Having read the manga spinoff I know more or less what’s coming and I’m fine with a bit of this sort of trash to watch, but really, there’s nothing much worthwhile about this one.