My local science fiction bookstore is holding its own convention:
Eschacon is a three-day festival from 5 to 7 November with panels, writing workshops and book signings. Featuring several of the most interesting and talented upcoming science-fiction & fantasy authors from around the world, Eschacon is all about World SF and the craft of writing speculative fiction.
Thursday 5 November
18:30-21:00 Tribute to Chip Book Presentation and World SF panel discussion
Author and editor Bill Campbell will talk about his latest project The Stories For Chip, a tribute to Science Fiction Writers of America Grandmaster Samuel R. “Chip” Delany. Following the presentation is a panel discussion about World SF and diversity in the speculative fiction genre with authors Zen Cho, Corinne Duyvis, Marieke Nijkamp, Rochita Loenen-Ruiz and Tade Thompson.
Friday 6 November
14:00-16:00 Speculative Fiction Writing Workshop
A workshop to kickstart your own writing under the guidance of professional author Rochita Roenen-Ruiz.
18:00-19:30 Q&A and booksigning with Zen Cho and Tade Thompson
Join us for an evening around the (imaginary) fireside with authors Zen Cho and Tade Thompson. Zen and Tade will discuss their new books, the art of writing and the business of getting published.
Saturday 7 November
Getting up early has never been so fun. Enjoy a cup of coffee (or tea) while talking about books, stories and other geek-related subjects with authors Aliette de Bodard, Zen Cho, Rochita Loenen-Ruiz, Bill Campbell and Tade Thompson.
14:00-15:30 Q&A and booksigning Aliette de Bodard
Author Aliette de Bodard will talk about and read parts from her debut The House Of Shattered Wings.
ABC has been remarkably active in promoting science fiction and fantasy in the past year or so, with various author talks and other events, much of it due to its SFF buyer, Tiemen Zwaan. It has helped galvanise something of an sf scene in Amsterdam, of which is the culmination so far. What I like especially about it is that this going beyond just mere commercial considerations, but that ABC has done its bit to help make SFF more diverse, more plugged into developments outside its traditional heartlands. The line-up for the con reflects that, with people like Aliette de Bodard, Rochita Loenen-Ruiz and Zen Cho.
I hope this becomes a success, because it’s been a while since we’ve had a proper science fiction con in Amsterdam.
Charlie Stross has an interesting idea:
To clarify, novel series are currently eligible for the Best Hugo Award, as seen by the inclusion of The Wheel of Time last year, though it’s of course arguable whether or not the Discworld series could be seen as a single story under its rules. If not, one could also argue that with the last Tiffany Aching novel having been released, that particular sub-series should be nominated instead.
Should this be done? That’s a harder question to argue. Terry Pratchett himself declined at least one Hugo nomination some years ago and while a nice gesture, he himself is of course not around anymore to see it. Quality wise the Discworld series in parts is as good as anything that ever won a Hugo, while even its worst parts are nowhere near as bad as the worst novels to have won the Hugo. But still, should the Best Novel Hugo go to a sentimental gesture? Or would it be better to just nominate the last Discworld novel ever on its own merits?
I don’t think I would include the series on my ballot, as a) I don’t like the idea of having proper novels compete with series anyway and b) I’d rather see a living author get the recognition. Pterry really doesn’t need a Hugo, even if it is a nice gesture. However, I reserve the right to change my mind if I can’t find five worthy novels to nominate this year.
It doesn’t matter to me if Jonathan Jones’s latest column is cynical clickbair or literary snobbery. I have never read a single one of his columns and I never plan to. Life’s too short.
It’s only are still lingering collective inferiority complex that makes us want to defend Pratchett against such a dumb and pointless attack, to take his bait. A certain annoyance at seeing him attacked in such a cowardly and dismissive manner of course also plays a role, but in the end what does it matter? Jones can hurt neither Pratchett nor his reputation and ultimately all that happens is that the Grauniad gets a few more clicks on a bank holiday.
The 2015 World Fantasy Awards shortlist is out, the last major SFF award to do so. In the novel category this is the ballot:
Updating my 2014 noticable SFF novels list I saw that there was only one new entry, David Mitchell’s The Bone Clocks. This had a lot of buzz last year as a literary type of fantasy that might do well with the more, ahem, broad minded SFF awards but disappoints to have only be nominated for the WFA. The same also goes for City of Stairs, now on two nominations, this one and the Locus Awards. The other three all have won one award each: a Locus Award for Addison, a Nebula for VanderMeer and a Tiptree for Walton.
With all the awards now having announced their shortlist, it’s possible to take a quick look at which novels are “winning”. Only Ann Leckie so far has won more than one award with Ancillary Sword and in total twelve novels share eight awards (with a joint Tiptree winner and both the Kitschies and the Locus award having multiple categories. Four more awards still need to report a winner (the Lambdas have announced but didn’t have a novel win their SFF category): the WFA, Gemmel, Prometheus and of course the Hugo Awards. It will be interesting to see if Cixin Liu will win either the Hugo or the Prometheus, otherwise it will be a bit disappointing to not have it win anything after all the hype.
I don’t have to telly you I won;t be voting for any Puppy candidates, right, so the question becomes which of the three non-Puppy candidates will get my vote. Even diminished, this is a great shortlist:
The Goblin Emperor — Katherine Addison.
The Goblin Emperor at heart is a very traditional power fantasy, about the boy of humble origins who becomes emperor by happenstance and now has to very quickly learn how to survive in a world of political intrigue he’s completely unprepared for, filled with people who either want to manipulate him or replace him with a better figurehead. It’s one of those fantasy scenarios other writers can write multiple trilogies about to get to that point, but Katherine Addison has her goblin hero confirmed as the emperor within five pages, the rest of the novel being about him getting to grips with his new job, woefully inadequate though he feels.
The Three-Body Problem — Cixin Liu
What makes The Three-Body Problem almost missing out on the Hugo shortlist deeply ironic, is that it’s exactly the kind of oldfashioned hard science fiction the people behind this year’s vote rigging were supposed to be all in favour of. It revolves around the mystery of why all those physicists are killing themselves, the answer to which seems to be that fundamental principles of physics are broken… There are some great moments of sense of wonder, of conceptual breakthrough in it, as well as some characters Asimov would think were a bit two-dimensional.
Ancillary Sword — Ann Leckie
Ann Leckie’s debut novel, Ancillary Justice, won about every major science fiction award going: the BSFA, the Clarke, The Nebula and the Hugo, the first time any author won the four most important awards in the field with the same book, let alone with their debut novel. Anticipation has therefore been high for the sequel, not least on my part. Would Leckie been able to keep up the high standard of her debut? Would Ancillary Sword build up on it or be more of the same? Is Ann Leckie really the major new sf talent she seems to be or just a flash in the pan?
I will be happy to see any of these three novels win, but this will be my voting order. Ann Leckie has had such a good year already I’d rather see either Addison or Liu win, but Addison slightly more just because how much fun The Goblin Emperor was.