Better than Spider Robinson’s fanfic any day

The person who wrote this little The Rolling Stones vignette really has Heinlein’s writing patterns down pat:

“Chief Engineer Grandma?” Meade said sweetly, ducking her head into the room. “Would you please tell Buster to stay out of my garden? He may think he’s clever, but he’s killing my broccoli. I’d tell him myself, but he obviously doesn’t listen to me.”

Hazel looked across the chessboard at Lowell. “Best do as she says, Junior,” she commented.

“But she’s wrong about the salinity gradients-” he protested.

“Grandmother dearest,” Meade said, her hands on her hips. “Why does everyone aboard this ship assume I am incapable of doing math?”

“Beats me,” Hazel said. “I tutored you myself; you can handle a differential with the best of ‘em.”

Really. The voices, the way the characters speak, that mixture of banter and infodumping, it’s all prime Heinlein and Kalirush has done a great job capturing it. I wish they’d do more Heinlein stories.

Broken Homes — Ben Aaronovitch

Cover of Broken Homes


Broken Homes
Ben Aaronovitch
357 pages
published in 2013

Peter Grant was a normal copper until he noticed he could talk to dead people in Rivers of London/Midnight Riot. Now he’s part of the Folly, the Metropolitian Police’s special unit for magic, which apart from him consists of one elderly but backwards aging survivor of the glory days of British wizardry before the war, as well as his colleague Lesley May, Toby the dog and Molly, the folly’s housekeeper of indefinitive species, currently experimenting with cooking from one of Jamie Oliver’s recipe books, to mixed results.

Broken Homes is the fourth novel in the Rivers of London series. There has been a mini boom in London based fantasy these past few years and Aaronovitch isn’t the only one either who has his protagonist working for the Met. There’s a sort of inevitability about the idea. London with its long history and dominant presence in the psyche of not just Britain, but arguably the world, just fits as a nexus of magic in a way that say Amsterdam wouldn’t. Of course the Met would have its own magical police force, some hangover from Victorian times, staffed with aging public schoolboys, into which the thoroughly modern London figure of police constable Peter Grant fits awkwardly. That tension between the gentlemanly tradition of magic and modern policing is part of the charm of the series.

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James Nicoll’s Great Heinlein Juveniles Plus The Other Two Reread

With Podkaybe of Mars, does not end well:

Unlike Elsie, Jackie, or Peewee, poor Podkayne is cut off at the knees before her adventure begins. Podkayne can dream of commanding a space ship but she can never see that dream realized because her narrative purpose is to serve as a doleful lesson to readers. This is where misplaced female ambition can lead! Well, if not Podkayne’s misplaced ambition, then her mother’s. Where the classic Heinlein juveniles are about boys reaching for the stars, Podkayne of Mars is a hectoring lecture, telling women to stay in their place.

To be fair, it’s not just Podkayne of Mars James has problems with, as shown by the list of the other reviews, below. It’s abundantly clear that many of the problematic opinions Heinlein had in his later books towards the proper role of women, sex, incest and consent were not a product of his medical troubles nor a new development, but present already in his juveniles. For somebody lauded for being so forward looking, he sure is wedded to gender models already becoming obsolete at time of writing. With rare exceptions, women are there to be mothers or wives and while his heroes may often be overshadowed by their female companions, they still need to be satisfied with these roles once the story is over.

  • Rocket Ship Galileo (1947):
    “Depraved indifference” and “the uncle who used his relatives as living meat shields” are going to be book-ends for this series of reviews.
  • Space Cadet (1948):
    It’s entirely possible that Matt is part of a terrible machine and too naïve to realize but at least, unlike my memory of Starship Troopers, the Patrol has ambitions of being lawful good.
  • Red Planet (1949):
    By this point in his career, Heinlein was still sticking with the “girls are ick and moms are a drag” model; there’s a genially patronizing treatment of the female inability to handle math in a discussion of the air plants that made me idly wonder what that character’s throat would sound like if his wife stuck a knife in it in mid-sneer.
  • Farmer in the Sky (1950):
    It’s pretty clear to me that George’s Plan A was to ditch Bill on Earth so George could secretly marry Molly and emigrate to Ganymede; given the difficulty of communicating with Earth, it’s possible Bill might not have found out about George’s new family for years, if ever.
  • Between Planets (1951):
    I’ve never particularly noticed it before but there are parallels between the plot of this and the plot of Lord of Rings; Don is stuck with a ring of great importance and what he needs to do to save the day is get rid of it under the right circumstances.
  • The Rolling Stones (1952):
    Heinlein paid lip service to the idea that women could be professionals but all that had to stop as soon as he married one of them, even if it meant poverty for the Heinlein family.
  • Starman Jones (1953):
    This book stands out as possibly the first young adult novel I ever encountered that featured pretty transparent references to johns being rolled by prostitutes.
  • The Star Beast: (1954)
    Of all the Heinlein Girls in Charge, The Star Beast’s Betty Sorenson is the girl most in charge and in Mr. Kiku we find an extremely uncommon figure for SF, a sympathetic career bureaucrat.
  • Tunnel in the Sky (1955):
    Since the majority of Americans didn’t come to see mixed race marriages as acceptable until the mid-1990s, forty years after this book was written, that minor bit of business was pretty daring on Heinlein’s part.
  • Time for the Stars (1956):
    Given that telepathy completely breaks relativity, I don’t know that it makes any sense to discuss whether the way he telepathic communication is affected by relativistic star-flight is realistic.
  • Citizen of the Galaxy (1957):
    Purchased on an apparent whim by the beggar Baslim the Cripple, Thorby is rescued from a life of exploitation and abuse for one as the acolyte and adopted son of a man who is far more than he appears.
  • Have Spacesuit, Will Travel (1958):
    For me, the highlight of the book is young Peewee Reisfeld, twelve years old — almost — and willing to take on an alien invasion single-handed if she has to. Peewee might be the finest example of Heinlein’s girls in charge. Peewee is smarter than Kip, she is just as brave, she manages to escape (temporarily) from the wormfaces before she ever meets Kip, something she keeps up through the book, and she saves Kip on a number of occasions.
  • Starship Troopers (1959):
    The book opens as Juan Rico nerves himself to murder alien civilians, “Skinnies”, as he calls them. Heavily armed and armoured, Rico and his human confederates rampage through the Skinny city, destroying infrastructure and leaving a trail of bodies behind him (including what may be a substantial fraction of the congregation of a church).

Does this mean these books aren’t worth reading? Not entirely; certainly the best of the bunch like Citizen of the Galaxy have charms that make their flaws easier to overlook, but the overwhelming sexism does sour a lot of the fun in these.

If you like these reviews, you can commission your own review from James.

Ethan of Athos — Lois McMaster Bujold

Cover of Ethan of Athos


Ethan of Athos
Lois McMaster Bujold
237 pages
published in 1986

Ethan of Athos is the third published book in Bujold’s Vorkosigan series and the third published in 1986. Whereas Shards of Honor told the story of how Miles Vorkosigan’s parents met and The Warrior’s Apprentice showed his first adventure, this is a spinoff not featuring any of the main characters in the series. In fact, at first it barely seems to take place in the same universe.

It all starts on the all male planet of Athos (named after the all-male Greek monastry on mount Athos, natch) where Ethan’s greatest worry is how to take his relationship a stage further and get his boyfriend to be more responsible. His dayjob is as a obstetrician. On a planet full of men natural child birth is of course impossible so uterine replicators using female gene cultures taken along by the original colonists are used instead. Recently these cultures have started to deteriorate however, showing their age and new cultures have been ordered from Jackson’s Whole. Unfortunately, once they show up, these turn out to be unusable thrash. Despite their desire to remain cut off from the rest of the Galaxy, the people of Athos have no choice but to send somebody out into the darkness, somebody pure who can handle the temptations of women, somebody like, well, Ethan.

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Doctor Who cares

So I’ve not been too impressed with the latest Doctor Who series. None of the episodes have been great and a great many have been actively bad with shoddy characterisation and nonsensical plots. Throughout the series there have been the usual hints at thr big mystery waiting in the season final, with the irritating Missy popping up at the end of various episodes to vex recently killed extras. I wasn’t that confident that it would all add in the end and the trailer, which already gave away that the Cybermen would be involved, didn’t help. Giving away the big reveal like that took away much of the tension in the episode.

Now my pet theory had been that Missy somehow was the spirit of the TARDIS, revealed to a) exist and b) be female a few series ago, but this fortunately turned out to be wrong. Instead she’s a gender changed master, not even another Time Lord like the Rani, for a revival of that camp flirting between the Doctor and the Master that we saw in his previous appearance as well. There really are no new ideas in NuWho.

And then there was the plot catalyst that set the whole story in motion, as Clara’s boyfriend Danny Pink gets killed off screen in a car accident, she turns eevil and threatens the Doctor with losing the TARDIS if he doesn’t find a way to bring him back. Danny meanwhile finds himself in the Afterlife being interviewed by Chris Addison in which a Mysterious and Awful Secret from his Soldiering Past is revealed. So that’s a fridging, a Danger Room scenario and a troubled past in one sequence, which is impressive with its cliche denseness.

Things did get better as details of this afterlife and its implications became known, reminding me somewhat of Iain M. Bank’s Surface Detail, but this seems to get lost once Missy starts chewing the scenery, the Cybermen are revealed and all this afterlife business turns out to be a way to get recruits for their army: the dead outnumber the living.

It does feel as if two different stories have been smashed together, to the detriment of both. Why go through this whole charade if the whole intention is just to reprogram dead people as Cybermen? Why go for a tedious Cybermen invasion (again) if you have the whole idea of an artificial afterlife to play with?

As for the revelation that Missy is the Master, this both seems about the least interesting thing to be done with her and a deliberate snub of those who had been wanting a female Doctor for this series. I can’t even find it halfway progressive, as some seem to find it.

So yeah, of course I’ll be watching the second part to see if there’s any improvement, but I’m not hopeful.

The Defiant Agents — Andre Norton

Cover of The Defiant Agents


The Defiant Agents
Andre Norton
222 pages
published in 1962

The danger with relying on Project Gutenberg for your reading is that you end up missing things, like in this case, where the first novel in a series, The Time Traders was available, but the sequel wasn’t and I only noticed once I had started to read this, the third in the series. Luckily the first chapter is all setup and infodumping, explaining how in Galactic Derelict time travel led to the discovery of a fully functioning alien spaceship, from the same aliens as see in the first novel and that in turn led to a warehouse full of navigation tapes. Those tapes were divided by lot ver various countries, including Soviet Russia and of course with the Cold War raging between the West and the USSR, spying is rife. As The Defiant Agents opens, one Soviet plant has manages to get his hands on the navigation tape for one of the most promising planets the west has in its possession, which means a crash expedition has to be launched to colonise it before the Russians do.

That crash expedition becomes literal when it turns out the Soviets are already there and have hunter/killer satellites in orbit, shooting down the expedition’s spaceship. Thanks to a bit of luck and a bit of skill the ship, though damaged, still manages to crash land on Topaz in such a way that their enemies think they’re dead. With the crew dead, the colonists, now less than forty, all volunteers from an Apache tribe, have to build a new home on a world with not just hostile nature to contend with, but also hostile humans as the Soviets who have poached the planet are still there. And it’s up to Travis Fox, once Time Travel Agent, to guide his people.

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The Outskirter’s Secret — Rosemary Kirstein

Cover of The Outskirter's Secret


The Outskirter’s Secret
Rosemary Kirstein
342 pages
published in 1992

The Outskirter’s Secret is the sequel to The Steerswoman, the second in what’s so far a four book, projected to be seven book series. Kirstein is one of those authors who’ve fallen between the cracks of the science fiction/fantasy field: incredibly loved by those who’ve read her books, but barely known outside that circle of aficionados. The trouble is, for all sort of reasons, she isn’t a fast writer; the first two books in the series were written in 1989 and 1992, the second two in 2003 and 2004, with the fifth scheduled for publishing next year. Perhaps. Which means that, because she’s never been the runaway bestseller kind of author, that her books slip out of print faster than they’re written and you have to luck into finding her books secondhand to be initiated into her cult once you’ve heard people like Jo Walton rave about her. Luckily these days there are ebooks.

The Steerswoman series is science fiction in what looks like a fantasy setting, complete with wizards, dragons and goblins, in which Rowan, the titular steerswoman through her curiosity and intelligence is driven to investigate the nature of her world. Steerswomen (as well as the occasional steerman) are members of what you may call a semi religious order bound to answer any question truthfully as long as in return their own questions are also answered in the same manner. In the first book, Rowan’s curiosity into a peculiar kind of worked blue stone she found made her into a target for a wizard conspiracy. She escaped and in The Outskirter’s Secret, together with her faithful companion Bel, an Outskirter herself, a member of one of the nomadic tribes living in the wildernesses beyond the civilised inner lands, sets out to track down the source of the blue stones, deep in the Outskirts.

Books read

Benjanun Sriduangkaew apologises

Benjanun Sriduangkaew/Requires Hate has broken her silence and apologies for her actions, first at Requires Hate:

Apologies aren’t easy to make. I’ll do my best and acknowledge that it’s not a magic word. First, I will say that I stand by the substance of most of what I’ve said on this blog. But not how I said it. I’ve gained a much better understanding of consequences and how people work, and the way I said much of what I said ignored the humanity of those on the receiving end. It’s a failure of empathy on my part. I make no excuses about this: I own up to what I said, and I own up that I conducted myself fantastically badly. I believed I was doing good and was punching up, and that my methods were perfectly fine weapons when in actuality they really weren’t. No excuses: many things in life can contribute to you conducting yourself one way or another, but generally you have your own agency.

And then at her new blog:

But I want, at least, some measure of a chance to explain myself. I’m not owed this chance. You aren’t obliged to read beyond the line. You don’t have to, at all. But please know that, if I’ve hurt you, I’m sorry.

I’m not one of the people who were attacked by Requires Hate or deceived by Benjanun Sriduangkaew — I doubt I’m on her radar — so it’s not up to me to say whether her apologies are good enough. But I hope they’re sincere and that this can be the start of healing the wounds these actions and those undertaken in defense or retaliation against her have created in science fiction fandom.

It strikes me that Nick Mamatas, by bringing the Requires Hate/Benjanun Sriduangkaew connection out in the open as he did, had it by the right end. Her real identity was an open secret before that, but only if you were in the loop. Mamatas made it impossible for Sriduangkaew to keep up the pretence and he cut down the whispering campaign against her off at the knees.

On a Red Station, Drifting — Aliette de Bodard

Cover of On a Red Station, Drifting


On a Red Station, Drifting
Aliette de Bodard
116 pages
published in 2013

I wasn’t too impressed with the first story of Aliette de Bodard I read, when it was linked from Metafilter. I found the story, set in a Vietnamese or Vietnam inspired far future “too laboured, too trying to be interesting, but in the end it’s just another Orientalist allegory”. Which is somewhat ironic, as De Bodard is actually of Vietnamese descent… Can a writer be Orientalist if she’s actually writing from her own cultural background? That’s a question we’re going to come back to in discussing On a Red Station, Drifting as it’s at the heart of the problems I’ve had reading this book.

The reason I bought On a Red Station, Drifting, after that rough start I had with de Bodard was because she was nominated for the novelette Hugo and I discovered that her nominated story, The Waiting Stars, was “an excellent slice of Banksian space opera, a story of love, family and two incompatible views of the world”. On a Red Station, Drifting promised to be more of the same. It’s set in the same universe as The Waiting Stars, where the Dai Viet Empire ruling the stars makes a welcome retrieve from the usual Roman Empire model. At the time of this novel however it’s in trouble, with a weak emperor on the throne and rebel warlords springing up and taking over star systems.

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Does a Bee care?

Requires Hate is an abrasive blogger from Thailand who made her name pointing out and critiqueing the racism, sexism and orientalism found in science fiction and fantasy, often going after supposedly liberal writers. In the best of circumstances being accused of these things can lead to a defensive response and Requires Hate could be rather aggressive in her criticism. Case in point: her review of Tricia Sullivan’s Double Vision:

It’s a white woman who, through a fictional black woman as her mouthpiece, is describing Japanese men as “little robotic bulls” (the idea of East Asians being robotic itself echoing offensive stereotypes) and “like little Nazis”: not necessarily the comparison that’d first leap to mind when you are describing people who move like robots or even like soldiers at a drill. Later on, after hearing about the sexual assault (perhaps in an attempt to make light of things and make the survivor feel better), Cookie’s friend Gloria idly asks whether it’s true what they say about Asian men’s penis sizes.

And this was for a writer she actually liked at the time. With writers she didn’t, she could be far more biting, if not downright nasty, as with her posts on Cindy Pon’s novels. Furthermore, under her Livejournal persona, Winterfox, she was also accused of bullying and harassment. In short, she made a lot of enemies before she disappeared late last year as it seemed she’d lost the will to blog.

Benjanun Sriduangkaew is a science fiction writer from Thailand who started getting published in 2012, got a fair few excellent short stories published, enough to get her nominated the John W. Campbell Award for best new writer this year. Like any other new writer, she’s active online, on twitter and her blog, which is light and happy and nice and more than a bit twee. You can understand why the moment she got any attention, rumours started that she and Requires Hate were the same person. These rumours apparantly started to intensify around the Worlcon, though the first time I became aware of them was early September, when it was mentioned in the comments at James Nicoll’s blog. Glad I didn’t comment back then so I look smart now, as I was sure it was just stupid to think two people could be the same just because they were from the same neck of the woods and active in sf/fantasy.

Because it turned out to be true this time, as Nick Mamatas officially revealed that yes, Sriduankaew had been blogging as Requires Hate/Winterfox:

Anyway, Benjanun Sriduangkaew used to blog under the name Requires Only That You Hate. I like Bees’s writing, I liked the RotyH blog, and I’ve known (without exact confirmation, but Bees had a contracted story in PHANTASM JAPAN) for quite a while. I suppose I am most interested in the reactions of the people who were yelling that to even suggest that Bees and RH were the same person was racist, which should be hilarious.

All of which would only be mildly interesting if not for the enemies RH/Winterfox had made as a blogger. Because allegedly some of those had been waging a whisper campaign against her, revealing her true identity to her editors and other influential people to try and derail her career. Mostly it’s been done behind the scenes, but at least one author publically called on her readers to write to Sriduankaew’s editors. This sort of doxxing, revealing of real life identities, is one of the worst crimes you think of in many online communities, if only because it’s so often used against people with good reason to be anonymous or pseudonymous. I may have the privilege not to have to worry about keeping my online and offline lives separate, many people don’t.

On the other hand, as has been argued forcefully in James Nicoll’s thread on the news, what’s so wrong in making people aware that sweet butter wouldn’t melt in her mouth Sriduankaew is actually a notorious online bully and abuser? Somebody who’s been careful to not reveal her past, who in fact has been busy memoryholing it?

Which is the biggest problem in getting to the truth of this. So much of what happened has now devolved into he said/she said territory, what with the deletion of posts and comments as well as the general entropy of the internet. None of the people claiming to know the truth are impartial and what’s abuse to one party are just forcefully expressed opinions to the other. What’s more, there are good people on both sides; this isn’t a GamersGate situation or a Vox Day inspired witch hunt. Some of these people genuinely believe that RH was fighting the good fight against racism and orientalism, perhaps a bit abrasive in how she went out it, while others believe that she just used this as a shield to attack women of colour she disliked. The point is, it’s almost impossible for an outsider to find out the truth and at this point it really doesn’t like much like there are any high minded motives behind this fight anymore.

No, this is a good old fashioned fannish feud, where the original cause for the feud are not so much forgotten as irrelevant at this point. People have been hurt and upset on both sides and have caused hurt and upset themselves. Neither side is innocent.

For me personally, I’m going to try and stay out of this fight because I’m far from sure it would solve anything to come down on one side or the other. I like Sriduankaew’s writing, but I also think it would credit herif she was to break her silence and make it official that yes, she was Requires Hate, to be honest about her history. It would credit her enemies to stop trying to ruin her career, or, at the very least be open about believing she’s a toxic influence on science fiction. Don’t keep it festering in the shadows.