Supergirl



I sort of see why people were mocking this when it first came out a couple of days ago, what with looking more rom-comy than superheroy in places, but really this looks fun. A superhero who actually wants to be a superhero and has fun doing it? Not to mention that it looks like this is basically the same way Superman was introduced all the way back in the first Christopher Reeves movie, with the wanting to be normal, the clumsiness and awkwardness, even the picking out a costume scene.

A bit more soap opera in your superhero adventure isn’t a bad thing; that’s how Marvel got so big after all, it keeps your heroes grounded and it makes it more interesting than just an endless stream of hero vs villain fights.

the only things I could’ve done without were the awkward gay joke in the middle and the inevitable secret government service keeping taps of superheroes being hostile without reason, especially not when it’s yet another Gruff Black Military Guy.

Omdat



Bloem was a Dutch band who had their greatest hit with a somewhat corny song a couple of years before this one, a true one hit wonder. I stumbled across this one on one of those nostalgia tv channels; it’s been years since I last heard it. Only a minor hit, a darkly cynical pisstake off the inferiory complex of Dutch language pop singers, “because French is so much more romantic and English more mature”, at a time when the Nederpop boom was just gathering steam. The eighties were a time when a new generation of Dutch musicians, inspired by punk and its d.i.y. ethos no longer wanted to imitate English or American pop but went to sing in their own language. But sadly for Bloem it was too late. A couple of decent songs, two albums and lack of support from their record company meant they called it quits in 1983.

Wrestling isn’t wrestling



In an alternate timeline, if WWF wrestling had had slightly more coverage in the Netherlands in the mid-eighties, rather than being banished to the post-midnight slot on Superchannel/Sky Channel, I would’ve become a wrestling nerd rather than a comix nerd. This video gives a great example of the appeal of wrestling when, as everybody knows, it isn’t real. Starring some people you may recognise.

WTF, have you even seen it?

One William Lehman wrote something stupid about Star Trek:

Say what you will about the SJW Glittery hoo ha crowd, they get this. I speculate that they get it because while we (the guys that grew up watching STOG and said “Hey those doors are COOL, how would you do that for real? Those communicators, could you do that?) went to engineering and hard science classes and started building the future that we wanted, the aforementioned individuals where going to the soft sciences (not real sciences at all in my NSHO) and studied how cultures work.

David Gerrold who, as you know Bob, was actually there at the time as one of the scriptwriters, slapped him down quickly:

I was there. I know what Gene Roddenberry envisioned. He went on at length about it in almost every meeting. He wasn’t about technology, he was about envisioning a world that works for everyone, with no one and nothing left out. Gene Roddenberry was one of the great Social Justice Warriors. You don’t get to claim him or his show as a shield of virtue for a cause he would have disdained.

Most of the stories we wrote were about social justice. “The Cloud Minders,” “A Taste Of Armageddon,” “Errand Of Mercy,” “The Apple,” “Let That Be Your Last Battlefield,” and so many more. We did stories that were about exploring the universe not just because we could build starships, but because we wanted to know who was out there, what was our place in the universe, and what could we learn from the other races out there?

A very Annie Hall moment:



Of course for those of us who paid attention to sf fandom during that time and long after, the idea of Star Trek of all things hold up as an example of hard science fiction ruined by the social justice warriors, is hilarious. Quite a few fans, the sort of people now screaming about SWJ’s, had no time for the series whatsoever while its fandom was literally run by their greatest enemy: women.

It’s all part of an inept kulturkampf of course, run by people with the barest connection to science fiction fandom as a sort of out of control offshoot of Republican fundraising. The worst part about it is that useful idiots like Lehman actually believe the nonsense they spout.

All her Children Fought



Proof you can tell a science fiction story with only three actors and one, not entirely convincing special effect. Based on the story by Tobias Buckell, who has the story of how it came to be up on his blog. It’s an excellent example of how much you can convey with just a bit of subtle incluing, by working within genre expectations. I can’t be the only one to watch this and be reminded of Ender’s Game, can I?

Some comments: I wonder if the choice of accents for the three actors was deliberate or just a coincidence, but it works in contrasting the boy and his minder with the main character. I’m not sure the premisse of the movie is valid, the reason why it’s young boys/children being sent up there rather than adults, but it makes emotional sense.

Kill Me (Ce Soir) — Golden Earring



As a kid growing up in the eighties Golden Earring was just one of those old pop bands that had been around forever, who had a couple of hits everybody knew and of course there was that deeply scary video they did in 1984. It’s only later I knew how influential they could’ve been had they been British or American rather than Dutch. Even so, no one other than Iron Maiden covered this song; it turns out Steve Harris is a fan.