- The Argument That Saved Paris by Ian Buruma | NYRblog | The New York Review of Books – This much is known: Nordling did meet von Choltitz several times, mainly to arrange the release of French political prisoners, and to negotiate a truce (threatened by the Communist resistance as much as by German zealots). We also know that von Choltitz, however aristocratic in his comportment, had been a very ruthless character, responsible for the destruction of the center of Rotterdam in May 1940. Worse that that, in 1942 his regiment flattened Sevastopol, and von Choltitz faithfully carried out orders to “liquidate” the Jewish population. He was a perfect illustration of the complicity on the eastern front of German army officers with the Nazi genocide, a shameful fact that has only recently been acknowledged in Germany.
- Intocht Sint Nicolaaas in Amsterdam in 1935 – YouTube –
- Killer whales living with bottlenose dolphins demonstrate cross-species vocal learning – Now, University of San Diego graduate student Whitney Musser and Hubbs-SeaWorld Research Institute senior research scientist Dr. Ann Bowles have found that killer whales (Orcinus orca) can engage in cross-species vocal learning: when socialized with bottlenose dolphins, they shifted the types of sounds they made to more closely match their social partners. The results, published in the Journal of the Acoustical Society of America, suggest that vocal imitation may facilitate social interactions in cetaceans. Read more at: http://phys.org/news/2014-10-killer-whales-bottlenose-dolphins-cross-species.html#jCp
- Dust – Lightspeed Magazine – Very late at night, when the buzz of drill dozers has died out, I can hear her breathing. I know that sounds crazy. I don’t care.
- SSLv3 goes to the dogs; POODLE kills off protocol – Over the past week, rumours were circulating about a new vulnerability in SSLv3. No details were widely available until today and now we have POODLE, the 'Padding Oracle On Downgraded Legacy Encryption' attack. The attack, specifically against the SSLv3 protocol, allows an attacker to obtain the plaintext of certain parts of an SSL connection, such as the cookie. Similar to BEAST, but more practical to carry out, POODLE could well signal the end of SSLv3 support.
- Tricia Sullivan and Shadowboxer – Imgur –
Requires Hate is an abrasive blogger from Thailand who made her name pointing out and critiqueing the racism, sexism and orientalism found in science fiction and fantasy, often going after supposedly liberal writers. In the best of circumstances being accused of these things can lead to a defensive response and Requires Hate could be rather aggressive in her criticism. Case in point: her review of Tricia Sullivan’s Double Vision:
It’s a white woman who, through a fictional black woman as her mouthpiece, is describing Japanese men as “little robotic bulls” (the idea of East Asians being robotic itself echoing offensive stereotypes) and “like little Nazis”: not necessarily the comparison that’d first leap to mind when you are describing people who move like robots or even like soldiers at a drill. Later on, after hearing about the sexual assault (perhaps in an attempt to make light of things and make the survivor feel better), Cookie’s friend Gloria idly asks whether it’s true what they say about Asian men’s penis sizes.
And this was for a writer she actually liked at the time. With writers she didn’t, she could be far more biting, if not downright nasty, as with her posts on Cindy Pon’s novels. Furthermore, under her Livejournal persona, Winterfox, she was also accused of bullying and harassment. In short, she made a lot of enemies before she disappeared late last year as it seemed she’d lost the will to blog.
Benjanun Sriduangkaew is a science fiction writer from Thailand who started getting published in 2012, got a fair few excellent short stories published, enough to get her nominated the John W. Campbell Award for best new writer this year. Like any other new writer, she’s active online, on twitter and her blog, which is light and happy and nice and more than a bit twee. You can understand why the moment she got any attention, rumours started that she and Requires Hate were the same person. These rumours apparantly started to intensify around the Worlcon, though the first time I became aware of them was early September, when it was mentioned in the comments at James Nicoll’s blog. Glad I didn’t comment back then so I look smart now, as I was sure it was just stupid to think two people could be the same just because they were from the same neck of the woods and active in sf/fantasy.
Because it turned out to be true this time, as Nick Mamatas officially revealed that yes, Sriduankaew had been blogging as Requires Hate/Winterfox:
Anyway, Benjanun Sriduangkaew used to blog under the name Requires Only That You Hate. I like Bees’s writing, I liked the RotyH blog, and I’ve known (without exact confirmation, but Bees had a contracted story in PHANTASM JAPAN) for quite a while. I suppose I am most interested in the reactions of the people who were yelling that to even suggest that Bees and RH were the same person was racist, which should be hilarious.
All of which would only be mildly interesting if not for the enemies RH/Winterfox had made as a blogger. Because allegedly some of those had been waging a whisper campaign against her, revealing her true identity to her editors and other influential people to try and derail her career. Mostly it’s been done behind the scenes, but at least one author publically called on her readers to write to Sriduankaew’s editors. This sort of doxxing, revealing of real life identities, is one of the worst crimes you think of in many online communities, if only because it’s so often used against people with good reason to be anonymous or pseudonymous. I may have the privilege not to have to worry about keeping my online and offline lives separate, many people don’t.
On the other hand, as has been argued forcefully in James Nicoll’s thread on the news, what’s so wrong in making people aware that sweet butter wouldn’t melt in her mouth Sriduankaew is actually a notorious online bully and abuser? Somebody who’s been careful to not reveal her past, who in fact has been busy memoryholing it?
Which is the biggest problem in getting to the truth of this. So much of what happened has now devolved into he said/she said territory, what with the deletion of posts and comments as well as the general entropy of the internet. None of the people claiming to know the truth are impartial and what’s abuse to one party are just forcefully expressed opinions to the other. What’s more, there are good people on both sides; this isn’t a GamersGate situation or a Vox Day inspired witch hunt. Some of these people genuinely believe that RH was fighting the good fight against racism and orientalism, perhaps a bit abrasive in how she went out it, while others believe that she just used this as a shield to attack women of colour she disliked. The point is, it’s almost impossible for an outsider to find out the truth and at this point it really doesn’t like much like there are any high minded motives behind this fight anymore.
No, this is a good old fashioned fannish feud, where the original cause for the feud are not so much forgotten as irrelevant at this point. People have been hurt and upset on both sides and have caused hurt and upset themselves. Neither side is innocent.
For me personally, I’m going to try and stay out of this fight because I’m far from sure it would solve anything to come down on one side or the other. I like Sriduankaew’s writing, but I also think it would credit herif she was to break her silence and make it official that yes, she was Requires Hate, to be honest about her history. It would credit her enemies to stop trying to ruin her career, or, at the very least be open about believing she’s a toxic influence on science fiction. Don’t keep it festering in the shadows.
I’m still here, but yet I’m gone
I don’t play guitar or sing my songs
They never defined who I am
The man that loves you ’til the end
You’re the last person I will love
You’re the last face I will recall
And best of all, I’m not gonna to miss you.
“I’m Not Gonna Miss You” is Glen Campbell latest and last ever song. Diagnosed with Alzheimer’s disease back in 2011, he embarked on his farewell tour which finished 2012. Now checked into a long term Alzheimer’s care facility, “I’m Not Gonna Miss You” is his farewell song to his wife in the knowledge that the disease is taking away his memories of her.
Not a video you can finish with dry eyes.
- Guest Blog: Imagining Future Africa: Sci Fi, Innovation & Technology. | CONNECT/ZA –
- The Daily Targum :: Neither man nor woman: life as a non-binary student – On the bottom of my column, I use the pronoun “they.” This isn’t a typo, despite what many writers at The Guardian and Telegraph assumed as they reported on my Trigger Warning activism. Indeed, I do not identify as a man, the gender I was assigned at birth. I identify as a non-binary student.
- From the Heart of Europe – Refugees of Casablanca –
- The First Female Gamers – Could it really have been so unthinkable to Gygax that a woman would purchase Dungeons & Dragons? His game went on to wild, unprecedented popularity, and women constituted no small part of its long-term audience. To appreciate the situation in 1974, we must understand the market Dungeons & Dragons entered, and the curious consumer group it targeted: gamers.
- Retired NSA Technical Director Explains Snowden Docs – Well, they participate in the parallel reconstruction. So, in other words, when you can't use the data, you have to go out and do a parallel construction, means you use what you would normally consider to be investigative techniques, go find the data. You have a little hint, though. NSA is telling you where the data is, it makes you look really good. If you have it quickly. So then you can justify, taking it into court and use that in court. And so I call that perjury. In fact, I call this a 'Planned Program Perjury Policy' run by the Department of Justice of the United States. And, it's not just affecting our democracy, it's subverting our entire court system. It's not only subverting ours, it's subverting everybody's in the world that has a relationship with the FBI or the DEA. So this is infecting entire democracies, all of the world.
published in 2014
Ann Leckie’s debut novel, Ancillary Justice, won about every major science fiction award going: the BSFA, the Clarke, The Nebula and the Hugo, the first time any author won the four most important awards in the field with the same book, let alone with their debut novel. Anticipation has therefore been high for the sequel, not least on my part. Would Leckie been able to keep up the high standard of her debut? Would Ancillary Sword build up on it or be more of the same? Is Ann Leckie really the major new sf talent she seems to be or just a flash in the pan?
The main reason for Ancillary Justice‘s impact was Leckie’s use of gender. The Radchaai culture she created uses female pronouns exclusively, making no distinction between male and female in their language. but it goes further than just mere language. Leckie’s protagonist, Breq, struggles with establishing gender, has to consciously evaluate gender clues even when she does speak a gendered language. Possibly this is because she’s an ancillary — one of the meat puppet extensions of a ship AI — because from what we saw in the first novel other Radchaai had no such difficulties. Breq is also the last surviving part of her ship AI because her ship, The Justice of Toren was killed by the immortal ruler of the Radch, Anaander Mianaai, at war with herself.
Allow me to hijack the ongoing controversy in the online comix communities about the evils of cosplayers and how they don’t spent enough at comic conventions to make a tangentially related point:
I think Denise Dorman’s railing against the ‘instagram’ generation is hilarious but actually has a point–she’s just not using the best terminology to describe what is an actual phenomenon–before 5 years ago, no one (in their right mind) would go to a show thinking that they were an ‘attraction’ without buying themselves an exhibition space, a booth, an artist alley table, something. However, in the last few years the number of people who think that a badge (whether paid for or comped) entitles them to an audience within a convention space is on the rise dramatically. It’s been pegged as cosplayers, and honestly there are more cosplayers at shows than ever, and more professional cosplayers who are going to shows to make money and build an audience. Cosplayers attending shows as businesspeople, who aren’t contributing to the economy of the show.
As you know Bob, comics cons started as spinoffs of existing sf fandom, by people who were steeped in the mores and history of fandom and the original comics cons were very much like the sf cons, by fans for fans, with little to no distinction between fans and pros and without looking to make a profit. Where comics fandom went wrong was that conventions went commercial in the first place, which started at the very latest in the mid eighties. As the comics industry itself collapsed but cons like San Diego grew year on year, that commercialisation just grew more blatant. It’s the same thing you see with niche cable channels: they may start out with all kind of lofty aspirations and call themselves The Learning Channel, but if the money’s in crappy reality shows, that’s what they’ll end up doing. There’s no money in selling comics, so you get expensive nerd toys instead.
Cosplay meanwhile, for all its “professional” cosplayers, is still pretty much done for the love of the characters and the art itself. At worst it’s a symptom, not a cause of the difficulties comics have in being visible at comics cons. Chris Butcher is right when he says that:
The changing convention landscape is inherently shitty for people who make comic books. Art comix, indy comics, mainstream comics, whatever comics, the changing makeup of conventions is hostile to people who want to make and sell comics at comic conventions. And let me be clear, this is comic books and graphic novels, as opposed to ‘prints’ or crafts or whatever manner of tchotchkes makeup most exhibitor tables these days. Basically, comic book conventions are aggressively attracting an audience who don’t necessarily value books, or comic books.
What seems to be missing in the (American) comics convention landscape is what you still have in science fiction: a thriving fan run, non-commercial con scene. There’s Dragoncon, but there’s also Worldcon. And whereas science fiction writers may drown in the media orientated atmosphere of the former, they can thrive in the latter. The fan conventions help build and retain an audience that might otherwise not exist.
But perhaps the dismal state of mainstream comics cons is due to the dismal state of the (supposedly mainstream) superhero comic. Superheroes are more popular than ever, but the actual comics seem to be bought only by an aging and shrinking fanbase. New fans meanwhile are drawn in by movies, tv shows and cartoons, anything but comics and hence are at best interested in comics as a tertiary activity. In such a climate it’s no wonder people like Dorman find themselves struggling. They’re cut off from their audience and the new people don’t know who they are nor why they should spent $50 or more on a sketch. That’s not going to change by banning cosplayers. That can only change if you get more comics cons not run for profit, not aiming to maximalise its audience at the expense of a focus on comics, have more people, pro and fan both, go there for the love of comics, not as a business.
Judgement on Janus
published in 1963
It’s a miracle: I actually managed to start an Andre Norton series in the right order: Judgement on Janus is the first of a duology, together with Victory on Janus. Another minor miracle is the fact that my copy lasted long enough for me to read it as the cover was flaking off something fierce. Normally Ace paperbacks hold up better. This is actually one of the first Norton novels I’d bought, years ago, but had never read so far.
Naill Renfro is a young man who, caught up in the slums of the Dipple, sells himself as indentured labour (just like Charis Nordholm) in order to have enough money to give his mother a dignified death. He ends up on the planet Janus, where dour religious fanatics fight a never ending battle against the primeval forests covering the planet. These forests they consider a source of evil, as they do many things, especially the alien relics or treasures occassionally found. These are supposed to be reported and destroyed immediately. Those who don’t report it and try to keep them for themselves are punished by god with the green sick and left in the forest to die. Three guesses what happens to Naill.
- Where Should We Bury the Dead Racist Literary Giants? – The Awl – At the same time, focusing on race in Lovecraft can also lead to a greater appreciation of his work, and a better understanding of its horror. Joshi may think he's protecting Lovecraft's legacy by minimizing the role of race in his stories, but the truth is that, to the extent that Lovecraft is still meaningful, it's in large part because of his portrait of his own racism. Lovecraft isn't a great artist despite being a racist, as Joshi would have it. Nor is he a lousy artist because he's a racist, as Older says. He's a great artist and he's a racist: Lovecraft's world is one in which racism poisons everything, in which the fear of anyone who isn't white is so overwhelming that it fills the seas and the skies and everything in between with gibbering demons and cosmic despair. The bleak, clotted hatred with which he renders that world is precisely what makes his work valuable.
- What to read on the Tory proposals for a “Bill of Rights” | Jack of Kent –
- GUEST POST: Of Meat Hooks and Desire by Max Gladstone | Brian Staveley – There’s more to life than stabbing people in the gut. Or melting their faces off with a fireball. Or being dropped out of a helicopter, or tortured with a potato peeler.
- Fantasy-Faction World Tour of Wonderment: The Netherlands | Fantasy-Faction –
- Marvel & Jack Kirby Family Settle Long-Running Legal Dispute – Page 5 – So what happened wasn't that the Kirby family sued Marvel just because they one day decided to up and want more money. They didn't even sue. What they did was file for termination of copyright assignment — the very thing that the law allows creators to do. They didn't do this against the wishes of Kirby himself — Kirby had been all for doing it, ever since the law had been changed. But they had to wait a certain amount of time, and Kirby didn't live long enough to see it happen. But he was always on board with it.
Exiles of the Stars
published in 1971
It was clear from the first page that Exiles to the Stars was a sequel and a quick trip to Librarything confirmed that this was a sequel to Moon of Three Rings, which I’ve never read. It’s neither the first nor likely the last time I’ll read a sequel before the original novel and in Norts on’s case, since she wrote before the rise of the epic fantasy series, her novels always tell complete stories, with anything you need to know from earlier books neatly explained. In Exiles of the Stars the things that need explaining are the protagonists, Krip Vorlund and his companion Maelen. Both are not what they seem. Krip outwardly looks like a Thassa, a humanoid alien race, but his midn is human, having taken over the thassa body when his original was destroyed. The same thing happened to Maelen, now inhabiting the form of a glasssa, a small four footed hunting animal where she once had been a woman and priestess on a planet where the priesthood was adept at body switching. All this of course the result of the action from the previous novel.
Their prediciment shows up the important role psi powers and mind control play in Norton’s space opera, as it does here. Many of her heroes either encounter ESP or discover their own talents during their adventures. It can feel a bit old fashioned, on a par with the navigation tapes used to steer the spaceships. But in this case it also shows how large and strange Norton’s universe is, where her heroes are lucky to survive, let alone thriumph. Occasionally in the wrong body.
So GamersGate. A bunch of petulant man children from the open sewer of the internet got roped into some creep’s crusade against his ex-girlfriend under the banner of “objective gaming journalism”, spewed the usual mix of rape and death threats against her, but Zoe Quinn, their intended victim, turned out to be smarter than the lot of them and had infiltrated their main planning channel for weeks. These losers are still sputtering on, the 101st chairborne brigade fighting a losing war against the forces of social justice on blogs and Twitter, a tweet too far.
What kind of lame company would let themselves be roped into their campaign and feel pressured to withdraw advertising from a gaming site just because they say so? Intell, that’s who:
GamerGate’s ballyhooed success with Intel reveals them to be a movement for “journalistic integrity” that is willing to use major corporate sponsors to dictate the editorial content of a website for no reason other than the fact that they disagree with it. As a “consumer revolt,” it has shown itself to be a neoliberal nightmare wherein large corporations are the heroes and plucky independent journalists are the “elite” villains who need to be toppled.
(Incidently, the habit of Feministing here to blank out the Twitter accounts sending death threats in their screenshots but not those of the victims of said threats is mildly annoying.)
By giving in to blackmail, Intel has enabled the most whining, dumbest and aggressive part of videogaming “culture” to terrorise more women and the websites that publish them, in exchange for much more negative p.r. than it would’ve had, had it refused to play ball. The LoserGaters are a noisy and obnoxious part of gaming, but they’re only a minority. Normal people, sane people, want nothing to do with them.