The 2012 Clarke Award short list is out

Remember a couple of weeks ago I tried to predict the Clarke Award shortlist? Yeah, It’s not looking good:

The six shortlisted books are:

Greg Bear, Hull Zero Three (Gollancz)
Drew Magary, The End Specialist (Harper Voyager)
China Miéville, Embassytown (Macmillan)
Jane Rogers, The Testament of Jessie Lamb (Sandstone Press)
Charles Stross, Rule 34 (Orbit)
Sheri S.Tepper, The Waters Rising (Gollancz)

That’s two out of six, with only one book out of the shortlist read (Rule 34) and one more on the to be read list (Embassytown). Not a very inspiring list, what with Bear and Tepper on there, both being Big Name American science fiction authors whose best work is decades in the past at this point. Coming after the nomination of a Tim Powers book last year that was a decade old, it seems “respectable but aging American novelists” is the Clarke’s version of Connie Wilis…

Unbearable whiteness of British science fiction

Pie chart depicting the race of 2011 Clarke Award submissions

Everything is Nice has some nice, juicy posts up analysing the eligible submissions for the 2011 Clarke Award. The Clarke Award is awarded annually for the best science fiction (or fantasy) novel published in the UK the previous year. It doesn’t have a long list but a short list is selected from all submitted novels; those submissions cover roughly 90-95 percent or so of new sf&f novels being published in the UK each year. Some works of course always slip through the crack, especially from non-sf publishers who don’t know or care about the awards. The Clarke Award submissions list than is a good, but not perfect indicator of the state of the UK’s sf publishing industry and as such Martin Lewis has analysed them, which resulted in e.g. the figure above.

In other words: sf publishing is only marginally less white than the group of writers the BBC thinks represents the future of British literary fiction. And worse, it has a much bigger gender imbalance: only 17 percent of the 54 novels submitted this year were written by women. Martin also looks at other identity markers (sexuality, nationality) and it all points to the conclusion that it’s largely straight, white British or American men that were published last year. (The raw data for all this can be found at Torque Control. )

The questions this inevitably puts to mind are a) is this analysis reliable when applied to the general state of the UK’s sf&f publishing industry as opposed to just the Clarke Award submissions b) is this a bad thing (imo: yes) and c) what can we do about it?

Assuming the answer to a) and b) are both yes, the question what we readers can do to change this situation is a difficult one to answer. You can only buy what’s being published after all and if only two books out of fifty-plus are by people of colour, how big an impact will it have when enough people buy their books? It’s easier to send a signal by boycotting a given company’s products, not so easy to express a preference through your buying habits. More projects and media attention to under represented people in science fiction as with the various “women sf writers” reading projects started this year would be a start, but are only suited to provide attention to this problem, not solve it. Suggestions?

China Miéville wins Clarke Award

Via Lenin’s Tomb comes the news that China Miéville has won the 2005 Arthur C. Clarke Award for his 2004 novel Iron Council. According to the Clarke Award’s administrator Paul Kincaid:

“Iron Council by China Miéville focuses sharply on political change, but note how many things feed into
that change: wealth and suffering and sexuality and hope. This is the point at which the conflict between the moral and the political which has underpinned his previous books bursts into the open. There are many wrongs in Miéville’s world, but very few rights, and politics in all its forms from simple co-operation to bloody revolution, is shown to be the frail and fallible attempt to find a way in the world. And in the last few dramatic pages, this is a novel about closing Pandora’s Box because of the necessity of preserving hope.

Iron Council is also still up for the Hugo Awards. So far however, not one Clarke Award winner has gone on to win the Hugo as well; might Iron Council be the first?