Final Hugo Ballot 2015

Less then a week to go to Hugo voting closes, so here’s my final ballot. First, to recap, the categories I’ll be no awarding for Puppy-related reasons:

  • Best Novella
  • Best Novelette
  • Best Short Story
  • Best Related Work
  • Best Dramatic Presentation, Long Form
  • Best Dramatic Presentation, Short Form
  • Best Editor, Short Form
  • Best Editor, Long Form
  • Best Professional Artist
  • Best Fanzine
  • Best Fancast
  • Best Fan Writer
  • John W. Campbell Award (not a Hugo)

Which leaves Best Novel:

  1. The Goblin Emperor — Katherine Addison.
  2. The Three-Body Problem — Cixin Liu
  3. Ancillary Sword — Ann Leckie

Best Graphic Story:

  1. Ms. Marvel, v1 — Adrian Alphona, G. Willow Wilson
  2. Saga, v3 — Brian K. Vaughan, Fiona Staples
  3. Sex Criminals, v1 — Matt Fraction, Chip Zdarsky
  4. Rat Queens, v1 — Kurtis J. Wiebe, Roc Upchurch

Best Semiprozine:

  1. Strange Horizons — Niall Harrison
  2. Lightspeed Magazine — John Joseph Adams, Stefan Rudnicki, Rich Horton, Wendy N. Wagner, and Christie Yant
  3. Beneath Ceaseless Skies — Scott H. Andrews

Best Fan Artist (the only category with no Puppy infestation):

  1. Ninni Aalto: cute cartooning, in a mix of Finnish and English
  2. Elizabeth Leggett: gorgeous paintings
  3. Spring Schoenhuth: also nominated last year for her jewelry, a reminder that fan art doesn’t need to be two-dimensional
  4. Steve Stiles: a regular nominee, decent enough but nothing special
  5. Brad Foster: another Fan Artist regular, with the most nominations and wins of everybody. He doesn’t need any more, does he?

And that’s the Hugo Awards dealt with for another year. Thanks to the Pups, it cost less time than last year, but I’m still filling my ballot in at the last possible moment.

Best Novel Hugo vote 2015

I don’t have to telly you I won’t be voting for any Puppy candidates, right, so the question becomes which of the three non-Puppy candidates will get my vote. Even diminished, this is a great shortlist:

    The Goblin Emperor — Katherine Addison.

    The Goblin Emperor at heart is a very traditional power fantasy, about the boy of humble origins who becomes emperor by happenstance and now has to very quickly learn how to survive in a world of political intrigue he’s completely unprepared for, filled with people who either want to manipulate him or replace him with a better figurehead. It’s one of those fantasy scenarios other writers can write multiple trilogies about to get to that point, but Katherine Addison has her goblin hero confirmed as the emperor within five pages, the rest of the novel being about him getting to grips with his new job, woefully inadequate though he feels.

    The Three-Body Problem — Cixin Liu

    What makes The Three-Body Problem almost missing out on the Hugo shortlist deeply ironic, is that it’s exactly the kind of oldfashioned hard science fiction the people behind this year’s vote rigging were supposed to be all in favour of. It revolves around the mystery of why all those physicists are killing themselves, the answer to which seems to be that fundamental principles of physics are broken… There are some great moments of sense of wonder, of conceptual breakthrough in it, as well as some characters Asimov would think were a bit two-dimensional.

    Ancillary Sword — Ann Leckie

    Ann Leckie’s debut novel, Ancillary Justice, won about every major science fiction award going: the BSFA, the Clarke, The Nebula and the Hugo, the first time any author won the four most important awards in the field with the same book, let alone with their debut novel. Anticipation has therefore been high for the sequel, not least on my part. Would Leckie been able to keep up the high standard of her debut? Would Ancillary Sword build up on it or be more of the same? Is Ann Leckie really the major new sf talent she seems to be or just a flash in the pan?

    I will be happy to see any of these three novels win, but this will be my voting order. Ann Leckie has had such a good year already I’d rather see either Addison or Liu win, but Addison slightly more just because how much fun The Goblin Emperor was.

The Goblin Emperor — Katherine Addison

Cover of The Goblin Emperor


The Goblin Emperor
Katherine Addison
502 pages
published in 2014

One of the dirty little secrets of book reviewing is that the circumstances under which you read any given book can massively influence how you feel about it. Since I read the first half of The Goblin Emperor on a sunny Thursday afternoon while drinking a nice IPA sitting at an Amsterdam terrace and the other half sitting in my garden on the Friday afternoon following, drinking an even nicer IPA, it’s no wonder I feel quite mellow about it. But in this case I would’ve enjoyed it even had I read it during one of the grey, dull, wet afternoons that you normally get in Amsterdam in early April. This is a great novel and well deserves its Hugo nomination. It’s also the sort of novel you can’t help but read fast, a true page turner.

The Goblin Emperor at heart is a very traditional power fantasy, about the boy of humble origins who becomes emperor by happenstance and now has to very quickly learn how to survive in a world of political intrigue he’s completely unprepared for, filled with people who either want to manipulate him or replace him with a better figurehead. It’s one of those fantasy scenarios other writers can write multiple trilogies about to get to that point, but Katherine Addison has her goblin hero confirmed as the emperor within five pages, the rest of the novel being about him getting to grips with his new job, woefully inadequate though he feels.

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