Whose Body? — Dorothy L. Sayers

Cover of Whose Body?


Whose Body?
Dorothy L. Sayers
191 pages
published in 1923

Back in 2001 when I started this booklog I’d just discovered Dorothy L. Sayers and her Lord Peter Wimsey detective novels, which explains the high porportion of them amongst the crime fiction I read in 2002/02. At the time I read whatever one I could get my hands on, without regards to publication order, which led to some unfortunate accidents, like reading Have his Carcass before Strong Poison. Once I’d finished the series I was a bit sated, which explains why I hadn’t read another Lord Peter novel in over four years. But when I was looking for a light, short detective novel to read in bed one dreary weekend, my eye fell on Whose Body? and I thought it high time to reread it.

Whose Body? is the first Lord Peter Wimsey novel, originally published in 1923. We first meet Lord Peter in the back of a cab, on his way to a rare books action, when he realises he left his catalogue at home. One damn and a annoyed taxi driver later, he’s back just in time to hear his man Bunter answer the phone. Luckily he come home when he did, because it’s his mother, the Dowager Duchess, who asks him to help with a spot of bother for one her acquaintances, Tipps, who just found a body in his bathtub – a stark naked body, apart from a pair of eyeglasses.

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Swiftly — Adam Roberts

Cover of Swiftly


Swiftly
Adam Roberts
359 pages
published in 2008

I’m not a great fan of Adam Roberts, as my reviews of his first two novels, Salt and On, as well as his first book on science fiction show. He has a style of writing that is too flat and detached for my liking, a penchant for using unlikeable characters as his protagonists, some difficulty in creating a good story and a view of science fiction I don’t share. In both Salt and On Roberts had created interesting settings, but fell down on providing the characters and story to do justice to them.

Swiftly, not to be confused with his earlier collection of short stories also called Swiftly, is Adam Roberts’ latest novel, a continuation of Jonathan Swift’s classic proto-science fiction novel, Gulliver’s Travels. Roberts takes Swift’s satire on early eigthteen
century Britain and Europe and imagines what could’ve happened if Lilliput, Brobdingnag, Laputa and the Houyhnhnms were real, what the world could’ve looked like almost one and a half centuries later, in 1848. Now there are huge armies of Liliputians (or rather the more reliable Blefuscudians) working in England’s industries, bought and sold as so many animals. The Houyhnhnms have been enlisted as His Majesty’s Sapient Cavalry, while the Royal Navy has killed most of the Brobdingnagians as a menace to the British Empire. There’s another war with France going on, one England is winning handily, laying siege to Versailles.

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Righting English that’s Gone Dutch — Joy Burrough – Boenisch

Cover of Righting English That's Gone Dutch


Righting English That’s Gone Dutch
Joy Burrough – Boenisch
166 pages including index
published in 2004

I was going to start this review with a funny paragraph containing most or all of the errors Joy Burrough – Boenisch talks about in her book, but decided to be merciful and spare you the hilarity. If you do want examples, I’m sure I’ve made most of the mistakes she mentions at one time or another, either here or on my other blogs. Though I pride myself — like everybody else in the Netherlands — on my good command of English, both written and spoken, I still make the ocassional mistake, especially when tired or in a hurry. It’s in those circumstances, when I’m not paying quite enough attention to what I’m writing and rely on instinct, that Dutch habits take over and mistakes are made, because I
use the wrong translation, attempt to use Dutch rules of grammar, or do something else that works in Dutch but not as well or at all in English.

Which is what Righting English That’s Gone Dutch is all about: those errors people with Dutch as their first language make in English when they go by assumptions carried over from the Dutch. It’s intended for people who are perfectly comfortable writing in English, perhaps a little
bit too comfortable, but who don’t quite have the command of English a native speaker would have. As the author puts it, it’s for people who write perfectly grammatical English, but with a Dutch accent: Dunglish. As such Righting English That’s Gone Dutch isn’t intended for people who only have a modest grasp of English, but for those of us who can write English perfectly well, apart from several niggling habits we’ve carried over from Dutch.

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British Summertime — Paul Cornell

Cover of British Summertime


British Summertime
Paul Cornell
404 pages
published in 2002

British Summertime was a novel I didn’t have high expectations of, but which pleasantly surprised me. It was one of the first books I picked up on my latest library run, as something that looked good enough to take home if I didn’t find anything else. Although I did find several other, more promising novels that day (including Ink and Swiftly, I still took it home with me, read a couple of pages and banished it to the bottom of the stack. It was only when I’d finished all the other novels I’d picked up that I started on this and to my amazement found myself utterly captivated. I was all the more surprised because it quickly turned out that this was a deeply Christian novel, while I am anything but.

Usually, religion is politely ignored in science fiction, apart from the occasional made-up pagan rites to spice up some space opera or other. And when it does appear, it’s usually because the author has an axe to grind. It’s rare to find genuinely Christian characters in science fiction without them being stereotypes, but British Summertime has them, as well as a plot revolving around the literal truth of Christianity and manages to do so without me throwing the book against the wall. Not a mean feat, that. It works because Cornell treats it as just another interesting science fiction idea to play with.

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The Later Roman Empire — Averil Cameron

Cover of The Later Roman Empire


The Later Roman Empire
Averil Cameron
238 pages including index
published in 1993

As you may have noticed if you’re a regular reader of my booklog, is that I’ve developed a mild obsession with Late Antiquity and the Roman Empire, fueled by the two excellent books I got out of the library last year, Peter Heather’s The Fall of the Roman Empire and Bryan Ward-Perkins’ The Fall of Rome. Before that I’d only read about Rome in a few history lessons at school, a couple of popular history books for kids and a shedload of Asterix comics, all of which emphasised the early days of Rome, up until Caesar and Augustus, with perhaps a bit of Nero thrown in. Everything after the first century CE was largely ignored or at best only mentioned briefly; the later centuries of the Roman Empire are seen as an afterthought, a long slide into barbarism ala Edward Gibbon.

Yet if you start reading more academic treatments of Roman history, you soon discover that this view has long been abandonded, ever since the publication of Peter Brown’s The World of Late antiquity in 1971. That was the first popular book to do away with the idea of the dark ages, re-emphasising the continuity between the Christianised empire of the third century CE and the Early Middle Ages, as well as the continuing survival of the Eastern Empire centered around Byzantium, as opposed to the Western Empire’s breakup. Averil Cameron’s The Later Roman Empire is one product of this re-emphasis. Published in 1993 as a volume in the Fontana History of the Ancient World, it shows that the view put forth by Peter Brown has won mainstream acceptance. It is meant as a standard textbook on the late Roman Empire, because none such was yet written in English, as the preface explains.

As a textbook The Later Roman Empire gives a largely chronological overview of the late Roman Empire, starting with the rule of Diocletian in 284 CE and ending with Theodosius, the last emperor to rule both the Western and the Easterns halves of the Roman Empire. This is largely a political and military history, with the emphasis on how the Roman state survived the turmoils of the third century and consolidated itself in the early fourth century and subsequent rise of Byzantium as alternative power centre to Rome. One important aspect of this evolution is the relationship between the Roman state and Christianity, which from the time of Constantine became the official state religion. This had of course an incredible impact on the further development of the empire, both strenghten it, giving it more cohesion, but also leading to dangerous rifts due to the differences in doctrine between the various streams of Christianity in existence then. The last few chapters abandon the chronological approach for a look at the late empire in general, examining its economy, society, culture and the way the army was changing in coming to terms with the threat of barbarian invasion. Again, the role of Christianity is given special attention in these chapters.

What Averil Cameron attempts to show in this book is the continuity of the Roman Empire, both in the problems engulfing it in the third century, as in the ways it survived into the fourth and fifth century CE, and even after it had officially fallen. In sketching her view of the fourth century, Cameron shows both, as she puts it, “the resilience of the Roman imperial systems and the inertia of pre-modern society. If she shows that many of the supposedly unique problems of the late Roman Empire had been present much earlier, she also shows the failure of the Empire to deal with them: it manages to survive and consilidate, but it’s a precarious survival and it only takes a bad run of luck for the western empire to largely be destroyed at the end of the fourth century. At the same time, she continues to emphasise the ways in which major portions of the empire did survive and indeed thrive in the east.

The Later Roman Empire gives a good overview of a period of history I until recently knew little about, but I have to admit it was a little bit too dry for me. This is partially due to the attention paid to Christianity and its response to the changes in the world surrounding it, it’s adaptation to becoming a state religion and the various crisises it underwent during this adaptation. It’s not a subject that interests me greatly to be honest, but it is central to this book. It made for some difficult reading at times, but on the whole this was another interesting look at the late Roman Empire.