The Prize in the Game – Jo Walton

Cover of The Prize in the Game


The Prize in the Game
Jo Walton
341 pages
published in 2002

I’ve known Jo Walton a long time, from before she became a succesful novelist, when she was “just” one of the most interesting posters in various Usenet groups like rec.arts.sf.written and Rec.arts.sf.fandom. You could therefore say I wanted this novel to be good. Fortunately, having read one of her earlier novels, The King’s Peace, I knew it was very likely going to be. And I was right.

Which reminds me that The Prize in the Game is actually set in the same world as The King’s Peace and functions as a sort of prequel to it, showing the background story of some of the secondary characters. You don’t need to have read it to enjoy The Prize in the Game however; it completely stands on its own. The quickest way to describe The Prize in the Game is as a coming of age novel set in a fantasy version of Celtic Ireland, in which some of the viewpoint characters may not actually come of age. Be careful though to assume too much from this; the island of Tir Isarnagiri differs from the real or even mythological Ireland in important ways. No leprechauns here.

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Slaughterhouse-Five – Kurt Vonnegut

Cover of Slaughterhouse-Five


Slaughterhouse-Five
Kurt Vonnegut
215 pages
published in 1969

Back in the days when I read every book in the local library which had that little squiggle on it that meant it was science fiction, I read and reread a hell of a lot of Vonnegut. Books like Breakfast for Champions,God Bless You, Mr. Rosewater, Slapstick and of course Slaughterhouse-Five. At the time I read them without any consideration of their literary status, but simply because Vonnegut was a science fiction author and I read science fiction, even if much of the Vonnegut novels I read weren’t quite science fiction. I liked them for their cynical black humour and inventive, seemingly slapdash plots.

Rereading Slaughterhouse-Five some twenty years later it’s easy to see why it made such an impression as a work of literature and why it’s so popular with generations of English students. It’s chock full of the sort of symbolism that makes it an easy book to dissect in a student essay. However, that also makes it hard to write about now, almost forty years after its first publication, because so much has been written about it already. I don’t want to write a review that comes over as yet another student paper.

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The Battle of Venezuela – Michael McCaughan

Cover of The Battle of Venezuela


The Battle of Venezuela
Michael McCaughan
166 pages
published in 2004

If there’s any subject where the failure of the western news media to fulfil its supposed function of objectively informing its audience is completely uncontroversial, it should be Venezuela. This was especially apparant during the 2002 coup against Hugo Chavez, when leading western newspapers like The New York Times portrayed it as a democratic uprising against a dictator. It ignored the fact that while Chavez had been democratically elected and had made no attempt to suppress political opposition against his government, the coupists immediately suspended the constitution, started imprisoning Chavez supporters and in generally behave like the traditional juntas off Latin America. Even after the coup failed the agitation against Chavez in western media continued, again portraying him as a dictator and a lunatic for withdrawing the broadcasting licence of a television station heavily involved in the coup. In short, it’s impossible to get an objective view of Venezuela from
the mainstream media.

And while there are alternative news sources that attempt to correct the skewed portrayal of the country, but I’ve found for myself that these are not enough to get the whole picture if like me you don’t speak Spanish. Which is why The Battle of Venezuela was such an excellent find, as here you have a short to the point history of Venezuela and the Boliverian revolution, written by a “proper journalist” with no axe to grind against Chavez. At this length (only 166 pages in the edition I read) you can’t expect an in-depth analysis, but as a general introduction it would be hard to beat.

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Ammonite – Nicola Griffith

Cover of Ammonite


Ammonite
Nicola Griffith
386 pages
published in 1993

Nicola Griffith is a writer I’ve heard a great deal of but so far had never read anything by. Ammonite was her first novel and immediately made a strong impression on publication, winning both the James Tiptree Award and the Lambda Award. As these awards confirm, Ammonite is a classic feminist science fiction novel, straight in the tradition of writers like Ursula Le Guin (Left Hand of Darkness), Joanna Russ (The Female Man) and Sheri Tepper (The Gate to Women’s Country).

The world created in Ammonite is also a classic feminist science fiction trope: that of a world without men. In this case, it’s the colony world of Jeep where an alien virus killed off all men and a large percentage of women, leaving the survivors to rebuilt their societies on a one gender basis. How they’ve managed to do so is the central mystery of Ammonite, which is partially a puzzle story and partially a leisurely planetary romance as our protagonist, anthropologist Marghe Taishan, travels the planet in search of answers. Marghe is working for SEC, the government agency that was set up to safeguard the interests of indigenes of rediscovered colony worlds like Jeep from exploitation by the Company, which has a monopoly on space exploration and which whom Marghe has some unpleasant history…

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Wehrmacht – Wolfram Wette

Cover of Wehrmacht


Wehrmacht: History, Myth, Reality
Wolfram Wette
372 pages including index
published in 2002

One of the enduring myths of World War 2 is the idea that the crimes committed by nazi Germany were the work of a relatively small number of villains with the vast majority of the German population either being their victims or just trying to make the best of a bad situation or to do their duty to their country. More specially this myth lives on in the idea that while the Waffen SS was a criminal organisation responsible for uncounted numbers of warcrimes, the Wehrmacht, Germany’s most important military organisation, had relatively clean hands. With tens of millions of German men having served in the Wehrmacht during World War 2 it is no surprise that this myth came into being. Far easier to believe you were the innocent dupe of Hitler than to acknowledge that you may just be a fellow criminal. What’s strange is that this idea is believed not just in Germany, but throughout Western Europe and America. If like me you’re interested in military history, you sooner or later come across military enthusiasts extolling the martial virtues of the Wehrmacht, without much consideration of the context in which they fought.

Wehrmacht: History, Myth, Reality was written to explode this myth and explain how and why it came into being. Its author, Wolfram Wette, is a German historian who’s made his speciality in researching Germany’s history of militarism. Until 1995 he worked for the official German institute for military history research, where he worked on Germany’s official history of World War 2, which should lend considerable weight to this book. This is no firebrand outsider courting controversy with a perhaps overstated sensationalist thesis (as with Daniel Goldhagen’s Hitler’s Willing Executioners), but a distinguished senior historian attempting to put an generally accepted truth before the general public.

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