Fantasms and Magics — Jack Vance

Cover of Fantasms and Magic


Fantasms and Magics
Jack Vance
192 pages
published in 1978

There was a time when I devoured each Jack Vance book I could find, back in my personal Golden Age of science fiction (which is age twelve, as you know Bob). I wasn’t the only one: Vance has always been popular in The Netherlands and most of his novels and story collections have been translated. His appeal is not hard to understand: a great sense of style, excellent writing and a flair for creating exotic yet believable worlds and the science not too rigorous. Granted, some of his novels and especially his series did not so much end as gutter out because he lost interest in them halfway through, but you don’t really read Vance for the plot anyway. With Vance, you’re there for the journey, not the destination.

Because of this I’ve therefore always found him better as a novel than a short story writer, though he has indeed written several classic science fiction and fantasy stories. None of them are in this collection though, which is a bit of a grab bag. There’s one classic Dying Earth story in here for example, also included in the actual Dying Earth collection. Worse, this is a reprint of a previous Vance collection, Eight Fantasms and Magics, with two of the stories removed, including the best one, “Telek”.

Nevertheless this is an entertaining read, perhaps not the best introduction to Vance, as there are better novels or collections for this, but not something to skip either, though the original collection may be a better one to seek out.

  • The Miracle-Workers
    This is the longest story in the collection and features an old theme of Vance: a decadent society that has forgotten about the high technology it uses, prefering magic (or “hoodoo” here) instead.
  • When the Five Moons Rise
    A horror story set on a planet where if the five moons rise together, nothing is what it seems.
  • Noise
    Stranded on a strange planet one man makes first contact with a very alien civilisation.
  • The New Prime
    The tests designed to objectively find the right ruler for a galaxy of two billion suns may not be as perfect as thought.
  • Guyal of Sfere
    One of Vance’s elegiac Dying Earth stories, set in an age where technology for all intents and purposes has become magic and surviving humans have no real purpose in life other than to entertain themselves during their long lives.
  • The Men Return
    In a world where madness reigns, being sane is not a survival trait.

City of the Chasch — Jack Vance

Cover of City of the Chasch


City of the Chasch
Jack Vance
172 pages
published in 1968

When I first started to discover science fiction (longer ago than I care to recall) Jack Vance was one of the more popular writers to be translated into Dutch and the local library therefore had a shitload of his books. I therefore read quite a lot of his work, including the whole Planet of Adventure/Tschai, the Mad Planet (as it was called in Dutch) tetralogy, in one of those big omnibuses Meulenhof specialised in. There’s little I remember off it, to be honest, other than that it was a typical Vancean planetary romance.

Jack Vance is of course the master of this subgenre, effortlessly creating new worlds and societies for his stories, always exotic and strange yet believable and with their own logic. Sometimes the stories he sets in these worlds disappoint, as was the case for me when I reread Big Planet two years ago. For City of the Chasch I had less expectations, just because I remembered less about it, but I was still a bit disappointed with it. Like Big Planet, the worldbuilding here is more sketched in than fleshed out, not as rich and interesting as I had hoped it would be. I had planned to read the next books in the series immediately (I’m still missing the fourth) after I’d finished this one, but now I’ll think I’ll pass.

As said, City of the Chasch is a classic example of a planetary romance, the science fiction equivalent of one of those fantasy grail quests that visits every place on the map in the front of the book. It all starts when a spaceship finds radio signals coming from a star system no humans are supposed to be, goes to investigate and is blown up just as it had launched a scout ship to the surface. This crash lands, one of the pilots is killed by one of the tribesmen who were drawn to the crash site, but the other, Adam Reith is luckier, caught with his parachute in a tree and not yet discovered, yet helpless to get himself down as well. And then an airsled arrives and sets down and out come Blue Chasch and Chaschmen to examine the crashed ship, but before they can do anything another ship arrives filled with Dirdir and Dirdirmen, who are immediately ambushed by the Blue Chasch, who kill them all and then take the spaceship away. Reith meanwhile is taken prisoner by that first tribe of humans and is taken to their camp.

That human tribe is an excellent example of Vance’s ingenuity in creating new cultures. They call themselves the Emblemmen and each male member of the tribe wears an emblem on their hat that defines their personality and character, with each emblem having a long history, being passed down from man to man whenever an emblem wearer dies or has his emblem taken from him. The women on the other hand are little more than slaves, emblemless and worthless. Reith himself is also little more than a slave. If he wants any chance of getting back to Earth, he needs to find his scoutship; luckily he still has his scanner so he knows where it is, he just has to get there.

Easier set than done, but he does manage to escape the tribe, setting out together with one renegade tribesman, Traz Onmale. Onmale is a sombre, serious young man, worried about life outside the tribe, but willing to go along with Reith. Some days later sheltering in the ruins of a Phung city, the Phung being the native sentients of Tschai, Reith rescues a Dirdirman, Ankhe at afram Anacho, Anacho for short, who despite a renegade, is proud of his Dirdir heritage. Reith himself meanwhile is getting more and more annoyed with how subservient men are to the various alien races on Tschai, but still thinks of nothing but wanting to go back home. But first he’ll have to get his ship back.

And that means trekking across an entire planet filled with almost half a dozen alien races and their human followers. Apart from the Dirdir and Chasch (Blue and Green) as well as the native Phung, there are also the Pnume and, most amusingly, the Wankh. So he and his companions set off to the city of the Chasch to go get his ship, with the usual sort of adventures on the way.

The story, though decent enough, never really held my attention; always a bad sign when I’d rather stare out of the train window than read a book on my commute to work. I’m not quite sure why this was, perhaps because it was all a bit formulaic or the characters were never more than cliches. There were some good bits; the Emblemmen, the various pieces of local colour, some of the setpieces later in the book, but it never gelled for me. A pity, because I would’ve liked to have liked this more.

Big Planet – Jack Vance

Cover of Big Planet


Big Planet
Jack Vance
158 pages
published in 1951

It’s always dangerous to reread books you fondly remember from your youth. As Jo Walton put it, between the time you last read it and your rereading it, a book might have been visited by the suck fairy, which has taken all the awesome bits you remember and replaced them with dullness. Worse, the racism or sexism fairy may have also visited… I was therefore taken a risk in rereading Big Planet, one of the earliest Jack Vance novels I had ever read. Would it still be the great planetary romance I remember, or would all the adventure and wonder have been sucked out of it?

It turned out to be a bit of both. Not as good or great an adventure as my memory had made it, but still worth reading on its own accord. What my memory had made of Big Planet was much more exotic and detailed than it turned out to be, the real thing much more sketched out than filled in and how could it not with only 158 pages to play with. Nevertheless Big Planet is an important novel in Jack Vance’s development as a writer, as well as influential on other writers, as it shaped the planetary romance subgenre. Planetary romance being any science fiction story which takes place on a single planet and where most of the book revolves around the exploration of the planet, the stage more important than the actors on it.

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