{"id":4468,"date":"2024-02-05T16:55:02","date_gmt":"2024-02-05T20:55:02","guid":{"rendered":"https:\/\/cloggie.org\/books2\/?p=4468"},"modified":"2024-02-05T16:55:02","modified_gmt":"2024-02-05T20:55:02","slug":"power-in-the-darkness-wiebren-rijkeboer","status":"publish","type":"post","link":"https:\/\/cloggie.org\/books2\/2024\/02\/power-in-the-darkness-wiebren-rijkeboer\/","title":{"rendered":"Power in the Darkness &#8212; Wiebren Rijkeboer"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"\/pictures\/books\/Power in the Darkness.jpg\" width=\"310\" height=\"500\" alt=\"Cover of Power in the Darkness\"  class=\"alignleft\" \/><\/p>\n<p class=\"small\"><strong><br \/>\nPower in the Darkness: Britse Postpunk en New Wave<br \/>\nWiebren Rijkeboer<br \/>\n213 pages<br \/>\npublished in 2022<br \/>\n<\/strong><\/p>\n<p>\nIf you judge a book about music on how much it makes you want to listen to the music it&#8217;s talking about, <cite>Power in the Darkness<\/cite> was a huge success. After reading it I spent weeks going through my post-punk and new wave album, while also looking for some of the artists that were new to me Wiebren championed in its pages. Not that I needed much encouragement: this is part of the music I grew up with, background noise growing up as a kid in the eighties. If I wasn&#8217;t old enough nor cool enough to have bought the singles myself, at least I knew them from their appearances on the Dutch equivalent of Radio 2. Wiebren Rijkeboer, born in 1959, a decade and a half before me, on the other hand is old enough to know the bands covered first hand and that comes through in the book.\n<\/p>\n<p>\n<cite>Power in the Darkness<\/cite>&#8216;s structure is quite simple: a short introduction that lays out the parameters of the project, followed by a chronological look at some eighty-five post-punk and new wave albums released between 1978 and 1993, each by a different band. It starts in 1978 with the Buzzcocks&#8217; <cite>Another Music in a Different Kitchen<\/cite> because punk&#8217;s definitively dead by then and ends in 1993 with East Village&#8217;s <cite>Drop Out<\/cite> for less obvious reasons, roughly where Britpop took over. Geographically Wiebren&#8217;s focus is limited to the UK and Ireland (and forgive the Dutch habit of calling this all <em>British<\/em> in the title). He also limits himself to bands, so no Elvis Costello or Ian Dury here. This is very much a personal project, a sampler of what post-punk and new wave have to offer, not the ultimate guide. As you may expect, the emphasis is on the years 1979 to 1982, with a long tail through the rest of the eighties and early nineties.\n<\/p>\n<p>\nEach album discussion is only a few pages long, in which Wiebren introduces the band and context in which it was made, gives a quick impression of what it sounds like and takes a quick look at the band&#8217;s other noteworthy releases. Most of postpunk&#8217;s usual suspects are there: Buzzcocks, the Fall, Joy Division, Wire, Gang of Four, but there are also some much less well known bands mentioned. Doll by Doll, The Records, Cowboys International, Random Hold: all new to me. Always a good thing when a book can introduce you to new to you artists and give you enough context to know whether or not you&#8217;ll enjoy them.\n<\/p>\n<p>\nGenre wise, the boundaries of post-punk are not very strictly guarded here. A lot of gothic acts like The Mission, Sex Gang Children and Sisters of Mercy creep in here as well, though Wiebren calls them &#8216;positive punk&#8217; which, no. Post 1985 as well what makes the featured acts post-punk or new wave becomes a bit less clear too. The Stone Roses or Primal Scream don&#8217;t quite fit in here, if obviously inspired by the earlier bands.\n<\/p>\n<p>\nIn all, if you can read Dutch and have a limited knowledge about post-punk and the period in which it was dominant, this is a good introduction. There are no obvious omissions nor anything included that clearly shouldn&#8217;t have been. You could listen to worse music than the albums featured here.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Power in the Darkness: Britse Postpunk en New Wave Wiebren Rijkeboer 213 pages published in 2022 If you judge a book about music on how much it makes you want to listen to the music it&#8217;s talking about, Power in the Darkness was a huge success. After reading it I spent weeks going through my [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[159],"tags":[875,873,874],"class_list":["post-4468","post","type-post","status-publish","format-standard","hentry","category-music","tag-post-punk","tag-power-in-the-darkness","tag-wiebren-rijkeboer"],"_links":{"self":[{"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/posts\/4468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/comments?post=4468"}],"version-history":[{"count":2,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/posts\/4468\/revisions"}],"predecessor-version":[{"id":4470,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/posts\/4468\/revisions\/4470"}],"wp:attachment":[{"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/media?parent=4468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/categories?post=4468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cloggie.org\/books2\/wp-json\/wp\/v2\/tags?post=4468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}