Deporting people difficult? Not if you drug them

Reason 1,567,801 not to move to the US anytime soon:

The U.S. government has injected hundreds of foreigners it has deported with dangerous psychotropic drugs against their will to keep them sedated during the trip back to their home country, according to medical records, internal documents and interviews with people who have been drugged.

The government’s forced use of antipsychotic drugs, in people who have no history of mental illness, includes dozens of cases in which the “pre-flight cocktail,” as a document calls it, had such a potent effect that federal guards needed a wheelchair to move the slumped deportee onto an airplane.

“Unsteady gait. Fell onto tarmac,” says a medical note on the deportation of a 38-year-old woman to Costa Rica in late spring 2005. Another detainee was “dragged down the aisle in handcuffs, semi-comatose,” according to an airline crew member’s written account. Repeatedly, documents describe immigration guards “taking down” a reluctant deportee to be tranquilized before heading to an airport.

In a Chicago holding cell early one evening in February 2006, five guards piled on top of a 49-year-old man who was angry he was going back to Ecuador, according to a nurse’s account in his deportation file. As they pinned him down so the nurse could punch a needle through his coveralls into his right buttock, one officer stood over him menacingly and taunted, “Nighty-night.”

Such episodes are among more than 250 cases The Washington Post has identified in which the government has, without medical reason, given drugs meant to treat serious psychiatric disorders to people it has shipped out of the United States since 2003 — the year the Bush administration handed the job of deportation to the Department of Homeland Security’s new Immigration and Customs Enforcement agency, known as ICE.

It’s tempting to lay this yet again at the feet of the Bush administration, but I doubt it would’ve been any different under a Democratic president. The entire justice and law enforcement industry in the US operates on a level of casual cruelness that is unthinkable here. Police officers can taser or murder people with impunity, prison rape is at best seen as a joke, at worst as an extra punishment and in general there’s a culture that demands the complete and utter subjugation of a detainee or suspect and which harshly punishes anybody who steps out of line. The news that returned asylum seekers are routinely drugged therefore should come as no surprise.

Plagiarism, Appropriation, Personality and Politics

The presidential primary is forcing existing tensions on the US left to a high pitch of twang.

The campaign is forcing an intense bout of self-examination and blood-letting in the already incredibly self-referential and self-obsessed US feminist blogosphere – and now in addition to the increasingly vicious Clinton /Obama divide there is a new rupture. Pandagon blogger and now popular speaker and author Amanda Marcotte, who is white and from Texas, has been accused of intellectual appropriation and even plagiarism by a group of women of colour bloggers, with some apparent justification.

She’s being criticized for having been commissioned to write an article on immigration for Alternet while failing to point to any of the work that’s gone before on WoC blogs and sites that have dealt extensively with immigration as a feminist issue. Some have gone so far as to allege plagiarism.

One blogger, the much respected writer, blogger and campaigner Brown Femipower, has quit blogging over the furore: many of her peers, who have also been doggedly influential in opening up an overwhelmingly white, male US-centric blogosphere to women’s voices, and women of colour particularly, are incensed that their work has, as they see it, been stolen. Holly at feministe has all the background links:

Half of you have read about this already and I’m the other half would really like to know what happened. (Hat tip to belledame for pointing me to a good summary… and be sure to follow the other links from that post. And also these more recent ones.) From what I understand, BFP does not want to be at the center of this maelstrom; that’s part of why she’s removed herself, and I respect that. But this is out there now, it touches on many things that need discussion badly, and the silence of a blog like Feministe saying nothing is a little too loud of a statement for my gut. So here we are.

Many WoC bloggers understandably see this alleged plagiarism as business as usual – white person rips off black person’s work and takes credit; the old, old story. That it’s a self-described fellow feminist and progressive doing it makes it all the more painful, but really, at bottom whoever it is almost irrelevant – what is important is that the class and race inequalities of wider society are being mirrored online. The meta-issue is that people have had their voices and work appropriated far too often and they are not going to take it any more – now is the time to draw a line.

It is becoming a litmus test for progressives online and off. Holly at feministe again:

If you go look at some of the other posts cropping up about this incident, there’s a theme of investigating “the facts.” Who was where on which date, when did this or that get written, who had prior knowledge of what other writing? And so forth.

I understand the desire to try to establish individual wrongdoing or innocence — to try and prevent the same thing from happening again, whatever position you’re taking. But as I have tried to say at length before, I think the discussion of individual guilt often distracts from the bigger picture of racial injustice. I don’t care if there was actual plagiarism or a more abstract kind of plagiarism, if one writer did or didn’t get an idea from a conference or from another writer. What I care about is that when white feminists undertake to write about the issues of women of color — such as immigration, which is clearly a massively race-infused issue — they should do so in solidarity with women of color. In ways that give political voice to women of color, to immigrants, to those whose voice is generally not heard as loudly.

When any of us have a soapbox, an opportunity to get up and talk, we must continue to stand by those who aren’t called on. If you want to consider yourself an anti-racist or a white ally to people of color — if you want anyone else to consider you those things — then it behooves you to swim against the current. If everyone did, perhaps the tides would turn, even if it was just in our corner of the blogosphere. And sometimes all you have to do is simply call out the hard work of another woman who went before you, who has paved the path that you’re walking down with research and ideas and words and strong feelings. All you have to do is cover your bases, pay your respects, and make sure you can’t be read as trying to take sole credit.

Fair enough. But global is also local and personal and Amanda Marcotte, understandably having made a name for herself as a feminist blogger of note, sees the accusations as a deliberate and malicious attempt to ruin her career. From the comments to the same post:

Amanda Marcotte says:

April 10th, 2008 at 9:44 pm – Edit

I’m not sure if I’m hurt more by scurrilous accusations about my intellectual honesty, or the assumption that I’m too stupid to make connections myself without someone holding my hand. What I do know is that the number of grad students and people holding multiple degrees involved in this shows that we’re talking a group that knows that setting out to destroy someone’s reputation as sport is deeply fucking wrong. Deeply. Fucking. Wrong. Unethical to an extreme.

I think that that excerpt from her many comments to that post’s a fair summation of her position. Full disclosure: I spent a very brief time with Amanda when she visited Amsterdam. I liked her; she came over as bright and clever, a nice if somewhat politically naive American and no more careerist or ambitious than any other modern young American woman I’ve met. But at least she made the effort to find out about other lives and other realities; so many of her peers don’t.

But then again, she had something many of her blogging peers didn’t and which has given her a big headstart in her career; an established blog and an established voice to take over.

Pandagon was of the original big blogs of the baby blogosphere, one of the first big wave, and it was started by two male writers, Jesse Taylor and Ezra Klein[See comment below]. Amanda was orginally a guest blogger then began blogging permanently, while Jesse and Ezra eventually left the blog for other careers; Amanda claimed the blog, had a post noticed by Playboy, was picked up (and equally swiftly dropped) by the Edwards campaign and now Pandagon is Amanda Marcotte. It’s a brand, and its commenters a demographic golden nugget. But a brand can be damaged and no wonder Amanda is fighting back tooth and claw.

Feminist writers who become successful will always walk a knife-edge. They are convinced that they are building their career on talent and ideas but they succeed because they are what the establishment wants to hear, the acceptable voice of dissent. Lookit the cute, feisty feminist! But then again, you have to live and if you can make a living by your opinions and your writing, while spotlighting injustice and oppression, then why shouldn’t you? Or so goes the argument.

They say plagiarism, she says influences, but both sides are arguing from clashing premises. The accusers are arguing for an academic standard of intellectual rigour, morality and honesty in online discourse which I suggest is unreasonable; such rigidity does not necessarily translate to the world of modern cross-platform publishing, which wants more content, more, more, and damn the hindmost. There is also an argument to be made that if a writer were to acknowledge every political influence ever, then each piece would be so overburdened with footnotes and acknowledgements as to be unreadable.

But Amanda is not just a celebrity woman blogger but a speaker-at-conferences, a public progressive, a personality, if only minor, who holds herself out as a voice for the oppressed and her personal success is inevitably built on the experiences of others. This is not the first time she’s been accused of hijacking others experience for her own career either. It has become something of a career leitmotif.

At very least it can be said that Marcotte is interposing herself, unwanted, as the editorial filter and interpreter of others’ work and experience; because of her ethnicity doors have opened for Amanda that would slam shut in the face of others and because what she writes is filtered through the same class and race consciousness that informs much of modern culture, then what she says and how she says it is much more acceptable to the ear of the white public, which is really all the publishers and advertisers are bothered about.

She has little control over that, though; it’s not her fault she fits the commercial zeitgeist so well, but she could at least acknowledge that. Anxious Black Woman makes the point perfectly:

To me, the other part of this white privilege is the simple fact of mainstream media choosing to render our knowledge meaningless, marginal, “too angry,” as others have said, and a host of other “problems,” while our white counterparts receive the welcome mat and easier access to journals, newspapers, and publishers. For example, why is Stuff White People Like, which I believe just started this year, already getting a book deal (I got this news from Professor Black Woman – can’t find the direct link) when the rest of us, who have offered the same critiques of whiteness (although I’ll admit that blog is hilarious and could see the mainstream appeal) keep getting editors at publishing houses who say they don’t want to “regurgitate” what we’ve already written on our blog, so any book deal we get had better be “original” and “not yet published”? I do think the publishers have a point, but I’m wondering if the author of SWPL received the same criticism, or is it just the very appeal and “marketability” of white people that gives the author access to publishing? Not to mention that, although the blog critiques whiteness, it is still by its very nature a promotion of said white culture and is therefore more palatable for the white supremacist society that chooses who to promote and who to ignore.

I’m using that one example to suggest that the same sentiment perhaps guided Alternet to publish Amanda Marcotte while ignoring BFP, who not only has kept the issue of immigrant women’s rights at the forefront of her blog but has also provided the groundwork for such so-called “progressive whites” to sift through and downright steal from. The very politics of her access to publishing in a mainstream site is problematic, but to then fail to cite and LINK back to BFP is just the worst forms of silencing.

It seems to me that Marcotte is a symptom as much as a cause: but she has committed two particular sins. She’s failed to sufficiently openly acknowledge the influence of other women and writers of colour on her own work – and worse, she has failed to hold the door open for them to follow her through. In that she fits the pattern of almost every prominent political woman on the broad US left so far. Can you blame those shoved aside, yet again, for being angry?

It’s not so much about who has the loudest voice or platform – or even about the scrabbling to get it, or personalities, though both are factors – but more about who gets chosen to have the loudest voice and about who does the choosing.

This apparently minor split amongst feminists isn’t minor at all. It’s another front in the larger war for the soul of the progressive left in America and consequently of the Democratic party and of a potential future presidency. Revolutionary or reformist? Inclusive, or supportive of continuing privilege?

In any battle of ideas there is bound to be collateral damage; I’m not happy to see a fellow feminist under attack and it’s hard enough for a clever and opinionated woman to earn a living, but sometimes, as belledame so pithily points out in riposte to Amanda’s above comment, sometimes politics is about more than one person.

[Edited to correct my crappy English and to better reflect reality]

Peter Griffin Is Alive And Well And Living In Missouri

From The Torygraph:

Man kills wife in freak DIY gun accident
By Bonnie Malkin
Last Updated: 11:38am GMT 27/03/2008

An American man accidentally shot dead his wife while trying to install satellite TV in their bedroom.

Ronald Long of Missouri did not own a drill, so he used his .22 calibre handgun to fire two shots into the wall of the room so that he could run a cable through from outside.

Mr Long’s wife Patsy was standing outside the house when he fired the gun. She was hit by the second bullet and died from her injuries in hospital.

Police have not decided whether to charge Mr Long over her death.

More….

The Not So Almighty Dollar

AMSTERDAM (Reuters) – The U.S. dollar’s value is dropping so fast against the euro that small currency outlets in Amsterdam are turning away tourists seeking to sell their dollars for local money while on vacation in the Netherlands.

“Our dollar is worth maybe zero over here,” said Mary Kelly, an American tourist from Indianapolis, Indiana, in front of the Anne Frank house. “It’s hard to find a place to exchange. We have to go downtown, to the central station or post office.”

That’s because the smaller currency exchanges — despite buy/sell spreads that make it easier for them to make money by exchanging small amounts of currency — don’t want to be caught holding dollars that could be worth less by the time they can sell them.

The dollar hovered near record lows on Monday, with one euro worth around $1.58 versus $1.47 a month ago.

Oh Deer, Oh Deer, Oh Deer

This has to be parody, because surely nobody can be so up themselves and live.

From the Albany Times Union arts pages:

Accidental human
C. Ryder Cooley pushes notions of life through music, art, trapeze acts

By DANIELLE FURFARO, Staff writer

I should’ve stopped when I saw the word trapeze, but no i had to go and read the whole thing. Bigger fool me.

There’s plenty of people who take themselves and their silly artistic affectations seriously, but not many do so as assiduously as does wannabe multimedia artist C. Ryder Cooley. And when a wannabe multimedia artist meets a journalist willing to take them at their own self-inflated valuation, well then there’s disaster in the making.

Multimedia artist C. Ryder Cooley thinks she has had better incarnations. But she’s trying to make the best of this one.

“I started working with animal themes probably before I was born,” said Cooley. “I think I just was an animal. Somehow I accidentally turned into a human, and I’m trying to get back to my animal.”

[…]

For the past few months, she’s been working on her thesis performance, titled “Animalia: Stories of Collapse, Calamity and Departure,” which will include elements of video projection, aerial performance and the accordian.

Call it an interspecies fairy tale.

Call it what you like, but how’s it going to play in Peoria?

“I like looking at animals for evidence of different structures of living,” said Cooley.

Don’t we all? Personally, I’d love to be a squid, but I can’t see me making a living decking myself in bits of rubber hose and a bodystocking and flying through the air with the greatest of ease, that daring notsosyoung blogger on the flying trapeze, just to make the point that water’s wet and squid live in it and humans don’t.

With her earth-toned clothing, childlike voice and haunted eyes, Cooley looks more like someone out of a storybook than someone likely to be standing right in front of you. She looks out of place in the 21st century. Or maybe it’s that she looks out of place as a homo sapien.

Or maybe she looks like someone you’d take a running punch at… but no, that would be animal cruelty.

Interspecies deer

Most people who have seen Cooley perform locally associate her with a deer, as she is often seen wearing antlers or a cut deer head strapped to her back.

The deer, she says, is her “East Coast animal,” a creature she began feeling an affinity for shortly after she moved from San Francisco to the Capital Region.

I wonder what her West Coast animal is..?

“The deer heads I have are trophies that were killed by hunters. By putting them on my body, I can bring them back to life and be their body for them,” she said. “And there’s a certain perceived gender to wearing antlers. I become a cross-gender, interspecies deer.”

No, sweetie, you become an overeducated, underdisciplined, spoiled western madam with a stinking deer carcase on her back and outstanding gender issues.

It’s that reinterpretation of the gendering of animals that appeals to Cooley.

“How people deal with gender in animals is even more intense than how they deal with it in humans,” she said. “It’s hard to find research of animals that isn’t based on hetero-normative mating behavior.” In other words, even nonhuman animals are not as set into their gender roles as humans want to make them out to be.

Oh, Cooley, Cooley, Cooley. It’s not illegal to have a fetish you know. What should be illegal is you boring others silly dressing it up a fetish as art and worse still, using an accordion and a trapeze to do it.

Just go buy a Furry deer outfit and get yourself to a Con. Free your antlers, and your ass will follow.

Then go back to campus, get your faunsuit on and have sex with your roommate. You know that’s what you really want.

Much more about Cooley’s deer carcase/accordion/trapeze masterwork here, if you can stand it.