It’s not always good for readers to get to know what their favourite writers really think, but the other way around can be painful as well. Seanan McGuire found this out the hard way when one of her readers asked why none of her female characters had been raped yet:
My response: “None of my protagonists are getting raped. I do not want to write that.”
Their response: “I thought you had respect for your work. That’s just unrealistic.”
Verity is the bastard daughter of Dazzler and Batman. Toby is what happens when Tinker Bell embraces her inner bitch and starts wearing pants. Velveteen brings toys to life and uses them to fight the powers of darkness. Sarah is a hot mathematician who looks like Zooey Deschanel but is actually a hyper-evolved parasitic wasp. The unrealistic part about all these characters? Is that they haven’t been raped.
It’s the ultimate thriump of grimdark fiction: rape is no longer optional, but mandatory for a certain type of fan. It’s the inevitable consequence of the increasing use of rape as a cheap plot motivator, either to threaten or traumatise your heroine, or to get your male hero something to avenge, to make your mediocre urban fantasy extra gritty without having to think about it too much. Rape has become the modern equivalent of giving your private dick a knock on the head at a convenient point in the plot.
But of course rape is different from a knock on the head, because it so gender unbalanced, both in real life and (much more so in) fiction happening mainly to women, can be much more traumatic or triggering for readers, while there always is that prurient element that creeps in, that makes rape look glamourous or sexy.
Rape can be used as a plot element, but not if it’s done lazily, if it is now just a checkmark for your urban fantasy construction kit.
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