Moebius



Jean “Moebius” Giraud died today, not entirely unexpected as he was seventytwo years old and was apparantly suffering from cancer, but it’s still a blow to anybody who likes comics. His influence on French comics cannot be underestimated. Together with Jean-Michel Charlier he first created arguably the best western comic ever, Blueberry, which spawned hordes of imitators and kept the western comic genre alive and relevant in Europe when it was dying in America. Then there was his science fiction work, both in comics and as a storyboard artist for various movies, including Alien. He was one of the people (together with Jean Claude Forest, Paul Gillon and of course Jean-Claude Mézières) that from the sixties onward has shaped our vision of what the future should look like.



It’s almost impossible to do proper homage to such a creative genius, so instead I’ve found some videos showing off his drawing skills, with bonus appearances by Joe Kubert and Neal Adams in the top one. All are — unsurprisingly — in French.



Pérez — accent on the first é


George Pérez splash page from Avengers 167

Tom Spurgeon linked to Diversions of the Groovy Kind‘s series of George Pérez Avengers splash pages (part 2, part 1), amongst which was the one shown above, for Avengers #167. The reason that one stood out for me was because that was the first ever George Pérez artwork I’d ever seen, the first Avengers comic I’d ever read and darn nearly the first superhero comic I’d ever read. For those without an encyclopedic knowledge of seventies Avengers stories, that issue started Jim Shooter’s Korvac Saga and even then Pérez must’ve been known for his willingness to draw huge crowd scenes, for apart from a dozen or so Avengers, it also starts the Guardians of the Galaxy, whose immense time traveling spaceship threatens to lodge the then SHIELD space station out of its orbit. Cue the Avengers, the inevitable misunderstanding/fight between superheroes as Beast is taken for a space monkey by two of the Guardians and the as inevitable flashbacks/shoutouts to earlier adventures as both sets of heroes tell each other what they know about them.

It is the quintessential Bronze Age superhero comic, published at a time and place when the Marvel Universe was still relatively young and not so difficult to comprehend that a few pages of recap couldn’t put readers straight. Continuity between titles had already grown almost as complex as any given titles own continuity, but was still manageable and gave a coherent feel to the Marvel Universe, something that’s summed up in a sequence in the next issue, as Starhawk goes after Korvac and their fight is felt by several of Marvel’s more psi-sensitive characters: Captain Marvel feels something through his cosmic awareness, the Surfer too, while Dr Strange’s meditiation is interrupted and Spider-Man’s spider sense is tingling. It’s only one page with no real impact on the story other than putting it in the context of a wider, shared universe.

That’s the sort of comic I grew up with and this was the comic that planted the seed for me to become a superhero fan. It also made me a Pérez fan, still to me the definitive superhero cartoonist.

Bearing false witness

cartoon about Sandra Fluke

It’s just a coincidence that on international women’s day Tom Spurgeon linked to two of the most horrible cartoons that have been published about Sandra Fluke. The cartoon above, by Gary McCoy, is one of them, while the second one puts some racist icing on the sexist shitcake by putting in a Huggy Bear style pimp.

Sandra Fluke was the woman who testified before Congress about having anticonception as part of health care insurance and how when it isn’t covered by such insurance it can be quite expensive to pay for, especially for oral contraceptives like the pill, which have to be taken regularly and which can vary widely in cost and effectiveness. Frustrating enough that such hearings need to be held in what calls itself a civilised country, but for the dimbulbs on the American right who oppose any sort of measure that can give women any sort of control over their own bodies and sex lives, this made Sandra Fluke a whore and a slut, as Rush Limbaugh called her.

It’s no surprise therefore to see some cartoonists pushing the same stupid, hateful lie, but is depressing. Unlike Tom Spurgeon, I don’t think anybody actually believes this bullshit, unless they’re very sheltered and ignorant about how the pill works, which is impossible but unlikely and in any case no excuse. It isn’t viagra, you don’t swallow it just before sex but actually need to take it on a fairly rigid schedule to get its benefits and apart from being an anticonceptive, it’s also used to help women with a host of medical problems. To believe it’s a sex pill and a woman taking it is a slut is so incredibly stupid that it cannot be done other than in malice.

The secondary features of these cartoons confirm this malice. Gary McCoy turns Fluke into a bloated monstrosity scribbling on the doors of a men’s lavatory, while Mike Lester silences here completely, while a stereotypical pimp figure tells the reader she’s a whore. These are nasty, vile cartoons and the people who made them should lose their jobs over them, just as Limbaugh in a just universe should lose his radio show.

Because what Limbaugh and these cartoonists, as well as all those good Christians chuckling over their jokes” are doing is bearing false witness, lying about and attempting to destroy one ordinary woman just because they see some transient political gain in it.

Not quite a happy birthday

So this time last year I realised that in 2012, this blog would turn ten years old and today is the big day, as my first post was published on 7 March 2002. Of course, that was two blog versions ago, both of which are still running though not being updated and links to which still work. In fact, I still need to upgrade quite a few entries on those to the “new” Wis[s]e Words, even three years after switching…

Today would be a happy occasion, if not for the depressing fact that today is also exactly four months since Sandra died and of course my thoughs are more with her than with the blog, as they always are. I can sometimes stop thinking about her, especially at work when I keep myself busy, but barely an hour can go by without me being reminded of her. Sometimes this is more difficult than at other times. For example, last Sunday I was listening to the Archers omnibus on Radio 4, a fixed part of my Sunday morning routine: get up during the morning service, get showered and dressed, then make coffee and breakfast while listening to broadcasting house, finally read the newspapers and blogs and all about how Aston Villa once again snatched defeat from the jaws of victory while listening with half an ear to The Archers. I can’t help it, you’re obliged to as a Radio 4 listener and besides Sandra got my addicted to it.

But this week’s omnibus hit me hard, because it included Tony Archer’s heart attack, which made me think of Sandra immediately. Not the heart attack itself, which fortunately she never had, but the circumstances surrounding it. His son Tom had had a bit of a row with him and went back to talk it out again, finding him on the floor and confused and not knowing what was happening, just that he was in pain, breathing rapidly. There have been a number of times that I had to find Sandra like that, having to wait for the ambulance, having to ride with the ambulance to the hospital, knowing that things had gotten bad again.

Which isn’t meant as a plea for sympathy, it’s just one of those things I have to deal with, “flashbacks” like that. At the time when you had to deal with a situation like that, you have no choice but to keep it together, not to think too much about it. And since most of the last two years have been either emergencies or attempts to recover from setbacks, I haven’t had much time to think it all over, which is now coming back to bite me. Now I’ve got too much time to think and wonder about what to do with the rest of my life, other than going to work, blog, read and watch tv…

On a lighter note, Sandra would’ve screamed and screamed reading this story, as she was not fond of spiders. I really shouldn’t have teased her with it as much as I did.

Hullo John got a new ‘puter?



Well, yes, I do, as my old one died two weeks back. That was Sandra’s old computer, Id bought for her from a co-worker in 2008 or so and the hard disks just gave up the ghost. Its been through the wars before and she had already lost the data that had been on it a long time ago, so no great loss. Might buy a cheap new harddrive and get it fixed anyway, just for kicks. The new computer is great and I’m well in the honeymoon phase of owning a new computer, except for having to reinstall all my old favourite programmes and settings, which is always a chore. Not of great interest to anyone but me, I know, so have some Alexei Sayle.

Of more interest, this casual suggestion that the US might have experienced its Suez moment:

Humphrey is increasingly of the opinion that we are witnessing the USA’s ‘east of Suez moment’ at which the US is faced with the same strategic challenges that all empires are faced with. The legions will be recalled from Europe soon, and this is going to leave a major series of security and other challenges that need to be filled.

Which would make the War on Iraq something like what the Suez Crisis was for the UK: a point at which America’s military capabilities outreach its political power. It was capable of invading and winning battles, but its military might did not help America reach its wider goals. The War on Iraq was the quintessential late imperial war, one not waged for a concrete, achievable goal, but more to show that the aggressor is still an empire, still top dog. It didn’t quite work out that way, which means the empire is still looking for another enemy to defeat to make everything right again, hence the confrontational stance with Iran.