Setting the mood

One of the hidden strengths of anime are its backgrounds and how just a simple shot can convey a setting or mood. Case in point, this shot from episode ten of Yamada-Kun To Lv999 No Koi Wo Suru:

Tokyo cityscape at night. Two people are crossing a zebra while a car is driving past

This perfectly captures the feel of the city late at night. Darkness only broken by the artifical lights of the lamp posts, passing cars and shop windows. There are still plenty of people out, but they’re all on their way somewhere, nobody’s just hanging about. You can tell that the day’s heat hasn’t dissipated yet. No need for clock or caption to show what time this takes place. All of it shows just how odd it was for Yamada to show up at Akane’s apartment that night because he was worried for her. It immediately lends an intensity to the episode in a way that your average ‘your crush cares for you as you’re home alone sick with the flu’ just doesn’t have. The scene later in the episode, where he has to take her to the hospital in a taxi? I’ve been there.

An almost diametrically opposite mood is set in this scene from the same week’s Skip to Loafer episode, nine. It’s the Summer holidays and Mitsumi is back with her family, gotten out of bed late on her second day staying there, just munching on some water melon and letting her thoughts drift. As she eats her melon, she idly looks at her mother doing the dishes, before looking out of the window. There follows a series of landscape shots, with only the sound of her eating the melon for company. Again, it perfectly sets the mood. Haven’t we all had those moments of laziness, slowly waking up when you know there’s nothing that you need to do but relax?

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