My Summer 2022 Anime Watch

Here’s the list of series I’m planning to watch weekly this season, in order of how much I enjoyed the first episode. Last time I said I would watch sixteen series and I’ve also managed to finish sixteen series before the season ended; not all of the series I’d originally planned to watch though. This time it’s only thirteen series, but like last time, it’s quite likely I won’t finish them all before the next season and I may pick up some more as well.

Kuro no Shoukanshi
Kelvin being beaten up by a blue slime
Kevlin has reincarnated into a fantasy world, but Kelvin bartered the memories of his past life for power, so now he’s a summoner whose first contract is the very goddess of reincarnation that gave him his second chance at life. So far the most straightforward of the half dozen isekai anime this season, with the first episode tackling everybody’s favourite subject, the Adventurers Guild and its ranking system, after which he captures a blue slime. Also, a hint of slavery at the end of the episode, so be warned. Animation and character design is a level above your average isekai series.

Overlord IV
A big skeleton in gold armour with two small elf children on his lap while a succubus woman looks on enviously
It’s the fourth season of Overlord and it starts right where season three ended. The gimmick of Overlord has the protagonist reincarnated as his villain character, a skeleton ghoul magician, with an army of non player characters created by him and his guild friends in the game who want him to conquer the world. The first two seasons only flirted with the idea of him becoming the Big Bad, but in season three he really settled into his role as villain. The series wants you to both sympathise with him and be revolted by his actions, but I found season three hard to rewatch because of this. Nevertheless I will probably watch this week by week, but it’s not recommended if you’re new to the series. Animation quality and character design is top notch as always.

Kinsou no Vermeil
A seductive demoness in a black one piece dress with very big boobs leans seductively over a white haired boy in school uniform
Alto is a top student at his magical academy, but for one handicap. For some reason he’s a complete failure at summoning a familiar and can’t even summon a simple beetle. When he’s desperately searching through the academy’s library again, fate intervenes as a book on summoning falls on his head. Having nothing to lose he tries to summon whatever it is that the book is about and ends up with a big titted, naked demon lady. Some guys have all the luck. Naturally he also has a slightly smaller big titted childhood friend who takes offence at his new familiar. Personally, I like her character design better; there’s such a thing as too much booba. None of this is very innovative, but it has its charms and the animation is a lot better than you’d expect for a series like this. You’d probably best enjoy it if you too are a fourteen year old boy wanting a demon lady of his very own, but the thirstiness was tastful enough that it didn’t bother me. There’s a lot of nudity but all the naughty bits are covered by usefully positioned tails and the like, rather than crass censorship beams. Alto is a bit of a dweeb, as is traditional in this sort of series,

Warau Arsnotoria Sun!
Five cute girls having a tea party. One is struggling to open a jar
Twenty minutes of five adorable girls going through their daily lives at magical academia, the high light of which is a tra party in which one of them struggles to open a jar, followed by two minutes of what can only be described as a pogrom. A cutesy setting hiding existential terror is not a new idea, but It will be interesting to see how it all works out. The animation and character design for both sides are excellent. The pogrom is all blacks and angry reds, fires burning everywhere as faceless, hooded knights hunt down and slaughter defenceless civilians. Meanwhile the frist twenty minutes set in the academia are done classic slice of moe style. Lots of pastel colours, cutesy character designs and lovely character animation. The slow sinking of one girl in the cushions of the couch she’s lying on and another girl’s struggle to open that jar being highlights. That this series isn’t higher up is because I did feel myself drifting off during those first twenty minutes which cannot be the intention.

Prima Doll
An adorable brunette little girl talking to a pink haired girl with a steampunk backpack
A girl wakes up in the basement of a cafe, gets told she’s an Automata who lost her memories during a repair, then makes a friend in a young girl hanging around aside the cafe, who is still looking for her own long lost Automata friend. She’s reunited during the episode, but sadly the reunion cannot last… To be honest this plot felt very manipulative to me. It all happened too quickly, before we could actually get to know the characters involved all that well. Meanwhile most of the rest of the cast only got an introduction scene and that was it. The idea that you can rehabilitate war machines like the Automata through performative femininity — the cute girl ones serving as waitresses, the more obviously machine like ones kept in the kitchen — is a bit dodgy as well. On a technical level this is a fairly accomplished anime with good animation and character design, but the story seems to be a string of cliches so far.

Soredemo Ayumu wa Yosetekuru
A smug short purple haired school girl sitting across a shogi board from a tall earnest poker faced school boy
If you liked Karakai Jōzu no Takagi-san, you’ll probably love this. It’s almost the same setup, but this time it’s the high school boy who teases (mostly unintentionally) the girl he has a crush on and for which he joined the shogi club which she is the only member of. Ayumi you see is very straight forward so keeps telling his senpai Yaotome that she’s cute which tends to fluster her, while her attempts to do the same to him usually backfire. He doesn’t want her to know he has a crush on her because he vowed to defeat her in shogi first, but since he’s so painfully obvious, she tries to trick him into confessing first. Her attempts never quite succeed of course and mostly leave her a blushing mess, but they sometimes come closer than she suspects. Great fun and Yaotome has some lovely embarrassed faces, but this first episode was a bit monotonous. The ending promises more cast members, so that will hopefully liven things up a bit.

Kami Kuzu Idol
A floating girl in idol costume, her legs see through in conversation with a bored looking man in a school uniform with a ruff
I normally don’t like using the English titles of anime, but Phantom of the Idol fits the series even better than the original Japanese one (literally Goddess Trash Idol). Yuuga is an idol, but a not very motivated one, just doing the bare minimum, riding on his partner’s coattails. Their manager is fed up with him and threatens to fire him. No he may actually do the work, something he’s not looking forward to. Mogami on the other hand is somebody who loves being and all the work that comes with it, but who has the slight handicap of being dead. When it turns out she can possess Yuuga, they have a solution for both their problems. To be honest, the episode took ages to get to this conclusion and the actual performance and animation thereof was meh, but this has some potential. You have to swallow the idea that somebody like Yuuga could actually even be an idol in the first place, but if you can this seems like a decent little series. I liked the post-credits scene with Yuuga’s three fangirls discussing the change in his performance and concluding it was a mass hallucination. Bonus points for having all songs in this subtitled already.

Tensei Kenja no Isekai Life
A white wolf looking a bit frightened is running with several carefree blue slimes bounching on his back
Finally an isekai series that understands you can start in media res and don’t have to explain every little thing about your setting and how your protagonist got there in excruciating detail in the first episode. The hero this time is once again somebody who died of overwork, as hinted at through several flashbacks to his past life. These flashbacks are done in a completely different style from the rest of the show, which is a nice way to show the differences between his lives. As we meet him he’s already overpowered and able to summon various classic D&D monsters like slimes, wolves and dryads. Besides that he also has overwhelming magical powers and skills and he uses them as if they’re computer programmes. That doesn’t make for the most satisfying action scenes but then the real charm of the series isn’t him anyway, it’s the slimes he tamed. Probably the best isekai series this season.

Extreme Hearts
Hiyori in a football uniform, stopping the ball with her leg the opponent just shot at goal
Until I started watching this I didn’t realise how much I’ve missed those Seven Arcs Nanoha character designs, as this series was created by much of the same staff. Set sometime in the future, where there not just sports, but hyper sports! Hiyori is a struggling singer song writer who’s dropped from her contract and her ex-manager suggests she joins the hyper sport tournament for idol groups to make a name for herself instead of, you know, doing actual gigs or setting up a Youtube channel or whatever. Being the persistent, hard working girl she is, she starts training with the help of her one fan and said fan’s childhood friend to join the tournament. But since she’s on her own, with her team mates being “AI players”, she’s losing her first match badly, until… As you might’ve guessed, I really liked the immediately recognisable but somewhat updated character designs. The animation is good too, especially in the sports scenes. Plot and setting is a bit eh, but I’m sure it’ll improve after this first episode, which was mostly setup. Also, it’s extremely gay.

Shine Post
Three idol girls in fitness clothing looking directly at the camera
TiNgS can only get better: a 3 girl idol group is told that they will be split up if they don’t completely fill the theatre booked for the first year anniversary. Luckily their producer has a secret weapon for them: a manager burned out by the industry who has the ability to see if people are lying because they ‘shine’ when they do. The idols are respectively a blonde, twin tailed tsundere who calls herself Rio-sama, Kyōka, a dead pan brunette who consistently attempts to ‘prank’ her friends and audience and Haru, the earnest hard working girl who may have the most potential of the three. The manager is reluctant to get involved so most of the first episode is the three girls trying to persuade him. All a bit messy, but there’s a lot of potential here. Nice to see a straight forward idol series with good production qualities.

Chimimo
A goat footed, horned devil holding his twelve fluffy round underlings as three women hold an umbrella over his head
The three sistes Mutsumi, Hazuki, and Mei live a comfy live together when one day an undefined fluffy puffball shows up at their home. The youngest, Mei immediately wants to keep it but the other two are wary, but agree to do so until its owner can be found. More and more show up untill there are twelve of them. Who promptly summon their demon lord to turn Earth into a new Hell. It doesn’t quite work out that way and he ends up living with them after he got a bath and a proper shave. A cozy slice of moe comedy series made special by the animation style and character design, very different from your average anime. Perfect show to relax to.

Lycoris Recoil
A calm black haired school girl is looking at her mobile while a short haired, blonde girl is laughing awkwardly and pointing at her
Heavily armed School girls need to keep the peace in Japan by murdering anybody threatening it. Yes, this is egregious fascist nonsense, but the two protagonists are cute so I’ll allow it. A classic cop buddy story. You got one girl who’s extremely stoic and duty bound who gets in trouble for he inflexible attitude, who has to team up with a seeming airhead who hides her extreme competence behind her goofy demeanor. She’s also skeptical about that whole murder everybody who’s a threat and instead uses non-lethal means to subdue their opponents. Their different attitudes to their jobs is demonstrated by the former willing to let somebody be kidnapped to lure out the criminals stalking her and the latter bandaging up these criminals after she shot them with non-lethal bullets. There’s also a cool older Black mentor and other action movie stereotypes as supporting characters. The animation is very well done, especially in the action sequences and it’s all a pleasure to watch.

Luminous Witches
A floating girl in idol costume, her legs see through in conversation with a bored looking man in a school uniform with a ruff
If you know Strike Witches you know it’s about aliens invading Earth in 1939 and the only ones being able to stop them being teenage witches named after WWII fighter aces. Luminous Witches is a spinoff series in which the witches instead of being named after an Adolf Galland or Chuck Yeager are named after Vera Lynn. That’s right, these are the witches that don’t fight at the frontline but are there to entertain the troops. Which seems to have drastically lowered the pants allergy of the main characters, mostly dressed in civvies. The other novelty this spinoff brings is that the Witches here all have mascot animals. The first episode was a bit messy, with what I presume will be the main three viewpoint characters meeting up in London, inter-spaced with short scenes of their assumed squadron mates to be. It all looks to be more of an idol than an action series and I’m all here for it. No real knowledge of the previous Strike Witches series is required. The one disappointing thing about this was that the insert song, Amazing Grace, wasn’t subtitled…

Lycoris Recoil’s uniquely Japanese right wing paranoia

It’s the near future and the peace of Japan can only be kept by having heavily armed high school girls murder everybody who threatens it.

Lycoris Recoil touches on an uniquely Japanese sort of right wing paranoia. The idea that modern Japan may look peaceful on the surface, but in reality is a criminal cesspitt where monsters and terrorists are only kept at bay through extralegal government directed death squads, usually consisting of cute high school girls. The sequence above, in the opening two minutes of the first episode is particularly blatant in expressing this paranoia. To me, this feels different from similar law and order concerns in e.g. US media. The crime in movies like Deathwish is not hidden, but out in the open. Everybody knows that the city is riddled with crime, but nobody can do anything about it. The police are helpless, tied down by bureaucracy and political correctness and you need a vigilante like the Punisher to step up and take a stand. Which is the second difference, in that the heroes of western fantasies about restoring law and order tend to be outsiders rather than government employees. With the Japanese version you have the fear that there are monsters lurking behind the surface of polite society, but also the fantasy that the government will protect ordinary citizens from discovering this truth and is competent enough to keep the monsters at bay. Not an idea that plays well in America.

It’s ironic that Lycoris Recoil came out in the week in which former prime minister Abe Shinzō was murdered by a guy with a self made shotgun, apparently due to Abe’s ties to the Moonies. Perhaps that paranoia is not entirely unwarranted…

Christ, what an asshole — Engage Kiss

It’s not often I have such an intense and visceral loathing of an anime protagonist the moment he first appears, but Engage Kiss managed it. Let me explain.

Brown haired loser with messy bangs covering his face wearing a green rain coat explaining how he will only work the jobs he should be doing

When we first meet Shu, he’s messily stuffing his face at a dinner with his ex-girlfriend. Apparently he used to work for the company her mother owned but started for himself. She’s worried about him, asks if he’s been eating, whether he’s gotten any work in the three months since he left. He replies that this is his first meal in three days and that he worked only recently, on the scale of a human lifetime. She presses that being principled is good but not if you cannot eat. He blows her off by spouting some high minded crap about only wanting to do the jobs he should be doing. It’s not very convincing that all this is done out of idealism when she not only pays for his lunch but also his cell phone bill. He returns to this dingy flat, which earlier we saw another girl preparing dinner in only to discover the electricity had been cut off. They have dinner together and once again his situation is discussed. She has paid off the electricity bill, he promises he’ll pay her back once he has some work, she points out he hasn’t had work in three weeks. Shu counters with a promise that the case he’s been waiting for is finally here, but she tells him that’s the same thing he said last month. And the month before. Before having to pay again for an unexpected delivery.

A screen shows that Shu underbid everybody by some 70,000 dollar

Shu is right however, the case he’s been waiting for has occurred. That’s why he met up with his ex, to give her some intelligence and rope her into the plan, which is set in motion the very same day. A demon has attacked a casino and an auction is held to determine which anti-demon company gets the contract to get rid of it. Throughout the episode Shu had been busy setting up his plan to get the perfect job and his grand strategy turns out to be …under-pricing everybody to the tune of roughly $70,000, then hiring his ex’s company to support him, who take most of the fee? I don’t feel you need to buy intel to do this, especially if it leaves you with barely 4000 dollars for yourself. He could’ve doubled his fee and still won the auction. Also, what made this particular demon attack so special that he needed to wait for it?

Kisara powers up by kissing Shu. Of course.

None of this is answered because Engage Kiss isn’t interested in it. On we move to the actual demon subjugation. Note that the attack happened at 15:55, the auction was completed at 19:00 and Shu only shows up at the casino under attack at 20:11. what has the demon been doing all this time? Apparently he’s just been hanging around doing a little bit of roulette? The fight itself, once it finally happens is well animated, though the monster design and the cannon fodder are just meh. It’s now that we learn that Kisara — the school girl making dinner in Shu’s apartment — is actually a demon herself, much more powerful than the one they have to get rid of. Again, not sure why Shu’s ex and her minions are actually dare as all that was really needed to end the fight was Shu powering up Kisara by making out with her, after which she just wiped all the monsters out with one big blast. But not before getting into a cat fight with Shu’s ex, Ayano. Nothing in this plot makes sense.

Pink haired winged demoness with big sword takes on gun wielding armour wearing raven haired ex-girlfriend

I have the terrible feeling that all this was meant to be funny, that this is intended to be an action comedy, but it’s all done so straight and boring that it’s just not funny. Shu’s an asshole, his girlfriends are doormats with no personality than being thirsty for him and as a viewer I have no idea why I’m supposed to like this. Yes, there are plenty of action comedies with a loser protagonist: Date A Live, Strike the Blood or even A certain Magical Index spring to mind, but none of those are unlikeable assholes leaching off their ex-girlfriends. This episode goes through the motions of setting up Shu as one of them, ticking all the boxes, but without understanding how such a character can work and still be sympathetic. I want to like Engage Kiss because this sort of sci-fi action nonsense i smy bread and butter, but Shu’s making it hard. I’ll give it a couple of more episodes and see if this first one was just a bit too try hard and he becomes more bearable.

RWBY vs RWBY

Thank you Cyan can for putting the two big climatic Nevermore battle scenes from the new RWBY anime and the original RWBY Flash animation back to back in one Youtube video:

You can see that the battle is roughly the same in both, with a lot of the differences due to translating a 3D scene into 2D animation; much harder to swing the camera around as impressively for example. But there are also differences in the choreography of the battle itself, as well as in what the anime chooses to showcase as opposed to the original. the biggest difference is at the start of the battle. In the anime, the battle is quickly divided into one team fighting the giant scorpion while the other tackles the giant raven. In the original, this all happens much more organically, with various characters switching which monster they fight as their comrades need help until finally you get the two teams established that will remain together for the rest of the battle. (And which will remain teams for the rest of the series.)

Character wise, the anime version keeps a much tighter focus on Ruby, Weiss and Jaune. In both versions it’s Ruby and Jaune who come up with ways to defeat their respective monsters, but in the anime version the other characters have little more to do than just fight whereas in the original they got their individual moments to shine as well. Especially the scorpion’s defeat was much more of a cooperative affair, with Nora playing a much larger role. She just hammers the scorpion’s spike into its head in the anime version, while in the original she was flipped into the air by Pyrrhia, riding her own hammer and giggling. The team work to defeat the other monster also suffers a bit in the anime version, with the original being much more clear about all four members setting up Ruby to launch the final blow.

Neither version is bad, both are very good actually, but in the end I prefer the original. Its choreography and the way it makes everybody shine is just slightly better than in the anime version. A fitting tribute to RWBY creator Mony Oum who created this choreography and who sadly never got to see it in a proper anime, as he died in 2015.

Eightysixed Again — 86 Part 2 – Anime 2022 #015

Child soldiers return to the war they just escaped from as they cannot concieve of any other future.

We can't pretend to be at peace when we are not say the 86

How could they do otherwise? The world ended nine years ago as the Legion, AI driven combat mecha overrun the entire world except for their homeland, the Republic of San Magnolia. Its citizens found refuge in the 85 districts protected by the Gran Mur, but not them, as the original Alba population of the republic decided to kick out everybody non-Alba. Instead they became the 86, no longer deemed human, forced to wage endless war against the Legion, a war that killed their parents, siblings and friends, a war that’s supposed to end in two years as the Legion’s AIs die out, a convenient solution to the problems of the Legion and the 86 both. That’s the reality they faced, but even worse, they knew the Legion wasn’t going to die that easily because they knew it harvested the brains of their killed comrades to command its mecha. So when they were sent on their final mission, a suicide mission, they felt relief to know it was almost over, one last fight and then they could die.

A demonstration to save the 86 from exploitation by San Magnolia

And then they woke up and Shin Nouzen and his four surviving comrades from the Spearhead squadron found themselves in the country that started the war, Giad, free from the burden of duty, free to be teenagers rather than soldiers. Originally 86 was a standalone light novel and this was where the story ended, but because it was so popular it was expanded into a series. The first 86 series adapted that first light novel, but ending just before they found out they’d survived. This second series adapts the next two books in the series, which show what happens after they wake up, with the first two episodes following them in their newfound civilian life before they rejoin the military. Just in time for the next big Legion offensive…

Frederica threatening to kill herself to grab the attention of Kiriya

The plot in the first series was largely driven by Shin’s ability to hear the thoughts of the Legion as well as those it killed to ‘crew’ its mecha. Some of those killed with brains intact would not just command a mecha, but entire armies of the Legion, one of which was Shin’s brother, with the fight against him to grant him peace being the climax of the series. This plot is repeated in the new series through the introduction of Frederica, the last surviving member of the old Giad imperial family that started the war ten years ago. Her body guard Kiriya was taken by the Legion the same way Shin’s brother was and the two bond over their shared experiences. Kiriya of course turns out to be the most important piece in the Legion’s offensive and it’s up to the 86 to kill him, deep inside Legion territory. Meanwhile, back in San Magnolia, Spearhead Squadron’s old handler, Lena, their handler, one of the few to take the threat of the Legion seriously or treat 86 as actual humans, is preparing for war. The deaths of her subordinates on a unnecessary suicide mission haunts her and she uses it as motivation to prepare for the final Legion offensive she knows is coming, to save as many people as she can, if she can. As the offensive hits her actions do make a difference. Her story converges again with that of her old squadron in the last two episodes, as they finally meet face to face.

The 86 looking out over a sea of grass, completely at ease in the wilderness

In some ways this entire second series is there to help Shin to get over his PTSD and guilt over killing his brother. At times he comes close to sliding into battlefield madness, only held back by Frederica. The rest of his comrades are less traumatised than him, or are able to handle it better, but it’s telling that they all feel at ease more in the post-apocalyptic ruined towns and landscapes of Legion territory than in the cities of Giad. Even in a much more tolerant country than they left behind their experiences set them apart from ordinary people. Things are just that more simple when it’s just themselves and the wilderness the Legion created The landscapes are certainly gorgeous, beautiful images of ruin and decay, nature reclaiming the wreckage, softening the tragedy that lies behind it.

A rusting away tram being covered in vegetation now home to birds

In the end this second season of 86 was not as good as the first, because it lacked the focus and sense of overwhelming dread it had. The story was certainly done no favours by the series disastrous production schema, with weeks and even months between episodes, making it seem much more disjoined than it actually was. Having a similar sort of antagonist as the first series thematically makes sense. Having killed his own brother in season one brought no closure to Shin, but doing the same thing for Frederica, having another person who went through the same journey as him, did. It works well but it still left this second season feel like a rethread of the first one.