Day 8: exceeding expectations with AoKana and Alderamin



There are no phrases that make me readjust my expectations of a new anime downward faster than “light novel adaptation” or “based on a visual novel” (well, perhaps, “inspired by a mobile game”). In the former case because nine out of ten of them seem to be utterly mediocre “only boy in magic school” series, in the latter because nine out of ten of them are equally mediocre harem series. Both types of adaptation can lead to true classics (Monogatari series, Steins;Gate) but usually that’s not the way to bet. So in the case of Ao no Kanata no Four Rhythm (visual novel/dating sim) and Alderamin on the Sky (light novel) I went in with few if any expectations. And found that for once, they were exceeded.

AoKana: the first flight of Asuka

Ao no Kanata no Four Rhythm first. This was originally a visual novel loosely based around a future sport called Flying Circus, in which you use anti-gravity shoes to fly and race around a circuit, in which you played Masaya Hinat, your average sad sack protagonist with a dark past who encounters various girls, helps them overcome their problems to ultimately bang them (or even lewder, hold hands with). The anime improves on this with one simple change: completely losing the dating aspects to focus fully on the Flying Circus antics, downgrading the protagonist to a supporting character in the process and focusing instead on the main heroine, Asuka Kurashina, who’s new to the sport and whose story makes for a decent sports anime arc.



Which is basically what AoKana turned into: a sports anime that follows Asuka’s rise from rank amateur to the top of the sport, overcoming various obstacles and crisises of faith along the way. Instead of Masaya overcoming his past trauma while helping various girls overcome theirs, they do it themselves while realising or re-discovering their love for Flying Circus. It follows the standard training – tournament – more training arc of a sports anime, with as climax Asuka winning the big Fall Tournament. To be honest, most of the actual battles are somewhat boring, but on the whole this was a series that was incredibly enjoyable week by week, because the characters were so much fun, especially Asuka, who’s bright, cheerful and full of enthusiasm. It’s available for legal streaming at Crunchyroll.

Alderamin: Ikta and Yatori

Alderamin starts off looking very much like your run of the mill light novel adaptation. There’s the world itself, a mismatch of steampunk and medievaloid fantasy elements. There’s the black haired, talented, rather be lazy than tired, lecherous hero, Ikta Solork, who has reluctantly agreed to join the military to help his childhood friend, the talented, redhaired swordswoman Yatorishino Igsem. She has the required tsundere traits: punishing him when he gets too frisky with another girl and such. When the ship they’re traveling to the military academy on sinks, they’re shipwrecked together with four classmates — inlcuding Chamille Kitra Katvarnmaninik, the third princess of the Imperial Family, who is saved from drowning by Ikta. The six become heroes, with all of them knighted (except the princess of course), after they escape from behind enemy lines, thanks to Ikta’s plan. Off they’re packed to the military academy, to learn how to become proper officers.



So far, so generic, but that’s only the first four episodes, setting up the characters before the real story starts: episodes six to thirteen form one continuing story — and it’s based on the Indian Mutiny of 1857! Ikta and company are shipped off to the northern mountain range, where the empire rules over the mountain peoples much in the same way the British ruled the North-West Frontier in India. As in the real life mutiny, religious tension ultimately leads to rebellion, which turns out to have been provoked by foreign agents in order to justify an invasion. It’s Ikta who, from his low position as just another rookie officer, has to guide the empire’s defence as much as he can. Despite the inevitable outcome (and the introduction and killing off of a new character just to provide Ikta with some personal motivation and angst) this was still one of the better depictions of war in anime, using proper tactics and actual strategy rather than just punching harder. All of the cast gets to show off their talents, especially Yatori, as shown above.

Alderamin: Yatori will kill herself before killing Ikta

Yatori is the other reason Alderamin stands head and shoulders above other light novel adaptations. In other series she would be the obvious love interest, but here she and Ikta are something else entirely. They trust each other completely, they clearly love each other, but they’re not in love. Yet for each, the other is the most important person in their lives. Yatori is extremely duty and honour bound, having grown up as the only daughter of a prooud military family, but when contemplating whether her honour could even go so far as to kill Ikta if the empire asked for it, her answer was that she could, but only if she killed herself first, removed every trace of Yatori from herself and leaving only a killing machine. the crux of their relationship is shown in episode five, a flashback to when they first met as children and how together, with Ikta’s tactics and Yatori’s sword skills, they managed to fight off a gang of wild wolves.

Alderamin: save the country, lose a war for me

A compelling war story as well as a strong and almost unique friendship between the male and female leads are two ways in which Alderamin is better than most light novel adaptations, but it also manages to avoid one particular weakness of such series. Because they’re usually based on still ongoing series of novels, such anime are often unable to present a complete story. Alderamin could’ve suffered the same fate, if not for one small change it made, by moving a crucial scene back. In the last episode, after Ikta has suffered through the war and seen how fragile the empire is, the princess asks him for a favour: to rise to the top of the military and then lose a war, to shake the country up and make space for renewal. Had this scene happened when it did in the manga version, just before they went off to the military academy, the rest of the series would’ve felt incomplete, because that goal could never be reached in thirteen episodes. But coming as it does at the end, it’s now a conclusion, not a setup.

Alderamin is available from Crunchyroll. This was day eight of the Twelve Days of Anime. Next: Planetarian and She and Her Cat.

Day 7: the pleasure of having read a book

Bernard Jou Iwaku: the secret of reading

Bernard Jou Iwaku is not afraid to tackle the big issues: how to read books if you don’t want to read them, just want to have read them. The courage to read the Wikipedia plot description. Miss Bernard — actual name Machida Sawako — is the sort of poseur you’ll find in any book club or fan group, somebody with an opinion about anything whether she has read it or not. Not a bad sort at heart, if a bit obnoxious and smug.And to be honest, if you’re a reader, there will have been moments when you’d rather not want to read the book you want to have read.

Bernard Jou Iwaku: what to recommend

On the other side of the spectrum is Kanbayashi Shiori, who’s not just enthusiastic about reading books, but really enthusiastic about sharing her favourite books with others — though she has some difficulty in deciding which book to share. She and Machida regularly clash when she gets infuriated by the latter’s idiocy, but in the end Kanbayashi needs her as somebody to talk books with. They’re both book geeks so despite their differences, they need each other.

Bernard Jou Iwaku: geeking out

The series itself is pleasantly nerdy about reading as well and seems to be especially fond of somewhat obscure (American) science fiction authors. In a time when young people reject even the classics it’s amazing that Kanbayashi doesn’t just name drop Egan, Asimov, Heinlein, Tiptree and Clarke, but also much less well known writers like Avram Davidson, Theodore Sturgeon, Olaf Stapledon, not to mention Manly Wade Wellman? I’m seriously considering entering Bernard Jou Iwaku for the Best Related Hugo.

This was day seven of the Twelve Days of Anime. Next: Alderamin / Ao no Kanata no Four Rhythm.

Day 6: mecha-nised warfare

Kuromukuro: smart mecha action

2016 was a pretty decent year for mecha anime. We got several Gundam series and specials of course, but also the latest Macross installment, a glimpse at the upcoming Patlabor reboot as well as several new mecha series. Of those, Active Raid (police in powered suits) and Schwarzenmarken (East German robots fighting off an alien invasion in 1983) were pretty meh while Bubuki Buranki (five kids combine to form a super robot and fight a worldwide conspiracy) redeemed itself with its second season. But the series that impressed me the most this year were Kuromukuro and Regalia: The Three Sacred Stars.

To start with Regalia, this is what you might call a super robot show, with immortal lolis piloting giant magical mecha fighting an immortal shota piloting an even bigger magical mecha. It started off well, but then ran into production problems and instead of finishing its run in Summer, was instead reran this Fall season. Perhaps that’s why it got relatively little attention. Which is a shame, because this was quite a nice, if simple series. What’s more it’s mecha fights are 2-D animated, a rarity in modern mecha series, as most are now CGI, like Kuromukuro.

Regalia: Rena and Yui

The story revolves around Yuinshiel “Yui” Asteria and her adopted sister Rena Asteria. Yui is actually the empress of Enastoria but for the most part lives like an average school girl. When a giant robot pops up to kidnap Rena, Yui discovers that her loli sister is actually the soul of a magical mecha herself and she needs her to fight together. From there on several other Regalia pairs pop up, some friendly, some not so much as Yui’s country is put under siege and the disaster that happened to a neighbouring country twelve years ago threatens to repeat in Enastoria. Throughout the series emphasises the importance of family and female friendship as counterweight to the very masculine sort of power seeking of the male villain: Yui and Rena may be overpowered by him, but thanks to the friendships they make they still have a fighting chance. Not a new idea, but well executed here and always a pleasure to see among more cynical series.

Kuromukuro on the other hand is the story of a four hundred year old samurai and a modern school girl piloting a giant sword wielding mecha to fight off an alien invasion. This was everything you might want from a mecha series: great fights, good mecha designs, a decent plot that actually manages to answer most of the questions it raises, likeable characters, sword fights and gorgeous animation. But again, it got less attention than I expected. Perhaps because this was a Netflix exclusive and released in two thirteen episode batches at the end of the Spring and Summer seasons respesctively. In an age where every other series is streamed immediately after an episode is shown on Japanese television and anime fans have gotten used to discuss anime on a week by week basis, this may have hindered it from finding an audience.

Yukina Shirahane is visiting her mother, who is the director of a huge research lab looking into buried alien artifacts discovered sixty years ago, just when the lab comes under attack from a series of mecha. She finds herself being shot at by one of the mecha which had managed to enter the building she was in, only to be saved by a buck naked samurai she just freed from one of the artifacts. The samurai turns out to be Kennosuke Tokisada Ouma, whose last memories are of a battle over four hundred years ago. He thinks she is his clan’s princess and vows to protect her, while she is slightly flabbergasted by it all. Circumstances force them to pilot the Kuromukuro (“Black Relic”) together and because of this they’re drafted to fight against the invading alien mecha.

Kuromukuro: family

With twentysix episodes to play around in, Kuromukuro has the room to breathe and give some attention to the daily lives of its characters inbetween the battles. So of course Kennosuke transfers into Yukina’s class and hangs around with her friends. As Mage in a Barrell noted yesterday, the first half of episode one just follows Yukina on her daily routine before all hell breaks loose and the series repeatedly returns to the increasingly turned up side down familiarity of day to day life. Some scenes could just as easily have fit into any of P. A. Works other slice of life series. This gives it a charm that reminded me of e.g. Eureka Seven or Xam’d Lost Memories.

Kuromukuro: smart mecha action

Nevertheless the real attraction is of course the mecha action and Kuromukuro doesn’t disappoint. For once the conventional military forces aren’t entirely useless in fighting robots. Though not up to facing the enemy’s super mecha, the smaller ones can be destroyed by tanks or the JSDF’s own mecha. It’s not just a series of showy one on one battles: both the invaders and the defending forces do have some sense of tactics. And while some of the ways in which the aliens fight make little sense at first and the same goes for their motivations, these questions are satisfactorily answered by the end of the series as is the question why if these are aliens, they look so damn human.

TL;DR: Kuromukuro is a great series you should check out if you like mecha, science fiction or samurai and if enough people do so we may get a second season.

This was day six of the Twelve Days of Anime. Next: let’s look at some short shorts.

Day 5: get a real job



You only have to watch the episode above to grasp the essence of Aggressive Retsuko: put upon office lady/red panda Retsuko gets harassed by dumb bosses and obnoxious co-workers, the frustration builds and builds until it erupts — in the form of death metal karaoke. For anybody who’s ever worked in an office there’s a lot that’s recognisable –female supervisors being more lenient to men than women, co-workers slacking off, though some of the frustration she has to deal with is more uniquely Japanese — obligatory drinking parties, near daily overtime. However, although Aggressive Retsuko mocks the daily struggle of office workers, at the end of the day it’s like Dilbert, an escape valve rather than a call to arms. Each episode ends after all with Retsuko declaring she’ll work hard again tomorrow. But who cares, it’s funnier than Dilbert ever was.

This was day 5 of the Twelve Days of Anime. Next: Kuromukuro and Regalia.

Day 4: He’s a working girl

Shounen Maid

Airing in the same season as the series about the guy who adopts a wild boy from the forests of Canada and brings him over to Japan to groom him as his lover, you may be forgiven to think that Shonen Maid, about an elementary school boy who after his mother’s death gets taken in by his uncle to be his live-in housemaid, is more of the same. I certainly thought so and if not for a chance comment would never have bothered watching it. And then I would’ve missed a surprisingly thoughtful show about grief, family and memories among the light hearted comedy.

building a new family

So yeah, because anime Japan doesn’t have social services, Chihiro is taken in by his uncle Madoka after his mother dies, much to his surprise as she had never told him he had any relatives. Madoka is a fashion designer and a bit of an airhead, but luckily has his private secretary Keiichiro is there to keep him out of trouble. Chihiro learning to live with his uncle and his uncle with him is the engine of the series. Whereas Madoka is somewhat lazy, flighty and not very responsible (he keeps bringing stray cats home despite being deadly allergic to them), Chihiro is way too serious and responsible for his age and really into cleaning. And, loath as he is to accept charity from a family he didn’t know about until, well, the day his uncle came to pick him up, the solution his uncle comes up with is actually rather clever: let him clean his pigsty of a house in return for being taken care of.

Shounen Maid: Mother and sister

Together Chihiro and Madoka have to build a new family together and what binds them are the memories of Chiyo Komiya: Chihiro’s mother, Madoka’s sister. That’s the red thread that runs through all the light comedic mishaps. It gives Shounen Maid a light melancholic undertone whenever either of them is reminded of her. Apart from sharing memories & grief, Chiyo is also important in that she drives the overall plot (such as it is), first of course by dying, but also by having Chihiro slowly learn about and understand the reasons behind her estrangement from her family. The exact details, other than that she married and got a child with a man her father didn’t approve of, are never made clear, we just get a general impression. Her father interestingly is never shown in the series, just Chiyo’s mother/Chihiro’s grandmother who clearly feels regret, though again it’s never explicitly stated as such.

Of course most of Shounen Maid is still a fairly standard slice of life comedy, decent but not something that sticks in the memory if not for that infusion of melancholy. Because of that, it was one of my favourite series of Spring 2016, one I’d watch first on the day it came out.

This was day four of the Twelve Days of Anime Next: Aggressive Retsuko.