All her Children Fought



Proof you can tell a science fiction story with only three actors and one, not entirely convincing special effect. Based on the story by Tobias Buckell, who has the story of how it came to be up on his blog. It’s an excellent example of how much you can convey with just a bit of subtle incluing, by working within genre expectations. I can’t be the only one to watch this and be reminded of Ender’s Game, can I?

Some comments: I wonder if the choice of accents for the three actors was deliberate or just a coincidence, but it works in contrasting the boy and his minder with the main character. I’m not sure the premisse of the movie is valid, the reason why it’s young boys/children being sent up there rather than adults, but it makes emotional sense.

A week of short short stories reviews

So I made the decision to read through this list of 98 well received short SF stories from last year, as originally posted to MetaFilter, reading roughly three stories a day. The first week of posts is now up:

  • Introduction and list of stories
  • Day One: stories by Charlie Jane Anders, Eleanor Arnason and Dale Bailey
  • Day Two: Jessica Barber and two by Elizabeth Bear.
  • Day Three and Four: Helena Bell, Holly Black, Aliette de Bodard, Richard Butner, Richard Bowes & Chaz Brenchley.
  • Day Five: Siobhan Carroll, Dario Ciriello and C. S. E. Cooney.
  • Day Six: Julio Cortázar, Tom Crosshill and Amanda C. Davis
  • Day Seven: Amal El-Mohtar, Ruthanna Emrys and K. M. Ferebee.

It’s been interesting reading these stories this way, usually done on my tablet lying on the couch with a cat on my lap. Even if a given story isn’t too my liking, it’s easy enough to push through to a better one. I don’t read enough short stories normally and this is a good challenge to get me to read more.

Resident Evil: Afterlife

The infection hits Tokyo

If the Resident Evil movie series is good at anything, it’s at providing great looking images like this, set pieces that sacrifice logic for looks. Here we supposedly have patient zero infecting Tokyo with the T-virus, the first zombie to hit Japanese shores, but you would expect that after the destruction of Raccoon City and the subsequent spread of zombies over North America, Japan would be slightly more prepared for a similar outbreak, or that Umbrella would come clean about it. But no.

Alices attacking Umbrella

At the end of the last movie Alice promised Umbrella she’s visit them in Tokyo and she’d bring some friends. This is them. Alices and clones attack, loads of mooks die, not least from friendly fire as head baddie Wexler is not choosy in who he kills. It all ends with everybody from Umbrella and all the clones dead and Alice free to persue her quest for Arcadia.

That is a lot of the walking dead attacking that prison

Which turns out to be some sort of honeytrap, as she finds a lot of planes but no people, with the exception of a brainwashed Claire Redfield. They set off by plane along America’s west coast and come across a prison, surrounded by thousands of zombies, inhabited by a motly crew of survivors, most of whom won’t make it to the end of the movie.

you got to look good even after the zombie apocalypse

What struck me this time is how well groomed all these survivors are; Alice and Claire in full make up and pretty boy over there has kept his beard neatly trimmed. The Resident Evil movies always had a sense of style, but by now style has definately won out over substance. This is btw roughly were I first came in with the franchise, one late night after the football had finished. Back then I hadn’t realised how disjointed this movie was, one sequence stitched to another, or how much it was making up on the fly.

Knock knock

Case in point. This fucker. Suddenly there’s a supersized zombie king to make things interesting, a supernatural creature not seen in any of the other movies. This is something the movies have done before, when regular zombies are no longer enough, but it feels like cheating. Here it does what the run of the mill zombies couldn’t and break down the prison walls, functioning as catalyst to trigger our heroes frantic escape.

Surprise, surprise

They escape to the Arcadia, which Alice and co had learned was actually a ship sailing past the west coast, picking up survivors. It is of course a trap and of course it’s Wesker, who died in the first twenty minutes of the movie, who’s the mastermind, having infected himself with a new strain of the virus, keeping at bay with anti-serum and willpower. Cue massive boss fight including both the Redfields, Claire’s brother Chris having been introduced in the prison; a bit late, considering he’s once again an important character from the videogames not given his due in the movie series.

Jill Valentine working for Umbrella

A happy ending? Of course not. Umbrella, for all its incompetence in actually keeping a world worthy to rule over, are very good at having plots within plots and just as everybody is freed and the Arcadia is ready to become a haven for non-infected humans, up pop their gunships again. And who should lead the Umbrella forces but Jill Valentine, proving that a turn to evil always comes with a worsening taste in clothing, as she has her tits out and wears a not very comfortable looking leotard/fishnet combo.

Resident Evil: Extinction

a trench filled with dead Alice clones

You know, three movies into the franchise and I have to seriously wonder about how seriously the Umbrella Corp takes maximising shareholder value. So far, through their manipulative evil they’ve lost their super duper high sekrit research facility under Raccoon City, then Raccoon City, first overrun by zombies, then nuked to contain the outbreak and now at the start of Resident Evil: Exctinction we’re told the entire planet has been overrun. Society has collapsed, everybody but for a handful of survivors is undead and even the wildlife has been destroyed. So what is Umbrella doing? Staging elaborate tests for their Alice clones to run through and get killed. The end result is that trench full of dead clones. You do have to wonder about their priorities.

That is a flimsy fence to keep your secret headquarters safe

That danger room scenario wastes some seven minutes of an hour and a half long movie, only establishing that the bad guys’ base is in the middle of the desert, which is apparantly all of the US by now and that it’s surrounded by zombies kept at bay only by a flimsy metal chainlink fence. You’d think that the pressed mass of the zombies would’ve been enough to pull it down, but apparantly not. It also raises the question why and when Umbrella has been establishing all those super hight tech underground headquarters. This is in the arse end of nowhere, so they would’ve needed to bring in all sort of equipment and people to build it. For those of us living in cities with years overdue, far more expensive than budgeted metro upgrades, this seems unrealistic.

would you trust a diary you found at the feet of a suicide

Twenty minutes in, the macguffin driving the plot is introduced, a diary kept by somebody at the gas station that Alice stops at to refuel, after she escaped from the clutches of a hillbilly cannibal clan by introducing them to their zombie dogs. The diary talks about a safe zone in Alaska, free from infection, but the person who made it has hung themselves. Nevertheless, Alice is intriqued.

working for Umbrella is not the best career choice

So it turns out one of the things the bad guys are attempting is to find a (partial) cure for the zombie virus, giving the victims at least some of their intelligence back, curing their craving for flesh and making them into a docile work force for the Brave New World Umbrella wants to create. Needless to say it goes wrong. Needless to say yet another Umbrella scientist will find out first hand why working for Umbrella is a bad career move. It’s the casual psychopathery of the villains that makes you wonder why their mooks keep working for them, rather than just shoot the Umbrella board and lead scientists en masse.

Alice meets up with her friends from the previous movie

Meanwhile we’ve also been following Claire Renfield and her band of survivors scavenging for supplies, which includes some of the people we met in the second movie, including Carlos here. Alice comes back into their lives as their saviour from an attack by zombified crows, who’ve been feeding on the infected flesh of the dead. It’s the first and only time we see these crow attacks. This is the main weakness of this movie: it’s a series of set pieces that are supposed to overwhelm you with their awesomeness but fall short.

zombie party in downtown Las Vegas

What plot there is, is provided by Alice’s insistence they need to go to Alaska to look for Sanctuary, while the evil Dr Isaacs has become aware of her existence and wants to capture her for study. As the survivors go to Las Vegas for supplies, he sets a trap using his new, improved zombies. This seems wasteful but it’s Umbrella’s M.O. to kill off as many civilians as possible with each of their harebrained schemes. Here the plan is therefore to murder everybody including Alice and then take a blood sample. Things do not entirely go according to plan but it does allow some of the survivors to die a nicely heroic death.

Claire Renfield looking badass

It also allows Claire Renfield/Ali Larter to show off some of her badassery, which was badly needed. In the games she’s one of the more important characters of course and only introducing her in the third movie is a bit late. Interestingly she’s the third badass woman character to tag along with Alice in the movies, after Jill Valentine in the second and Rain Ocampo (Michelle Rodrigues) in the first. Which is I think one of the main virtues of the Resident Evil series in both games and movies, that there are so many strong female characters in it, without too much of the usual nonsense surrounding them.

Alice and friends

The climax of the movie has Claire and the remaining survivors escape to Alaska in an Umbrella helicopter as Alice fights off the now infected Dr Isaacs, killing him and warning the rest of Umbrella she’ll be paying them a visit. It’s a great image to end on, but it shows the absurdity of the whole series, the obsession it has with Alice. You’d think that after the apocalypse Umbrella would’ve lost some of its arrogance, but apparantly not.

Alternate History

Alternate history:

That sometime in 1970: The Beatles fired Allen Klein and somehow came upon an agreement of how to run Apple Records, allowing the band members to separate the music from the business, the chief destruction of the band being averted; with the success of “Here Comes The Sun” and “Something” and an amazing back-catalog of unused and new songs, George successfully campaigns for an equal share of his own songs to be featured alongside the Lennon/McCartney originals (with the compromise that Linda and Yoko are allowed in the Beatles’ inner circle if need be); pleased with Phil Spector’s work remixing Let It Be, The Beatles opt to have him produce the bulk of their recordings throughout the 1970s (despite McCartney’s reluctance); John agrees but wants to elaborate on the stripped-down and live-band-sounding arrangements, as revisited in the Get Back sessions from the previous year, but at least for his own compositions written from his Primal Scream therapy sessions; Ringo was, as always, just happy to be there.

One of the things that distinguishes the serious music nerd from the serious music nerd is that the former spends a lot of time and energy not just imagining what if the Beatles hadn’t split up, or what if Syd Barrett hadn’t had his breakdown, but actually create imaginary albums from timelines in which these things did happen. I’ve only discovered this blog the other week, thanks to MeFi, but I’m seriously considering whether it would be eligible for a fan Hugo, because does seems to be the purest form of fannish alternate history making.