books and books review – Page 91

Intelligence in War – John Keegan

Published on January 3, 2008

Cover of Intelligence in War

Intelligence in War
John Keegan
443 pages including index
published in 2003

John Keegan is one of the better known British military historians, having been a lecturer at Sandhurst before becoming defence editor at the Daily Telegraph, as well as writing a slew of books about military history. Keegan seems to write two kinds of books: the first kind follows a war or campaign in some detail, while the second takes a specific aspect of war (or even war as whole) and follows its development through the ages. Intelligence in War is an example of the second kind. As you may guess, he’s somewhat of an establishment historian, accepting and understanding that war is an essential part of human nature, even if an unfortunate part. He’s therefore more interested in writing how wars are fought than how they come to be. Within those limitations he’s an excellent history writer, one of my favourites when it comes to military history.

Intelligence in War, as said, is typical of Keegan’s work. Through the careful selection of several case histories Keegan examines the role intelligence plays in warfare and its limitations and capabilities to influence battles. Keegan distinguishes five separate stages intelligence has to go through to be able to influence a battle: acquisition, delivery, acceptance, interpretation and implementation. Due to difficulties that can arise at each stage, Keegan is skeptical about how influential intelligence is for a given battle. His main thesis is that intelligence can be useful in battle, but is rarely decisive, even in those cases which are supposed to be the examples of intelligence determining the outcome of battles. For Keegan, intelligence is only ever a secondary factor in winning or losing battles, with things like the relative balance of forces and the determination and will of the opposing troops and commanders being much more important.

Players – Paul J. McAuley

Published on November 26, 2007

Cover of Players

Players
Paul J. McAuley
390 pages
published in 2007

Paul J. McAuley used to be one of my favourite science fiction writers. Used to be, because unfortunately he seems to have chucked it in favour of writing crime and thriller novels. Probably for some silly reason as that they sell better. Not that I mind writers trying out other genres, but whereas I devoured McAuley’s science fiction novels, I couldn’t finish Mind’s Eye, the first of his thrillers I try, stopping halfway through and returned it to the library after it had been lying on my shelves accusively for a few weeks. It’s therefore with some trepidation that I approached Players, but I wanted to give him another chance. And it worked, in as far as that I finished this one.

What’s interesting is that Players shares its opening gimmick, a crime in an online game having repercussions in the real world, with Charlie Stross’ very different Halting State, which was also published this year. But whereas Charlie’s novel is set some years in the future and is quite clearly science fiction, Players is set in the here and now and quite clearly is not.

Russia’s Air Power in Crisis

Published on October 30, 2007

Cover of Russia's Air Power in Crisis

Russia’s Air Power in Crisis
Benjamin S. Lambeth
233 pages including index
published in 1999

The end of the Cold War was strange, because it wasn’t the nuclear holocaust we all imagined it was going to be, the final confrontation between the free west and the communist east. Instead it ended with a whimper, not a bang, as the Soviet empire collapses from the inside. With it crumbled the Russian army, which went from being an unstoppable menace to a laughing stock in the space of less than a year. Budgets were slashed, careful gathered stockpiles of weapons were destroyed or sold, units were brought back from Eastern Europe and when the USSR itself split, suddenly not just hte army was split over a dozen different countries, but also its supporting infrastructure of weapon plants, repair depots and design bureaus…

The various new Russian army branches therefore had to meet formidable challenges in the post-Soviet era, perhaps none more so than its airforces. It’s this that’s the subject of Russia’s Air Power in Crisis, which looks at these problems through a somewhat American lens. This is most visible in the constant references the author makes to the role American airpower played during the First Gulf War and the impression this made on the Russians. More subtly, it’s also visible in the assumption of how airpower should be used, in that a proper airforce should be like the USAF and adhere to its philosophy. It speaks for Lambeth that he recognises this tendency in himself, when he discusses what might have been the outcome if the balloon had gone up and the Soviet and NATO airforces had met each other in the skies above Western Europe.

The Shadow Rising – Robert Jordan

Published on October 22, 2007

Cover of The Shadow Rising

The Shadow Rising
Robert Jordan
1006 pages
published in 1993

The Shadow Rising is the fourth book in Jordan’s Wheel of Time series. In my view it’s the point where the series really started to balloon. For a start it’s some 300 pages longer than the previous installment, but the plot as well gets bigger and more complicated. The most common criticism of the Wheel of Time (apart from those who, perhaps unfairly, reject it out of hand as sub-Tolkien crap) is that the story stopped progressing halfway through the series; the seeds for this are sown here. In many ways this is the watershed in the series, between what Jordan started with, a fairly linear story in the Tolkienesque mold and what it ended up being, perhaps the most complex fantasy series ever written weaving half a dozen separate storylines together into an almost coherent whole. This is the first book in the series in which the various plotlines do not come together neatly at the end of the book, nor are intended to.

But this is not the sole reason as to why this is a watershed in the series. The character of the series also changes, from being largely a quest based story to one of a more political nature. Rand al’Thor has declared himself the Dragon Reborn, drawn the sword that’s not a sword and the unfallen fortress has fallen. From now on he has a nation and a army behind him, he has revealed himself to the world and the stakes have gotten that much higher. From now on he can no longer led himself be lead, he has to lead himself. And while his friends may still be his friends, their interests and his may no longer completely match…

The Dragon Reborn – Robert Jordan

Published on October 20, 2007

Cover of The Dragon Reborn

The Dragon Reborn
Robert Jordan
699 pages
published in 1991

The Dragon Reborn is the third book in the Wheel of Time series and as such it does not quite have the worst artwork in the series. That honour is reserved for either the previous book The Great Hunt, with its depiction of Trollocs as humans with curved helmets or the sixth book, The Lord of Chaos, with its incompetent romance novel cover. No book in the series however has what you can call good art, or even art that bears much resemblence to the books its used on. That’s not unusual for any book of course and normally I don’t care too much about what’s on a cover, but the Darrell Sweet artwork on these is just too embarassing, especially when read in public. But never mind eh? It’s still much, much better than reading Dan Brown where people can see you.

Moving on to what’s between the covers, The Dragon Reborn is the last book in the series to duplicate the quest structure of The Lord of the Rings and also the last book in which the various storylines neatly come together in the end. It’s not the end of the series, as the series has no end, but it’s a end. From the next book, The Shadow Rising onward, things would be much more complicated. It’s also a sort of beginning, as this is the first book which is not dominated by Rand as the main character; in fact he’s hardly in it, with much of the action focussing on Perrin, Mat and Egwene/Nynaeve/Elayne in three different storylines, which come together at the climax of the book, just as with the previous two books.