The Execution Channel – Ken MacLeod

Cover of The Execution Channel


The Execution Channel
Ken MacLeod
307 pages
published in 2007

The Execution Channel is MacLeod’s newest science fiction novel and a return to the sort of book he made his name with, after several more traditional sf novels: intensily political, near future novels in settings that seems to flow logically from our own times and as a reaction to contemporary political developments. In science fiction the urge to respond to current events often results in shallow, cliched tripe, but that’s never the case with Macleod, largely because he’s a better writer than that, but also because he doesn’t as much respond to a single event as to the general direction politics is taken. In his Fall Revolution novels he was partially responding to the accelerating pace of globalisation and the role of the US as a caretaker superpower, here it’s the War on Terror and the emergence of the hypersecurity state and the increasing brutalisation of our societies as a result of this, made visible by the concept of the execution channel. Which is exactly what it sounds like, a tv channel dedicated to showing state sanctioned killings.

MacLeod has been at his best so far when he’s writing near-future science fiction and The Execution Channel is about as near-future as you can get, set perhaps ten years from now, perhaps only five. It’s a future in which all the fears we’ve had and still have about the War on Terror have become true: American and British troops not just in Iraq and Afghanistan anymore, but all over the Middle East, while in Britain itself the security state has taken over, terrorism is rampant and this in turn has led to pogroms against Muslims. And then a military airfield, RAF Leuchars, is hit by what looks like a nuclear attack. From there on things get worse.

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The Fall of Yugoslavia – Misha Glenny

Cover of The Fall of Yugoslavia


The Fall of Yugoslavia
Misha Glenny
314 pages, including index
published in 1996

The Fall of Yugoslavia was the first book I read in 2007, I got it as a Christmas present from Sandra. I had put this book on my Amazon UK wishlist quite a while back, after having read Glenny’s The Balkans 1804-1999, which was an impressive overview of the modern history of the Balkans. I thought it would be a good book to start the new year with and was not disappointed.

If there’s one thing I’ve learned the past few years blogging the War on Iraq it’s that you can follow the news on tv, read the newspaper reports and magazine coverage on a subject and think you know what’s going on, when in fact you’ve only gotten part of the facts, often arranged in a preconcieved narrative. Even if the news media are basically honest in their reporting, it is too immediate to see beyond the story being reported, to put them in context and digest them. At the same time, news thrives on new and unusual incidents, which greatly distorts the picture we get: in reality more people may die in single car crashes than multicar pileups, but the latter is the one featured on the evening news. Only the simplest of narratives can survive this process and governments and other propagandists make grateful use of it to push through their reality.

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Intelligence in War – John Keegan

Cover of Intelligence in War


Intelligence in War
John Keegan
443 pages including index
published in 2003

John Keegan is one of the better known British military historians, having been a lecturer at Sandhurst before becoming defence editor at the Daily Telegraph, as well as writing a slew of books about military history. Keegan seems to write two kinds of books: the first kind follows a war or campaign in some detail, while the second takes a specific aspect of war (or even war as whole) and follows its development through the ages. Intelligence in War is an example of the second kind. As you may guess, he’s somewhat of an establishment historian, accepting and understanding that war is an essential part of human nature, even if an unfortunate part. He’s therefore more interested in writing how wars are fought than how they come to be. Within those limitations he’s an excellent history writer, one of my favourites when it comes to military history.

Intelligence in War, as said, is typical of Keegan’s work. Through the careful selection of several case histories Keegan examines the role intelligence plays in warfare and its limitations and capabilities to influence battles. Keegan distinguishes five separate stages intelligence has to go through to be able to influence a battle: acquisition, delivery, acceptance, interpretation and implementation. Due to difficulties that can arise at each stage, Keegan is skeptical about how influential intelligence is for a given battle. His main thesis is that intelligence can be useful in battle, but is rarely decisive, even in those cases which are supposed to be the examples of intelligence determining the outcome of battles. For Keegan, intelligence is only ever a secondary factor in winning or losing battles, with things like the relative balance of forces and the determination and will of the opposing troops and commanders being much more important.

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Players – Paul J. McAuley

Cover of Players


Players
Paul J. McAuley
390 pages
published in 2007

Paul J. McAuley used to be one of my favourite science fiction writers. Used to be, because unfortunately he seems to have chucked it in favour of writing crime and thriller novels. Probably for some silly reason as that they sell better. Not that I mind writers trying out other genres, but whereas I devoured McAuley’s science fiction novels, I couldn’t finish Mind’s Eye, the first of his thrillers I try, stopping halfway through and returned it to the library after it had been lying on my shelves accusively for a few weeks. It’s therefore with some trepidation that I approached Players, but I wanted to give him another chance. And it worked, in as far as that I finished this one.

What’s interesting is that Players shares its opening gimmick, a crime in an online game having repercussions in the real world, with Charlie Stross’ very different Halting State, which was also published this year. But whereas Charlie’s novel is set some years in the future and is quite clearly science fiction, Players is set in the here and now and quite clearly is not.

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Russia’s Air Power in Crisis

Cover of Russia's Air Power in Crisis


Russia’s Air Power in Crisis
Benjamin S. Lambeth
233 pages including index
published in 1999

The end of the Cold War was strange, because it wasn’t the nuclear holocaust we all imagined it was going to be, the final confrontation between the free west and the communist east. Instead it ended with a whimper, not a bang, as the Soviet empire collapses from the inside. With it crumbled the Russian army, which went from being an unstoppable menace to a laughing stock in the space of less than a year. Budgets were slashed, careful gathered stockpiles of weapons were destroyed or sold, units were brought back from Eastern Europe and when the USSR itself split, suddenly not just hte army was split over a dozen different countries, but also its supporting infrastructure of weapon plants, repair depots and design bureaus…

The various new Russian army branches therefore had to meet formidable challenges in the post-Soviet era, perhaps none more so than its airforces. It’s this that’s the subject of Russia’s Air Power in Crisis, which looks at these problems through a somewhat American lens. This is most visible in the constant references the author makes to the role American airpower played during the First Gulf War and the impression this made on the Russians. More subtly, it’s also visible in the assumption of how airpower should be used, in that a proper airforce should be like the USAF and adhere to its philosophy. It speaks for Lambeth that he recognises this tendency in himself, when he discusses what might have been the outcome if the balloon had gone up and the Soviet and NATO airforces had met each other in the skies above Western Europe.

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