Hugo Awards: Editors and Retro Hugos

So I’ve said before that I wasn’t sure if I was going to vote for the editor awards. I’ve ended up not doing so for a couple of reasons, mainly because I haven’t the faintest what makes for a good editor and I would mean largely voting by name recognition. Even with the stories/novels provided in the voters package it’s hard to say how much or how little the editor mattered for the success of them.

The Retro Hugos on the other hand I did vote in, though only in the fiction and artist categories.I know too little about the fan categories to make an educated choice there:

Best novel:

  1. The Sword in the Stone by T. H. White (Collins)
  2. The Legion of Time by Jack Williamson (Astounding Science-Fiction, July 1938)
  3. Galactic Patrol by E. E. Smith (Astounding Stories, February 1938)
  4. Carson of Venus by Edgar Rice Burroughs (Argosy, February 1938)
  5. Out of the Silent Planet by C. S. Lewis (The Bodley Head)

Best novella:

  1. “Who Goes There?” by Don A Stuart [John W. Campbell] (Astounding Science-Fiction, August 1938)
  2. “The Time Trap” by Henry Kuttner (Marvel Science Stories, November 1938)
  3. “A Matter of Form” by H. L. Gold (Astounding Science-Fiction, December 1938)
  4. “Sleepers of Mars” by John Beynon [John Wyndham] (Tales of Wonder, March 1938)
  5. No Award

Best novelette:

  1. “Werewoman” by C. L. Moore (Leaves #2, Winter 1938)
  2. “Pigeons From Hell” by Robert E. Howard (Weird Tales, May 1938)
  3. “Hollywood on the Moon” by Henry Kuttner (Thrilling Wonder Stories, April 1938)
  4. “Dead Knowledge” by Don A. Stuart [John W. Campbell] (Astounding Stories, January 1938)
  5. “Rule 18” by Clifford D. Simak (Astounding Science-Fiction, July 1938)

Best short story:

  1. “How We Went to Mars” by Arthur C. Clarke (Amateur Science Stories, March 1938)
  2. “Hyperpilosity” by L. Sprague de Camp (Astounding Science-Fiction, April 1938)
  3. “Hollerbochen’s Dilemma” by Ray Bradbury (Imagination!, January 1938)
  4. “The Faithful” by Lester del Rey (Astounding Science-Fiction, April 1938)
  5. “Helen O’Loy” by Lester del Rey (Astounding Science-Fiction, December 1938)

Ubermawkish, sexist “Helen O’Loy” better not win.

Best Professional Artist

  1. Virgil Finlay
  2. Alex Schomburg
  3. Frank R. Paul
  4. Margaret Brundage
  5. H. W. Wesso

Damn, there were some great artists doing sf and fantasy illustrion back then. Any of them is a worthy winner.

Hugo Awards: Best Novella

The last major fiction award I still need to talk about: the best novella. A bit of a mixed bag this category, with stories that are in that awkward stage halfway between novel and short story. Indeed, at least one could’ve been published as a short novel in its own right. As with some other categories, the two struck through candidates I haven’t considered due to reasons described in my first post.

To be honest, the remaining three stories were good but not spectacularly so, not nearly as good as some of the entries in the short story and novelette categories.

  1. Six-Gun Snow White by Catherynne M. Valente (Subterranean Press)
    As the title indicates, this is a Wild West retelling of the Snow White fairy tale. Well done.
  2. Wakulla Springs” by Andy Duncan and Ellen Klages (Tor.com, 10-2013)
    This is a great story about several generations of an African-American family living near the lake used to film Tarzan movies and the Creature from the Black Lagoon, but the fantastical element is minimal.
  3. Equoid” by Charles Stross (Tor.com, 09-2013)
    A typically fun, manic Laundry story about unicorns.
  4. The Butcher of Khardov by Dan Wells (Privateer Press)
  5. “The Chaplain’s Legacy” by Brad Torgersen (Analog, Jul-Aug 2013)

Hugo Awards: Best related work

This was a relatively easy category to decide upon, though since it contains one blog post/essay, a podcast and three books, also one of the more confusing ones. My final vote was as follows:

  1. We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative” by Kameron Hurley (A Dribble of Ink): a great essay and an important essay, which is why it gets the nod over everything else.
  2. Queers Dig Time Lords: A Celebration of Doctor Who by the LGBTQ Fans Who Love It Edited by Sigrid Ellis & Michael Damian Thomas (Mad Norwegian Press): I’m not that interested in Doctor Who or its fandom, but this is a good book to show that at least some corners of speculative fiction indeed can be and are of special interest to queer people.
  3. Speculative Fiction 2012: The Best Online Reviews, Essays and Commentary by Justin Landon & Jared Shurin (Jurassic London): would’ve finished higher if they’d asked me to contribute, but they didn’t, so feck them.
  4. Writing Excuses Season 8 by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson: a decent enough podcast but no more than that.
  5. Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer, with Jeremy Zerfoss (Abrams Image): This was not for me.

Wiscon again

Elise Matthesen talks about what happened after she reported being harassed at Wiscon 37, in a post also posted at: C. Lundoff, Mary Robinette Kowal, Stephanie Zvan, Sigrid Ellis and John Scalzi‘s respective blogs.

Last year at WisCon 37, I told a Safety staffer that I had been treated by another attendee in a way that made me uncomfortable and that I believed to be sexual harassment. One big reason I did was that I understood from another source that he had reportedly harassed at least one other person at a convention. I learned that she didn’t report him formally, for a lot of reasons that aren’t mine to say. I was in a position where I felt confident I could take the hit from standing up and telling the truth. So I did.

I didn’t expect, fourteen months later, to have to stand up and tell the truth about WisCon’s leadership as well.

Let’s get some backstory to this, shall we?

As discussed here previously, Elise Matthesen was harassed by somebody who was later identified as Tor editor Jim Frenkel. Shortly after this, he was no longer. It turned out that Matthesen’s experience with Frenkel wasn’t unique; he’d long had a reputation in some circles in fandom. Wiscon at first seemed to take the harassment complaint as seriously as Tor had done, but then it turned out that not only had Frenkel been allowed to attend, he had also been allowed to volunteer at this year’s Wiscon.

That was in late May. Wiscon was slow to react to this but eventually formed several subcommittees, one to look into the general problem of harassment and safety and two to look into specific allegations, with the one looking into what happened to Elise Matthesen finally reporting its verdict on the 18th of July, formally banning Frenkel:

WisCon will (provisionally) not allow Jim Frenkel to return for a period of four years (until after WisCon 42 in 2018). This is “provisional” because if Jim Frenkel chooses to present substantive, grounded evidence of behavioral and attitude improvement between the end of WisCon 39 in 2015 and the end of the four-year provisional period, WisCon will entertain that evidence. We will also take into account any reports of continued problematic behavior.

Allowing Jim Frenkel to return is not guaranteed at any time, including following WisCon 42; the convention’s decision will always be dependent on compelling evidence of behavioral change, and our commitment to the safety of our members. If he is permitted to return at any time, there will be an additional one-year ban on appearing on programming or volunteering in public spaces. Any consideration of allowing him to return will be publicized in WisCon publications and social media at least three months before a final decision is made.

Responses to this announcement were largely critical, with e.g. Kameron Hurley calling for Wiscon to be abolished completely while others said they’d be unlikely to attend Wiscon in future. Elise Matthesen herself had already said she wouldn’t, despite the loss in revenue this would cost her. EDIT: to clarify, she said she would stay away for a year, not forever; see the comments to this post.

In response to this criticism, one of the members of the subcommittee handling Matthesen’s case wrote two blogposts in a personal capacity explaining and apologising for the process with with the committee had handled the case.

From the discussion in those two posts it became clear Wiscon had been doing what Rose Fox had warned about two years earlier, in the context of a similar harassment case at Readercon:

When someone does something we find noxious, they become the focus of attention: how will they be punished? Will they apologize? Can they be brought back into the fold? Meanwhile, the person they targeted with their noxious behavior is forgotten, dismissed, or scorned. Harassers are often charismatic, which is how they get close enough to harass, and they often target the shy and vulnerable, who are that much easier to ignore if they manage to speak up at all. We are all intimately familiar with the narrative of sin-repentance-redemption, and it’s startlingly easy to try to follow someone through it while all but forgetting that they wouldn’t have even started down that road if they hadn’t treated another person badly.

They also pointed out that focusing on the harasser’s redemption means at least two other people would no longer be comfortable at Wiscon.

Following up on all this criticism, Wiscon put out an update saying that

1) In light of the intense community response to the Frenkel subcommittee’s decision, and the concom’s own concern about the “provisional ban,” the WisCon concom is itself currently appealing the subcommittee’s decision and will vote on the matter this week.

2) Debbie Notkin has resigned as Member Advocate, effective immediately.

3) The Bergmann subcommittee is assessing if they can continue given the valid concerns about Wiscon’s existing process.

To which Elise Matthesen’s post was a response.

Further reading:

Hugo Awards: Best semiprozine and Best fanzine

The next two Hugo Awards categories are Best semiprozine and Best fanzine. The differences between these two categories are slight, especially in the day of the internet zine; of the titles nominated iirc only Interzone was originally a paper zine. The main difference is whether or not your zine contributes to your income and either has to be paid for to read or pay its contributors, or both.

Because I don’t follow magazine science fiction and because there has been such an explosion of them in the past couple of years, I find it difficult to judge the candidates here. What I’ve decided upon was to look at a) which writers they publish, b) what sort of stories and non-fiction, c) diversity and d) just general online presence. To be honest, any of these magazines would be a worthy winner.

  1. Apex Magazine edited by Lynne M. Thomas, Jason Sizemore, and Michael Damian Thomas
    This is the most diversive of the candidates, looks great and has published some great stories, including Hugo candidate “If You Were a Dinosaur, My Love” by Rachel Swirsky.
  2. Lightspeed Magazine edited by John Joseph Adams, Rich Horton, and Stefan Rudnicki
    Lighspeed publishes both science fiction and fantasy, new and reprint, with some very well known authors contributing.
  3. Strange Horizons edited by Niall Harrison, Brit Mandelo, An Owomoyela, Julia Rios, Sonya Taaffe, Abigail Nussbaum, Rebecca Cross, Anaea Lay, and Shane Gavin
    Strange Horizons is the one semiprozine I do read regularly, mostly for their reviews as well as their features about diversity in science fiction, like the annual SF count. I’ve always seen it as more a blog than a magazine though; they don’t do issues as such.
  4. Beneath Ceaseless Skies edited by Scott H. Andrews
    According to their mission statement, “Beneath Ceaseless Skies will feature exciting stories set in awe-inspiring places that are told with all the skill and impact of modern literary-influenced fantasy.” Not entirely my cup of tea, or at least not as a biweekly magazine, but I like that everything they’ve published seems to be made available with the appropriate Creative Commons license. The magazine itself is basic: you got a cover, two stories, that’s it.
  5. Interzone edited by Andy Cox

    I’m sorry to say that this is currently the most boring of the candidates, as it used to be a hugely influential magazine back in the nineties and eighties.

Onto the fanzine nominations. I won’t be considering Elitist Book Reviews, for reasons described in my first post, leaving me with a strong field to consider. Because most of the nominees are blogs rather than paper fanzines, I know Pornokitsch, The Book Smuggles and A Dribble of Ink already even when I don’t read them regularly. Journey Planet I didn’t know and turned out to actually be an oldfashioned fanzine and just as good as the other candidates. Again, any of these would make a worthy winner.

  1. A Dribble of Ink edited by Aidan Moher
    Worth the nomination just for having published We Have Always Fought, but this is one of the best sf orientated blogs I know anyway.
  2. Journey Planet edited by James Bacon, Christopher J. Garcia, Lynda E. Rucker, Pete Young, Colin Harris, and Helen J. Montgomery
    An old skool paper zine only available in PDF online, but the articles published make up for that annoyance. They don’t seem to have published anything since last December though.
  3. Pornokitsch edited by Anne C. Perry and Jared Shurin
    Pornokitsch looks at geek culture in the broadest sense, is a well written chatty blog.
  4. The Book Smugglers edited by Ana Grilo and Thea James
    Review orientated, they do what they do well but it’s not a blog I regularly read or want to read.