Sexual c*nt-honey

An early contender for the worst sex scene in literature 2010 award (Literature is used here in its widest possible meaning.):

She towered over him, aggressive, powerful, dominant, totally in charge, her jewelled hands on naked, swaying, circling hips, the smile of the jailer etched on her face as she eyed him like a cat eyes a cornered mouse. Saark’s gaze slowly strayed, from the sexual cunt-honey dripping from her quivering vulva, to the large rubies on the rings that circled her fingers.

From a very entertaining review of Andy Remic’s Kell’s Legend. Remic you may remember was last seen whinging about too many negative reviews; now we know why.

Someone has a high opinion of himself

In a desparate bid to show that it’s not just “literary” writers like Margaret Atwood who can have a rod up their ass about writing genre novels, here’s Terry Goodkind:

First of all, I don’t write fantasy. I write stories that have important human themes. They have elements of romance, history, adventure, mystery and philosophy. Most fantasy is one-dimensional. It’s either about magic or a world-building. I don’t do either.

He is right that he doesn’t write fantasy: he writes extrued fantasy product only distinguishable from all other efp series by an obsession with S&M and objectivism. Twat.

Comment of the Day – Canonical Edition

M. John Harrison on building a new fantasy canon:

Lewis Hamilton would be my pick for the World Fantasy Award this year. A well crafted YA fiction, it’s packed full of thrills & spills: the story of how one talented boy’s aspirational dream turns into a nightmare and then back into a dream and then back into a nightmare again and then back into a dream again and then… It lacks the feelgood appeal of Obama! But I think, in the end, it’s more original. After all, Hamilton didn’t steal his shoutline from Bob the Builder, a UK TV series for very young children.

Lovery links

A Game of Thrones to be filmed for tv …in Belfast? Cue dry as dust press release:

First Minister Peter D Robinson MP MLA and deputy First Minister Martin McGuinness MP MLA, have confirmed that HBO, the USA’s leading pay cable network, will film a TV pilot in Northern Ireland this year.

‘A Game of Thrones’, is scheduled to arrive in the third quarter of 2009 and is set to be an epic project. It is expected that the production will utilise various locations, as well as build a massive set in the Paint Hall.

Mr Robinson said: “This is the first time that a TV production of such vast size and scale has been filmed in Northern Ireland. The announcement comes following the visit by the deputy first Minister and I to Los Angeles in March. It will be a welcome boost to the production sector, helping develop the industry here and bringing employment and investment to Northern Ireland.

(Incidently, Paul Cornell, amongst others, is going to write for Martin’s Wild Cards series.

Samuel Delany on racism and science fiction:

Since I began to publish in 1962, I have often been asked, by people of all colors, what my experience of racial prejudice in the science fiction field has been. Has it been nonexistent? By no means: It was definitely there. A child of the political protests of the ’50s and ’60s, I’ve frequently said to people who asked that question: As long as there are only one, two, or a handful of us, however, I presume in a field such as science fiction, where many of its writers come out of the liberal-Jewish tradition, prejudice will most likely remain a slight force—until, say, black writers start to number thirteen, fifteen, twenty percent of the total. At that point, where the competition might be perceived as having some economic heft, chances are we will have as much racism and prejudice here as in any other field.

How to teach historical context via a single comic; that is, Planetary/Batman: Night on Earth.

Factor in the photorealistic gestures and that can only be the Batsuit of the 21st Century. But why did folks at DC decide to go with the throwback costume at the dawn of a new century? Nostalgia? What happened in 2000 that made the less cartoonish Batsuit more attractive to fans of the book? Because the subtraction of the shield was not the only change: the greys now skew black, the blues shift black-navy, and the yellow of the utility belt pales to a washed and muted gold.

Night of Knives – Ian C. Esslemont

Cover of Night of Knives


Night of Knives
Ian C. Esslemont
284 pages
published in 2005

I’m always wary of books set in another writer’s world. Normally therefore I would’ve skipped this book, as it’s set in Steven Erikson’s Malazan universe. But as it turns out this isn’t a book by a new writer using an established colleague’s world to make a name for himself, as Ian Esslemont was in at the creation of Malazan from the start. Erikson and Esslemont had first met in 1982 on an archeological ditch and recognising kindred spirits, set out to create their own fantasy world. Scroll down roughly two decades and Erikson is the first to get his part of the world published with Gardens of the Moon, but it was always the idea that Esslemont would follow. As Erikson says in the introduction, this is not fan fiction, but Esslemont’s part of the enterprise. Malazan is too big an universe for one writer, but two?

Night of Knives fills in the backstory to some of the plot twists not explained in Erikson’s novels, but nobody will mistake it for his own work. It missed the widescreen, epic feel of the Erikson books, being set in a single place during a single day and night. Night of Knives also misses the deep layer of allusion, hint and complexity Erikson loads on to his epics. It’s much easier to follow and much more straight forward; it might make a good starting point for people curious about Malazan.

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