Seventyfive years of fabulous writers



Women? Writing science fiction? Editing science fiction? Even *gasp* reading it? Don’t let the blurb writer of Sign of the Labrys hear about it… Sandra McDonald has put together a periodic table of 117 women in science fiction, available at her website as well as a youtube video. Below is the list of featured writers, authors and others. I’ve bolded the ones I own books of, italicised, the women I’ve read something of (short stories count) and starred those I never heard of. How many of the following do you know? And who do you miss? Myself, just looking at my own books, I don’t see Liz Williams, Patricia Wrede or Josephine Saxton.

  • Andre Norton
  • C. L. Moore
  • Evangeline Walton
  • Leigh Brackett
  • Judith Merril
  • Joanna Russ
  • Margaret St. Clair
  • Katherine MacLean
  • Carol Emshwiller
  • Marion Zimmer Bradley
  • Zenna Henderson
  • Madeline L’Engle
  • Angela Carter
  • Ursula LeGuin
  • Anne McCaffrey
  • Diana Wynne Jones
  • Kit Reed
  • James Tiptree, Jr.
  • Rachel Pollack
  • Jane Yolen
  • Marta Randall
  • Eleanor Arnason
  • Ellen Asher
  • Patricia A. McKillip
  • Suzy McKee Charnas
  • Lisa Tuttle
  • Nina Kiriki Hoffman
  • Tanith Lee
  • Pamela Sargent
  • Jayge Carr
  • Vonda McIntyre
  • Octavia E. Butler
  • Kate Wilhelm
  • Chelsea Quinn Yarbro
  • Sheila Finch
  • Mary Gentle
  • *Jessia Amanda Salmonson
  • C. J. Cherryh
  • Joan D. Vinge
  • Teresa Nielsen Hayden
  • Ellen Kushner
  • Ellen Datlow
  • Nancy Kress
  • Pat Murphy
  • Lisa Goldstein
  • Elizabeth Ann Scarborough
  • *Mary Turzillo
  • Connie Willis
  • Barbara Hambly
  • Nancy Holder
  • Sheri S. Tepper
  • Melissa Scott
  • Margaret Atwood
  • Lois McMaster Bujold
  • *Jeanne Cavelos
  • Karen Joy Fowler
  • Leigh Kennedy
  • Judith Moffett
  • Rebecca Ore
  • Emma Bull
  • Pat Cadigan
  • Kathyrn Cramer
  • *Laura Mixon
  • Eileen Gunn
  • Elizabeth Hand
  • Kij Johnson
  • *Delia Sherman
  • Elizabeth Moon
  • *Michaela Roessner
  • Terri Windling
  • Sharon Lee
  • Sherwood Smith
  • Katherine Kurz
  • *Margo Lanagan
  • Laura Resnick
  • Kristine Kathryn Rusch
  • Sheila Williams
  • Farah Mendlesohn
  • Gwyneth Jones
  • *Ardath Mayhar
  • Esther Friesner
  • Debra Doyle
  • Nicola Griffith
  • Amy Thomson
  • Martha Wells
  • Catherine Asaro
  • Kate Elliott
  • Kathleen Ann Goonan
  • *Shawna McCarthy
  • Caitlin Kiernan
  • Maureen McHugh
  • Cheryl Morgan
  • *Nisi Shawl
  • Mary Doria Russell
  • Kage Baker
  • Kelly Link
  • Nancy Springer
  • J. K. Rowling
  • Nalo Hopkinson
  • Ellen Klages
  • Tanarive Due
  • M. Rickert
  • *Theodora Goss
  • *Mary Anne Mohanraj
  • S. L. Viehl
  • Jo Walton
  • Kristine Smith
  • *Deborah Layne
  • Cherie Priest
  • Wen Spencer
  • K. J. Bishop
  • *Catherynne M. Valente
  • Elizabeth Bear
  • *Ekaterina Sedia
  • Naomi Novik
  • Mary Robinette Kowal
  • Ann VanderMeer

Foundation – Isaac Asimov

Cover of Foundation


Foundation
Isaac Asimov
189 pages
published in 1951

If you’ve ever been in the Netherlands on 30th April than you know we celebrate Queensday (the queen’s birthday party, held on the birthday of the previous queen but don’t ask) by holding massive flea markets/car boot sales. Ideal opportunities to pick up a lot of books fast and cheap. This year it included a lot of Asimov books, from a guy selling off his science fiction collection, including all the good Foundation series books: Foundation, Foundation and Empire and Second Foundation. These were orginally written as short stories in the forties, then reworked into novels in the early fifties, among the first science fiction novels to be sold as such. Much much later Asimov would write new sequels to these three books, but those were .. not good.

The originals though were, if not the first Galactic Empire stories, the ones who popularised it and set the pattern for a flood of imitators (see for example Brian Aldiss’ two anthologies, Galactic Empires volume I and volume 2). Influenced by Edward Gibbons History of the Decline and Fall of the Roman Empire, Asimov basically transplanted the Roman Empire to Outer Space and had it rule the Galaxy, a Galaxy devoid of any other intelligent life and in which it was axiomatic that humanity should be united under one emperor and ruled from one planet and anything else would be barbarism. Yes, these are all utterly clichéd and wornout concepts now, but don’t forget that this was first published in 1951 and based on stories from the forties, in other words, this is some seventy years old. You may therefore wonder if Foundation is worth reading for anything but historical value. Certainly Asimov’s reputation as a not very good writer doesn’t help — you don’t read his stories for his sparkling turn of phrase.

And yet…

Read more

Once Upon a Time … Space



The local cable network is doing a promo for their kiddies channels package, which would not be of much interest to me, if not for one thing. One of the channels involved is repeating episodes of Er Was Eens… De Ruimte, (Once Upon a Time… Space) that was about the only proper science fiction on the telly when I grew up. I last saw this when it was first broadcast, in 1982/83, when I was already reading science fiction but Dutch television had little of interest; Battlestar Galactica was a few years ago, V would come a few years later. So it fell to an originally French cartoon series that was a sequel to a not very good series about The History of Man to fill the gap.

Which it did quite well.

Now compared to a roughly contemporary Japanese series like Gatchaman/Battle of the Planets (or Sj-force as it was also know in Holland) the animation quality was … not quite … as good and the characters somewhat on the stereotypical side (the main bad giuy actually being called “Generaal Naarling” (General nasty)), but it was also much more properly science fiction. Set some 1,000 years in the future, where a dozen or so races including humans have formed a peaceful union, the series follows the adventures of several new members of the union’s space police, as they have to deal with natural disasters as well as intrigues by the bad guys from Cassiopeia, a military dictatorship part of the union but constantly trying to gain ultimate power. The good guys are led by Omega and tend to go for peaceful solutions before grabbing for the laser.

The series lasted twentysix episodes, with the last six-seven or so forming one big story arc, featuring a new big bad manipulating Casseopia, a threat only resolved in the last episode. It was this that made the biggest impression on me, the first sustained space opera I’d seen. And what also made an impression was the music, both the opening theme as featured above, as the incidental background music, which is as burned in my memory as the Star Wars music…

Cyberpastoralism

In what’s only an aside to his main post, Alex reveals his second thoughts about the slow burn revolution of decentralising technology:

I can’t help thinking, looking at a lot of the growing technology of instant urbanism (suitcase GSM base stations, palletised VSATs, Aggreko gensets, Sun Microsystems containerised data centres…) that a lot of this stuff might actually be a sort of negative toolkit of local optimisations.

RepRap isn’t on that list, but it should be part of this as well. All these technologies take something that you’d normally need a huge industrial complex for, scale them down to were they fit on the back of a lorry and make them independent of the infrastructure that their full scale counterparts depend on, therefore enabling sophisticated technology to be plunked down anywhere in the world without requiring anything but electricity. And even that can be provided independently, by using wind or solar power or diesel generators.

Alex calls it “instant urbanism”, but you could also call it cyberpastoralism: get all the tech benefits of living in the city without having to live in the city. There’s always been a strain of that in science fiction, a longing for the death of the city, for technology to advance to the point where a single household (or at best, a village) could provide everything we now need a global infrastructure for through magic replicator tech. In the fifties it was the flying car and fear of the a-bomb that would bring this about (cf. Simak’s City), in the eighties it was cyberspace and telecommuting and now we’re actually seeing a host of technologies maturing or almost maturing that look a lot like real versions of Star Trek replicators.

Of course even thinking about this for a moment makes you realise this independence is phony. You still need factories to manufacture these “suitcase GSM base stations, palletised VSATs, Aggreko gensets, Sun Microsystems containerised data centres” before they can be used and you still need the raw materials before those magickal RepRap machines can do anything, with everything that implies. All that changes is that people who can afford these toys can pretend to be rugged individualists independent from the rest of society, just like they now can pretend to rough it in the countryside in their expensive 4x4s and brand name survival kits.

In the real world the technologies Alex mentions are meant to be used as quick and dirty stop gaps, to work around the lack of a functioning infrastructure until a more permanent solution can be achieved. But when we see the US Army in all seriousness arguing for diesel generators to power Kandahar indefinately, something has gone wrong. Granted, the alternative of building a proper electricity network and getting power from the Kajaki Dam project and protecting both from the “Taliban” is problematic as well. But the choice for diesel is at heart a political one: it means “Afghanistan” has to buy foreign generators, foreign diesel and keeps the country tied to its donors, much more so than if a proper electricification programme is launched. Going the diesel route means Kandahar electricity production is outsourced to whoever wins the army contract — and the first thing you lose when outsourcing is control.

The visitors are our friends

Stephen Hawking is skeptical:

Such scenes are speculative, but Hawking uses them to lead on to a serious point: that a few life forms could be intelligent and pose a threat. Hawking believes that contact with such a species could be devastating for humanity.

He suggests that aliens might simply raid Earth for its resources and then move on: “We only have to look at ourselves to see how intelligent life might develop into something we wouldn’t want to meet. I imagine they might exist in massive ships, having used up all the resources from their home planet. Such advanced aliens would perhaps become nomads, looking to conquer and colonise whatever planets they can reach.”

He concludes that trying to make contact with alien races is “a little too risky”. He said: “If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn’t turn out very well for the Native Americans.”

That quote in the title is there not by accident; Hawking’s fears bear a remarkable resemblance to a certain mid-eighties television series of friendly aliens that turned out to be carnivorous lizards wanting to steal our water (and women). Hawking’s fears are just as realistic as V ever was. Anything Earth has can be had just as well elsewhere in the universe, you don’t need to raid us for raw materials. Now add to that the problems of traveling to us, in an universe which so far seems sadly devoid of easily usable FTL travel and the likelihood that we’ll have to deal with a Columbus type situation is vanishingly small.

Which doesn’t mean any sort of genuine, unambiguous alien contact won’t create a proper out of context problem for us. To have not just life, but intelligent life confirmed to exist elsewhere in the universe means as great a setback to our unique place in history as Copernicus’ insistence that the Earth revolves around the Sun and not the other way around. It will change everything, though probably not as melodramatically as most science fiction has it…