Oh heck, have another video post, courtesy of Batman: the Brave and the Bold. Flash your peepers on Catwoman, the Huntress and Black Canary displaying some unexpected talents:
Also of interest. Video courtesy of this MeFi thread about a B:tB&tB adaptation of the Mad Magazine “Bat-Boy and Rubin”.
MetaFilter founder Matt Haughey interviews Slashdot founder Rob “CmdrTaco” Malda, who is not optimistic about the future of the internet:
Rob: The internet is simply not as free as it was when Slashdot began. Government is increasingly legislating away our rights and criminalizing actions that are impossible to regulate. I know it’s inevitable, but it’s still disappointing to witness. The joy of logging in to an IRC chat room in the early 90s, to talk to people who were innovating powerful technologies simply for the sake of it was absolutely intoxicating. To be able to talk to the guy who was responsible for some component of your system. We were all pseudo-anonymous strangers brought together by the technology that we loved, and the belief that an open future was spread out before us. The future will be exciting for my children, but I’m afraid that their technology will come in boxes welded shut at the factory. Their software locked down. Linux, and the Internet broke everything wide open. It’s taken 20 years to get a lot of it boxed back up again. I hope there are still air cracks by the time my kids are old enough to jam screwdrivers in there.
On the other hand, there’s the experience of MetaFilter commenter dreamyshade of working on the Ipad/Iphone hacking scene:
One of my favorite parts of working on Cydia is when I meet young kids who know exactly what jailbreaking is and how to do it. (Like at Thanksgiving, telling acquaintances what I work on — the 12-year-old boy grinning in surprised recognition while the grown-ups carefully listened to an explanation of the concept.) There are lots of kids splashing around on their hand-me-down iPod touches jailbroken in one way or anoher: installing goofy homebrew software, crafting custom icon themes with terrifically ugly icons, installing OpenSSH and forgetting to change the default password but learning to SSH in and paste intriguing commands from the internet, editing plists to enable hidden features, figuring out how to restore the device when things inevitably go wrong, and generally making a lively mess of the device they get to totally play with. They cause some support burden for Cydia and App Store developers alike, but this is one way to learn to feel comfortable with poking around at the internals of things, to gain the confidence to break stuff because you know you can figure out how to fix it, to self-identify as a person good with technical stuff, to take an interest in AP Computer Science class later. This makes me happy. Each new generation of devices gets harder to jailbreak, but for now there’s still some good stuff happening.
I hope dreamyshade is right but I fear CmdrTaco is closer to the truth. Internet has long ago ceased to be the domain of hardcore geeks — nothing wrong with that — but with it has come the Facebooking of the internet, where you sacrifise your freedom and privacy for ease of use and comfort.
Anime right? Twenty years ago we all thought it was all adolescent power fantasies with teenage boys flying mecha power suits and heroines in stripperific costumes before we realised that we got them confused with superhero comics. Back then I was lucky in that the local videostore my parents had gotten a subscription to when we’d finally gotten a vcr ten years after everybody else (having had a black and white telly until long into the eighties and only the very very basic cable package) had one or two anime/manga enthusiasts working there and they managed to get all the classics. Akira, Legend of the Overfiend, Fist of the Northstar, Dominion Tank Police, Bubblegum Crisis, Macross, all courtesy of Manga UK and all of a certain consistency. Not bad series or movies by any means, but only a very small part of a much more diverse selection Japan had to offer, tailored to the tastes of western nerds and not too strange.
These days, even if the official supply is still somewhat limited, the internet and various not quite legal solutions can get the dedicated anime fan everything they want. Now myself I’ve never been a hardcover anime or manga fan, being fairly conservative in my tastes, depending on the recommendations of others for cool new series. Which is how I discovered things like FLCL or The Melancholy of Haruhi Suzumiya, but not the anime series I’ve just started to watch: Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai or AnoHana for short, which means “we still don’t know the name of the flower we found that day” and which is somewhat different from most series I watch because it has gotten reactions like this
I accidently ran across some fan art for the series when googling something else, read the inevitable Wikipedia writeup and hunted down the episodes on the strength of it.
The story is simple: a group of childhood friends, young children, drift slowly apart as they grow into teenagers. One of them, Menta, never grew up however as she died in an accident on that day they found the flower. Now the guy who had been the closest to her, Jinta, is haunted by her memory, not to mention her ghost, who wants him to fulfill her wish she had asked him about the day she died. He needs to bring back the group to do so and move her spirit on, but this isn’t easy as they each have gone their own ways. How much do you have in common with the kids you played with when you were eight now that you no longer see them anymore and you’re in high school?
It’s a very adult in the proper sense of the word, low key, emotional and gut wrenching story about dealing with loss and memory. Any wonder it appeals to me right now?
Though I quite like NuWho, I sort of miss the not quite so serious old Doctor Who, wobbling sets and all. I hope the next series will try a little less hard to top the previous ones, goes for more one-off adventures rather than having yet another universe destroying series long story arc and in general tries to do something new.
James Nicoll wants to know when cyberpunk died, a question that isn’t that easy to answer. Cyberpunk was an eighties movement, but there are still cyberpunk novels being written and cyberpunk inspired movies being made. In one sense then it hasn’t died yet, but in another it’s clear that somewhere when the eighties turned into the nineties cyberpunk was mugged by reality.
As I said in my review of Trouble and Her Friends, that book came out just when the real internet broke into the mass consciousness, which is as good a place as any to mark cyberpunk’s passing, when its visions of what online life would be like were definatively proven wrong. Cyberspace moved from fiction to non-fiction, there was a small boom of silicon snake oil and that was it for the genre.
But that might be too late. Cyberpunk actually might have died early, at the end of the eighties, between 1989 and 1991 as the Soviet Union collapsed, the Gulf War made spectacle out of consensus reality and the political systems cyberpunk thrived on and took for granted collapsed. Let’s not forget that one of the casualties of the end of the Cold War was the Reaganite return to a manned space programme. Remember, the Shuttle and the ISS would’ve only been the beginning as America would go to Mars, while the Soviets were methologically working on extending their space programme as well, with Mir and all that. Cyberpunk always had in its background this idea that manned space exploration was not only important, but the inevitable future.
And then it turned out not to be…
Leaving books like Neuromancer (climax set on a space station big enough to have tourism), Frontera (set partially on Mars) and The Schismatrix (set in a Solar System ruled by O’Neil colonies) instantly outdated.