The Empress Theodora — James Allan Evans

Cover of The Empress Theodora


The Empress Theodora
James Allan Evans
146 pages including index
published in 2002

Ken MacLeod once said that “history is the trade secret of science fiction”, but sometimes it’s abused and nowhere more so than in the cribbing from early Byzantine history that has been ongoing ever since Isaac Asimov first put in thinly disguised expys of emperor Justinian and general Belisarius in his Foundationtrilogy. Largely overlooked in these sort of appropriations is the empress Theodora, who as James Allan Evans shows in The Empress Theodora – Partner of Justinian was just as important as her husband in determining the course of the Byzantine empire.

There were quite a few strong woman emperors in Byzantine history, but most of them either ruled through their weak husbands, or as regents ruling in place of their still minor children. Theodora on the other hand ruled together with Justinian, a strong emperor himself. Their rule was a true partnership and it’s this relationship and Theodora’s role in it that Evans wants to examine here. At the same time The Empress Theodora is also a concise biography/history accessible to lay people like me.

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Charlemagne — Rosamond McKitterick

Cover of Charlemagne


Charlemagne: the Formation of a European Identity
Rosamond McKitterick
460 pages including index
published in 2008

I knew Rosamond McKitterick from the volume in the Short Oxford History of Europe series she edited, which is why I picked up Charlemagne: the Formation of a European Identity from the library. Charlemagne himself has only relatively recently picked my interest, mostly through having read Emperor of the West a few years back. Interest in Charlemagne in general has rather picked up in the past decade, as the search for a common pan-European identity has taken on obvious political significance, what with the EU and all.

Which is where this comes in, as Rosamond McKitterick attempts to get back to contemporary sources to re-evaluate Charlemagne and his reign, without the interpretations later historians have given them. Her goal is to in this way provide a new critical understanding of what these sources tell us about the development of the Carolingian empire, its political identity and how these changed during Charlemagne’s reign. It makes Charlemagne a heavily text orientated history, as McKitterick examines the narrative representations of Charlemagne produced during his lifetime and shortly after. To be honest, at times this made it heavy going, especially when I read most of it during the morning and afternoon commute.

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Seventeenth-century Burma and the Dutch East India Company — Wil O. Dijk

Cover of Seventeenth-century Burma and the Dutch East India Company


Seventeenth-century Burma and the Dutch East India Company 1634-1680
Wil O. Dijk
348 pages including index
published in 2006

I got this book out of the library soley on the strength of the author’s own story. Wil O. Dijk was born in Kobe, Japan in 1934, the daughter of a Dutch businessman and a Montenegrin-Burmese (!) mother. As a child she lived in Japan and Burma, with her brother got sent to Singapore when war broke out in 1941, became a prisoner of the Japanese there, like so many other children, while her mother fled to India and her father joined the British 14th army. They all survived war and after being reunited with their parents she and her brother spent some years at boarding school in Holland, before they returned east to Karachi when the Korean War broke out. There she stayed, met her husband, a Dutch foreign service employee, travelled with him from posting to posting all over the world, raising three daughters in the process, then came to stay in Holland permanently in the 1980ties. Wanting to reconnect with her Asian roots, she enrolled as a mature student at Leiden first to study Japanology, then to specialise in Burmese history, the end result of which is this book, written when she was well in her seventies!

Even without the author’s lifestory I would’ve gotten this book though. The focus in Dutch colonial history has understandably always been with Indonesia as well as with the colonies in the Americas, Surinam and the Dutch West Indies, as these were the most enduring, important and longest lived Dutch colonial ventures. With some exceptions (Nieuw Amsterdam obviously, South Africa), the rest of Dutch colonial history is mainly a concern for specialists. Which as Wil O. Dijk makes clear in her introduction, goes double for Dutch involvement with Burma, largely neglected even by specialists, yet no less important and interesting for it.

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African Trilogy — Alan Moorehead

cover of African Trilogy


Mediterranean Front, A Year of Battle, The End in Africa
Alan Moorehead
642 pages including index
published in 1941, 1943,1943, compilation 1945

If journalism is history as first draft, then these three books, Mediterranean Front, A Year of Battle, The End in Africa; published in one volume as African Trilogy are history as second draft. Written while the Second World War was still ongoing, each of these books tell the story of one year of war in the desert, as seen by one of the preeminent war correspondents of the era. Written largely without the benefit of hindsight, from the notes that Moorehead took at the time, these three books together not only provide an interesting look at an important period in World War II, which England largely had to fight on its own, but also at how people at the time thought about the war, when the outcome was by no means certain yet.

If you’ve heard of Alan Moorehead, it’s probably for his post-war books on the exploration of the Nile, The White Nile (1960) and The Blue Nile (1962). During the Second World War he was a correspondent for the Daily Express, following the war in North Africa, the invasion of Sicily and the war in Italy. As becomes clear from reading these three volumes, Moorehead wasn’t one of those journalists content to stay at headquarters, but went chasing down the front whenever he could. Some of the incidents here certainly read like Boy’s Own Adventures stuff, several times barely escaping running into the enemy at several moments. Moorehead is a born raconteur, aimable, slightly understated, though with some of the attitudes and language use of the time that might seem strange to modern readers.

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