I was reminded of this the other day, one of those late nineties hits you see on MTV every day for a month or so and then never again, making you wonder whether you dreamed the whole thing up. That’s Tony “the way to Amarillo” Christie doing the vocals, Jarvis Cocker who wrote it and All Seeing I what did the music.
Music
Otis Redding and friends
And sometimes you just want some good old Stax soul to listen to.
Sun City
Little Steve van Zandt talks to Dave Marsh about Sun City, Paul Simon and the fight against Apartheid, on the eve of Bruce Springsteen’s first tour of South Africa:
And I met with AZAPO, who had a very frank conversation — I was talking to the translator — about whether they should kill me for even being there. That’s how serious they were about violating the boycott. I eventually talked them out of that and then talked them into maybe going kinda with my thing.
They showed me that they have an assassination list, and Paul Simon was at the top of it. [NOTE: In 1986, Paul Simon recorded tracks for his Graceland album in South Africa, in direct violation of the cultural boycott.] And in spite of my feelings about Paul Simon, who we can talk about in a minute if you want to, I said to them, “Listen, I understand your feelings about this; I might even share them, but…”
What strikes me almost thirty years later is how modern the Artist United Against Apartheid project was, especially compared to the other Big Cause projects (We Are the World, Live Aid). Much of that is of course because Little Steve was smart enough to bring hip-hop artists into project, not just pop and rock musicians. Also how much more and much more explicitly political. The famines in Ethiopia were presented as natural disasters, but Little Steve and co from the start made clear not only that the South African government was to blame for Apartheid and its evils, but also how much western support it received over the years. “Why are we always on the wrong side” indeed.
The Joy of ABBA
I’m mostly agnostic about ABBA: good pop music I’ve no real desire to put on myself but I wouldn’t turn off the radio if they came on. They were omnipresent when I was growing up and I know most of their hits. One thing I noticed a long time ago however is that they were far more sophisticated than their reputation as purveyors of plastic pop made them out to be. Many of their songs are actually deeply ambiguous about love and being in a relationship, even their most simple ones. The Joy of ABBA, shown above, is a BBC4 documentary which argues the same. I thought it might be interesting to look at some of their hits in this light.