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Best anime of the season — First Impressions

Published on July 14, 2019Leave a comment

If you haven’t done so yet, go watch the first episode of Araburu Kisetsu no Otome-domo yo so you can appreciate the clip below in its full glory:

Sex in anime usually is done on the same level as a raunchy eighties comedy, utterly incapable of any thought beyond “boobs are awesome”. Cheap tittelation and fan service is everywhere but it’s frustratingly rare for anime to move beyond that. I didn’t have high hopes for Araburu Kisetsu no Otome-domo yo because its MAL description made it sound like just another ecchi comedy. Which it is, but what I didn’t realise it was one written by Okada Mari. She always delivers something interestingly and it’s the same here. This series has the most honest depiction of puberty, sex and the attraction to it and fear of it I’ve ever seen in anime.

and drank every last drop of the sweet juices pouring forth from her

Not series start by having one of the main characters narrate a description of eating out a girl, to the mixed reception of her fellow Literature club members. While Sonezaki the club president is revulsed by it, the narrating girl herself, beautiful and melancholy Sugawara wants to experience sex for herself. Of the other three members, the stoic Hongō is writing eroica herself and sees all this as reserve, while the main protagonist Onodera and her shy friend Sudō are both fascinated and embarassed by it. Onodera may or may not have a crush on her childhood friend, who has grown up to be a popular football player at their high school, with his fan girls giving Onodera a hard time for even talking to him.

Samurai hair

She herself though keeps seeing the dorky boy she grew up with, still fascinated by trains and thinks he’s just grown bigger, hasn’t changed. She just cannot see him in a sexual light. That is, until one night she goes over to bring some leftovers her mother had made for him and runs into him, well not watching videos of trains anymore… Childhood friend discovers her crush’s hidden porn stash is an anime cliche of long standing, but I can’t think of any series in which she walked in on him having a wank. And he’s actually watching online porn, meaning anime finally caught up with the late nineties. His response, her response, the music playing through it and her final denial on the railroad bridge with the train going underneath between her legs: it’s all perfect.

This is my anime of the season.

Why you should’ve watched Hitori Bocchi

Published on July 7, 2019Leave a comment

Pefect comedic timing.

Every episode of Hitori Bocchi managed to make me laugh at least once, which is not always the case with adaptations of comedy manga series. It’s easy for the transition from four panel manga gag to animation to fall flat, to get that timing wrong, but Htori Bocchi delivered week in, week out. The clip above shows that perfectly. You know exactly what’s coming, you know that Aru will botch that serve, but despite that it’s still funny because it gets the buildup and timing exactly right.

It also works because it fits in with Aru’s character to flub it so badly. She’s the type of person to want to present herself as perfect, but unfortunately ends up failing miserably most of the time. But she doesn’t let this get her down, she keeps doing her best and even has her own theme tune to sing to cheer herself up(the full version of which was released as a single). She’s far out my favourite character of this series that’s full of likeable characters. Apart from Aru there’s the blonde ‘yankee’ Sunao Nako, who frightens their home room teacher who is sure she’s some sort ogf juvenile deliquent. There’s Sotoka Rakitā, the obligatory foreigner with strange ideas about Japan, who came to the country to look for ninjas. And then there’s the protagonist herself, Hitori Bocchi, who suffers from an incredibly amount of social anxiety to the point that she thinks her friends will forget her if she stays home sick for a day.

Bocchi’s social anxiety is what drives the series. It all started when she graduated from elementary school and her only friend turned out to go to a different middle school. Worse, she said they could no longer be friends until Bocchi had befriended her entire class. So Bocchi does the only logical thing: trying to cancel her class, because if she’s the only one in it, she’s technically fullfilled the quest. When that doesn’t work, she sets out to make friends and ends up with Nako, Aru and Sotoka. Her attempst to make and keep her friends are both adorable and hilarious and a lot of the humour revolves around how her social anxiety makes her over react. It’s never mean spirited though; Bocchi’s fears are taken seriously, it’s just the way that she reacts that makes it funny. What’s more, she has the support of her friends. Which is one more reason why this was the series that I wanted to watch first each week last season.

Go0d Night Tokyo

Published on April 18, 2019Leave a comment

This is a beautiful bit of early HD footage of Tokyo shot in 1992.

Rammstein’s Deutschland looks very French to me

Published on April 12, 2019Leave a comment

I can’t help but look at the video for Deutschland and see Enki Bilal in it.

Enki Bilal and Pierre Christin/Jean-Claude Mézières’ Valerian series, or rather one particular album in that series, Sur les Terres Truquées. The latter because it’s a story set in a series of (faked) important historical moments that ultimately collide together into one big mess at the climax of the story. Not unlike the video with its mosaic of dark scenes from Germany’s shameful past, from Romans slaughtered in the woods of Germania to Rammstein themselves as Jewish prisoners being executed. In the end these too all blend together.

But I was mostly reminded of Enki Bilal. That mix of perverted science, mythology and religion, the fascination with fascism and totalitarianism, the sense of decay and degeneration, it’s all very Bilalesque. Ruby Commey too, as Germania could’ve walked out from one of his stories, beautiful and the focal point of each scene she appears in, but corrupted. There’s a layer of grime in most of Bilal’s settings that you see in the video too, the scene of the monks devouring offal frex. Whether or not the makers were actually inspired by him or not doesn’t really matter, but it sure looks like something Bilal could’ve made.

Friday Funk: Curtis Mayfield

Published on March 22, 2019Leave a comment

Back in 2004 I worked for a small startup company that made — hang on to your hats — software with which you could use your mobile phone to connect your laptop to the internet. This was back in the days when dinosaurs still roamed the land, the iPhone wasn’t even a glimmer in Steve Jobs’ eyes and there were like a billion different phone makers who each brought out a zillion different phones, all which needed to be tested to see if our software could recognise and use them correctly. Manually. To be honest the job paid lousy but it was a recession and the long hours were sort of made up for by things like free lunch (yes yes) and free drinks. But especially by the pooled music library that lived on the network to which everybody had uploaded their favourite music to work through the night with.

It so happened that one of the dudes working there was a huge funk and soul fan and thanks to that I got to sample a lot of groups and artists I’d barely heard off until then. One of which was Curtis Mayfield, who upon then, only knew from Move on Up as one of those songs you hear on golden oldies radio. Hearing him in context was a revelation. Being a metal head by nature I’d never done much exploring of the funk & soul genres, but what with Sandra being a Northern Soul veteran and getting my hands on that co-worker’s stack of classic funk ‘n soul that changed rapidly and Curtis Mayfield was on the forefront of it.

You can understand why looking at this 1972 Beat Club mini concert, can’t you? Socially conscious music you can dance to performed by a band at the height of its powers.