Shield Hero is trash, but not fun trash — first impressions

Rising of the Shield Hero is yet another “virgin nerd gets transported to a fantasy world in order to save it while creating a harem for himself”, but with one difference: it’s much creepier than usual. Sure, other isekai series come with dodgy attitudes towards women and unfashionable opinions about slavery, but Shield Hero takes it all up a notch. It’s also insanely popular for something that is as generic as it is — see the video below for more on that — which I got to experience first hand when some fanboys took exception to my offhand criticism of it on Twitter yesterday. so I thought I’d expand this criticism in this post.

Shield Hero: lots of ressentment

The first episode of the Shield Hero anime adaption starts with a quick look at our hero Naofumi’s everyday life before he got transported to another world, just like every other isekai anime does. Noticable is a small incident in which he bumps into two school girls, who are laughing together and ignoring him. This is a subtle not so subtle harbinger of what’s to come. When he’s transported to the fantasy world he has to save, it turns out he’s one of four such heroes summoned and he has the worst power of the lot, a shield he cannot take off and with which he can only defend, not attack. Also for some reason everybody is a dick to him: the people who summoned him and his fellow heroes both. That’s because he’s the second type of isekai protagonist: the seemingly underpowered weakling who’s looked down upon by everybody else but who will have his revenge in the end. Such a hero is always treated unfairly in the start, belittled and humiliated, because that makes the inevitable come uppance to all his tormentors all the sweeter. Therefore when each of the four heroes get companions assigned to them, none of those choose him, until one woman takes pity on him.

This is of course a trap; she betrays him because the story needs her to do so, but not until after he bought her armour and weapons. This in itself is an annoying cliche, the gold digger who betrays our pure and naive hero, but the way it’s done makes it so much worse. Because she doesn’t just take his money and runs, she actually accuses him of attempting to rape her. The fake rape accusation trope is one that needs to die in a fire — along with its cousin rape as background trauma — because it reinforces the idea that women lie about this constantly when in reality it’s difficult to get any rape accusation to be taken seriously and fake accusations are extremely rare. Here it’s used to justify Naofumi’s mistrust of women as well as the solution he turns to when, rejected by everybody, he still needs companions to fight for/with him so he can level up and abe able to fight the evil Waves threatening the world.

That solution is slavery. At the end of the first episode he’s seduced by a slave trader to visit his shop, having spent his time trying to get stronger on his own and not getting anywhere. The episode ends when he lays eyes on the tanuki girl who will become his first battle slave. The idea here is that because his shield is a defensive weapon, he needs somebody to fight for him but nobody is willing to do so. Furthermore, the only way Naofumi himself can trust anybody is if they’re literally unable to betray them and that’s where the slaves come in, because the seals they have on them make them suffer excruciating pain when only thinking about being disloyal. So by buying a slave girl Naofumi has somebody he can trust and somebody who can fight for him.

Now you could’ve had the same story without using either a fake rape accusation or your hero buying slave girls, but that’s the whole point of this particular nerd resentment fantasy. The point is that you cannot trust women, that the only way to be able to is if they’re literal slaves that cannot disobey you and that slavery is in fact not at all a bad thing when you have a nice master. Time and again Naofumi extends his slave harem by buying or rescuing girls from evil owners and each and every time they fall in love with him because he’s such a good master. Of course, the woman that betrays him meets an appropriately gruesome fate, raped and murdered and then apparantly raped and murdered again, though that may only happen in the original web novel as I haven’t read that far ahead in the light novel and manga.

With Shield Hero then you get a story that’s part revenge fantasy, part slave harem fantasy where you can pretend all the girls are happy being slaves and all trash, but not the fun kind of trash. I don’t actually mind power fantasies all that much normally, but not when it’s this creepy.

Bang Dream Season 2 — First Impressions

It’s season 02 of Bang Dream and this time they really *clench fist* Bang Dreams.

Unlike the first season, this is all CGI animation, which takes a bit of getting used to and is not always succesful, but on the whole it didn’t really matter for me. Just having all the bands from the game finally in a “real” anime (as opposed to whatever this is) was good enough. This first episode was short on story and mostly was just introducing the bands with a short performance, of which the Rosalia one above and the Hello Happy World one below (including a fleeting appearance of Kaoru-senpai completely flustering Rimi-rin here) were the highlights.

Whether or not you’ll like this probably depends a lot on whether you can watch a full CGI show like this without breaking out into hives. Apart from that, I expect a nicely positive series with not too much plot happening to our characters and a lot of live performances. Also some serious girl on girl relationships. This would always have to do very badly not to become a show I watch, as I’ve been playing the Bang Dream rhythm game almost daily since April or May or something without getting bored of it. Expect no objectivity here.

Watching too much slice of moe

The real world may have been a scary and distressing place this year, but in anime 2018 was remarkably cozy.

Yuru Camp: Secret Society BLANKET spreads its influence further

This was a good year for slice of moe series, those shows that focus on the everyday life of usually high school girls (rarely high school boys). When I first started watching seasonal anime a few years ago and started watching everything I assumed these series were made for girls, because that’s what you expect from shows populated almost exclusively with women, don’t you, coming from a western perspective? Anime fandom however quickly made it clear that all those “moeblob shows” were aimed at gross otaku manchildren and you shouldn’t admit too loudly to watching them. Luckily that view is slowly changing as more people lose their hangups about what counts as respectable anime. For me this sort of show probably fuctions like a sort of ersatz emotional labour, getting to relax and unwind by watching anime girls going camping or cheerleading or even going on a trip to Antarctica.

Sora yori mo Tooi Basho: penguin love

Sora yori mo Tooi Basho was not just the best slice of moe show this year, but immediately became my favourite anime of the year and despite stiff competition, hasn’t shifted from that spot. What started out as a light hearted adventure about a girl who realises she never had a big dream and she’s already in her second year in high school in the end turned into a study in grief and processing it. Watching it week by week was cathartic, leaving me on the verge of tears almost every episode. For obvious reasons female friendship is a theme in most slice of moe series, but it’s rarely done as convincingly as it was done here, with four girls at first united only by their desire to go to Antarctica becoming close friends over the course of the series, growing up week by week as they tackled the challenges thrown at them. Such a female centered coming of age story is rare and one told as well as this, even rarer. It was also incredibly funny, which is always a bonus.

Winter 2018 was in any case a strong season for slice of moe shows. Besides Yorimoi there was Ramen Daisuki Koizumi-san, about a girl who loves eating ramen and her friend/stalker who loves her very much, Mitsuboshi Colors, about three elementary school girls/shitlords playing around and bullying their local police officer, Slow Start, about a girl who had to skip a year between middle and high school and is terrified people might find out and Hakumei to Mikochi, two literal little women being only a few centimers tall living together in a magical world. But the best of them all was Yuru Camp. Incredibly well animated as you can see above, funny, but above all warm and cozy. You have this one girl who likes being on her own, going on solo camping trips meeting another girl, energetic and outgoing who becomes her friend and also takes up camping, joining their local school’s outdoors club. And where most series would’ve the first girl join as well, this never happens in Yuru Camp: her desire to be left alone from time to time is completely respected. Instead you get a much more realistic view of friendship, where not all the characters are friends, but some are friends of friends, people you’re friendly to but not necessarily are friends with. It was great seeing the friendship and perhaps something more bloom up between the two main characters and all the camping related stuff was fun and reminded me of going camping myself.

The rest of 2018 was less strong, but there were still a few standout shows. Comic Girls was a show about an anxiety ridden high school mangaka who on the suggestion of her editor starts living in a dorm with three other high school mangaka. Equally insecure and thirsty, Kaos was actually a thinly disguised, hopefully exaggerated version of the original manga’s creator. Most of the show was well animated, fluffy fun as expected from a Manga Time Kirara adaptation, but Kaos’s anxiety is handled seriously even when it’s the source of much of the humour in the series. The same goes for the attraction Kaos has for one of her dorm mates: she’s incredibly thirsty about it, but that attraction itself is never ridiculed. It’s this hidden seriousness that makes this a better series than something like Slow Start, which may seem very similar at first blush. Not that the latter is bad, it just misses some of the bite of Comic Girls.

Another standout this year was the third season of Yama no Susume, the half length anime about school girls going mountaineering. In the previous season they had tried to climb Mount Fuji, but our main protagonist,Yukimura Aoi, failed; this season was all about preparing to try again, probably next season. What also drove this season was that her best friend Kuraue Hinata was getting jealous of the new friends she made climbing mountains. It had been Hinata who’d introduced Aoi to the sport in an attempt to draw her out of her shell, but now that she was becoming less shy and actually making friends without her, Hinata became a bit jealous, feeling left out. As you can see from the clip, you don’t need narration to understand something is going on between these friends. That’s always been the greatest strength of Yama no Susume, its incredible character animation and gorgeous scenery.

On the other end of the spectrum we have a series like Anima Yell!, another Manga Time Kirara four panel manga adaptation, with decidedly ‘cheap’ animation, proably because the studio responsible, Doga Kobo, was also busy with a higher profile series the same season. Even a showcase set piece like the clip above isn’t as good a similar clip from any of the series mentioned here. There are a lot of static shots, lots of talking heads and other less obvious ‘cheats’ to simplify the animation. It also lacks some of the depth of the other series, this is based on a four panel gag manga after all and in the first episode especially you could almost see the panels. As such it’s arguable a much more representavive example of a slice of moe series than something like Yuru Camp or Yorimoi. But, it’s a fun series with fun characters, a bit of yuribaiting and it was one of the series I’d always watch first the day it came out. And that’s the real strength of slice of moe shows; they’re almost always a fun time, something bright to look forward to each week even when you don’t have enough energy for something more demanding.

This is the tenth post in this year’s twelve days of anime challenge. Tomorrow: Watching too many kids shows.

She-Ra is a magical girl

She-Ra and the Princesses of Power is a maho shoujo show. Discuss.



And no, it’s of course not just because of its transformation scene, though it is very much a magical girl transformation, but everything around it. It’s rooted in friendship and optimism and rock solid belief in the idea that nobody is wholly evil in the same way that Precure is. It centers female characters in the same way maho shoujo series do; there’s fighting and defeating the bad guys but there’s also balls and being jealous because your friend is hanging out with somebody else and other such traditionally feminine coded concerns. No wonder all the sad cat piss men and fanboy fascists hate it.



It’s not like they’re actual fans of the original series. The sort of crybaby fake fan who throws temper tantrums about “SJWs ruining animation” wouldn’t have been caught dead watching something so covered in girl cooties as the eighties She-Ra. Commercials don’t lie: this was always aimed at girls and Noelle Stevenson and her team just revamped it for 21st century girls. In other words: queering it the hell up, which a certain kind of narrowminded fanboy always has troubles with. To be honest, I can’t actually remember all that much about the original She-ra or He-man, but I certainly got the impression that especially the latter was never 100% straight anyway. It’s all so tedious and boring to whine about it now it’s a bit more explicit. Have to hand it to the crybabies though, without their tantrum I might have missed this and that would’ve been a shame.

Because the truth is that the new She-ra is really great, taking something that was meant to sell toys and lavishing the same care and attention on it that e.g. Toei does on Precure. The story sparkles and has genuine wit, the characters are great and it’s such a pleasure to see body types other than teenage supermodel: all the characters look like people you could see walking around town. Even Scorpio. What’s more, while the Horde is evil and the princesses are the force of good, all of the individual Horde members who have gotten screen time are more than just evil for the sake of evil. More than a few actually seem rather …nice? It helps of course that most of their evil is rather abstract after the first two episodes: it would be bad if they won but the status quo isn’t all that bad. It’s a kids show after all.

Sometimes anime can do subtle

Anima Yell is this season’s obligatory low calorie slice of moe series, but then it did this:



It’s not often you have a proper coming out scene in an anime series at all, let alone one not directly aimed at an LGBT audience. And though you could quibble over the fact that the high school girl coming out here is in love with a woman who’s a second year college student, this is still a step forward for LGBT representation in anime. Not treated as a joke, not done as subtext, no tittelation, just a girl gently correcting her classmates’ assumption that she’s in love with a boy. And slightly worried doing so. A nice moment of seriousness in a series that so far has been almost exclusively gag orientated, especially managing to do this without over dramatising it.