Way too plausible

XKCD

XKCD is the best non-continuity webcomic I’m reading right now and strips like this are why. Randall Munroe knows geekdom, the splendor and silliness both and is able to celebrate it without being smug or mock it without being nasty. He also draws the neatest stick figures since Matt Feazle.

the best continuty strip is of course Questionable Content, by Jeph Jacques., which I’ve been following from not long after he started it. It’s a comic you get the most out if you’ve been following it for a while, but you can read the archive in a single afternoon if you so please, guiltily clicking away at work hoping the boss isn’t looking. What I like about QC is that, yes, it is another twentysomething vaguely hip slackers and their romantic entanglements, but Jacques isn’t afraid to change the status quo and actually let his characters develop. The art as well has improved hugely, from servicable to a delight in its own right.

Want: the massive new Alec collection

As I think I’ve mentioned here before, Eddie Campbell is one of my favourite cartoonists, perhaps the best one currently working in comics. He may be best known for his work on Alan Moore’s massive From Hell project, but for me it’s a toss-up between Bacchus and Alec as to what is his best work. Today it’s Alec, as I’ve just heard about the massive new collection that’s going to come out this September. I’ve always felt that the series hasn’t been as widely appreciated as it should be, as there hasn’t been a good collection of it available for a long time, just short pieces in various anthology comics and long out of print “graphic novels” by long defunct publishers. As Campbell explains in this interview with Tom Spurgeon from late last year, the new collection will have everything and in chronological order:

TOM SPURGEON: I don’t think it fully registered with me before, but you have a massive collection of your autobiographical work coming out in 2009. I always thought that this was a natural for a book at some point and I look forward to it with a not insignificant smile on my face. Is there a reason this seemed attractive to you right now?

EDDIE CAMPBELL: The evolution of our medium has made this the right time. If you think back, at first we’d publish serial comics because that was what the economics permitted (all those “mini” and “maxi” series). Then we would gather the material into a book. The medium developed to the stage where a publisher could pay an author an advance to take himself away and make the whole book before showing any of it. We now find ourselves at an even more advanced stage, where several of a veteran author’s books are gathered into a huge compendium. Thus Will Eisner’s Life in Pictures, which collected his various books that had an autobiographical element, Gaiman’s Absolute Sandman, Gilbert Hernandez’ Palomar, etc.

SPURGEON: How did plans for this particular format come together?

CAMPBELL: Chris Staros at Top Shelf has been wanting to do the book for several years, since those others I just mentioned started appearing. In the meantime I’ve been gradually making digital scans of the pages for the French editions, knowing that all the time I was building toward using these in my own big collection. It is a lot of work after all, scanning 640 pages, especially with all the zip-a-tones, trying to avoid and eliminate moiré patterns. I’m probably now the expert on doing that stuff.

SPURGEON: When did new comics become a part of those plans?

CAMPBELL: The funny thing is that the way I started putting it all together isn’t quite the way it’s ended up. I had the six books (the King Canute Crowd, Graffiti Kitchen, How to Be an Artist, Little Italy, The Dance of Lifey Death, and After the Snooter,) arranged in a chronology that follows actual time rather than the order in which the books were drawn, and then I had a large 80-page section at the end which rounded up a lot of short pieces and some unfinished works which are still worth reading as they stand. But the more I looked at the pages I started seeing an epic sweep in which characters grow older, with a real sense of time passing. It’s ironic that in the comic book medium terminality has come to be seen as a holy grail, the notion of a thing being complete in itself (as in a “novel”), when the true essence of the comic strip is the very opposite, the concept of the eternal present. The greatest daily comic strips had no end. Conceptually, allowing for no interference by extramural forces, a strip may run forever (Like Gasoline Alley). Of course nowadays that quality has been usurped by the television soap opera. Given the dumbassed nature of comic books, the highest measure of commitment to quality, or terminality, that a writer can have is the determination to show characters being killed.

But I’ve wandered off the point. I saw this shape within the book and I shifted a few of the essential short things into their chronological positions and threw the rest out, then I saw the chance to complete the implied sequence by adding another book that brings things up to date. So we now have an all-new 35-page book at the end titled “The Years Have Pants”, which has also become the title for the whole compendium, since it fits so well. But the new book is in no way a conclusion, for it introduces a bunch of new developments that point to resolution outside of the text. I’ll also mention that there are half a dozen other unpublished pages included in the compendium.

Scans_daily shutdown: it’s the community stupid

So reading Mike yesterday I learned Scans_Daily has been shut down after Peter David complained about it to Marvel and they leaned on Livejournal. Or at least that is the version believed by most people, though denied by David himself. A kerfuffle quickly ensued, with little sane ommentary emerging out from amongst the people happily pissing on Scan_Daily’s ashes or wishing death on David.

Just more Internet Drama? Of course, but it is more important than that. For those who don’t know about this (probably all of you unless you’re heavily into online comix fandom yourself), Scans_Daily was a Livejournal community which started out as a place to post homesexual slash fantasies, but morphed into a highly popular community of comix fans, based around commenting on scans of interesting new and old comics. All illegal as hell of course, but it had some ground rules about posting (no more than half an issue) and was largely tolerated for some five years or so. After all, for those who want to get their comix fix online for free, there’s bittorrent and Usenet, where new releases are available the week they arrive in comic shops (or faster than they can cross the Atlantic, in my case), while a huge percentage of especially North American comics dating back to the 1930ties can also be found easily in a variety of formats. So going after Scans_Daily, a community that was remarkably friendly to newer comics readers and a great propaganda site for comics as a whole (as noted by Mightygodking) makes little sense. As does alienating a community of several thousand at a time when an individual title’s fortune is decided by shifts in readership smaller than that. But it was bound to happen sooner or later, as it takes only one complaint for a site like scans_Daily with its obvious copyright violations to be shut down.

The … discussion … that followed its demise unfortunately followed well worn tracks: the haters go for the “it’s illegal so don’t whine that you’ve been shutdown” tactic while the defenders attempt to make the case that what Scans_Daily did was a-okay, using clever and not so clever arguments. Both miss the larger point: Scans_Daily was a community, one with no real equivalent elsewhere in comix fandom and the takedown destroyed this community. To me, this is the real crime, rather than the copyright violations this community was based around. As Bruce Sterling noted as far back in 1991 in The Hacker Crackdown, there have always been online communities revolving around technically illegal activities and they’ve always reacted badly when the authorities come knocking. The original Usenet was illegal, existing on the sufferage of the organisations involved in DARPANET, the Internet’s predecessor and which was supposed to be used for serious research, not “Ho’od Win” threads on net.comics. So was the original Unix community for a large part, massively violating AT&T’s intellectual property but in the process creating a lot of the software we still use. Intellectual property has always been a battlefield, between corporate interests who’d like us to pay for every time we read a particular book or hear a particular song and the rest of us, who see no reason to do with our books, comics, songs what we do with everything else we buy: whatever we want.

It’s this loss of control that led to the Scans_Daily shutdown, as Peter David got pissed that an X-Factor issue of his got spoiled there, after which he complained to Marvel, who then complained to Livejournal and a flourishing community got shut down. For the moment, it’s backfiring on him as a lot of people are now mad at him, which in turn let to puzzled responses by outsiders and moralistic posts about “it’s piracy, so stfu”. But for those of us who were regulars there –and I was far from a hardcore member — we’ve lost a community of friends and likeminded people, which is by far the greater crime. And it’s this that explains the far from even tempered reactions to Peter David’s actions: when you attack a community, even an online based community based around a hobby though childish by the great unwashed, you attack people themselves. No matter how much in your right you are legally.

Who watches the Watchmen? I will

I’m way too excited about this. To be honest I never believed this could be filmed and keep even ten percent of what was in the book, but after seeing V for Vendetta a few years back, which managed to work as a movie while keeping the important parts of Moore’s story intact (even if Moore didn’t like it himself), I have good hopes for Watchmen.

And you?

Lazy comix video Tuesday

You know what they say (but what do they know): three videos makes a post, so let’s have it then. Three Youtube videos on a common theme: comics. The first is a very suitable song considering the date, showcasing brilliant but unknown to me until now seventies feminist funk group Isis, over a montage of seventies superchicks, to stay in the vernacular of the day. Isis sounds like a cross between Jethro Tull and Funkadelic, with a dollop of Davis, both Miles and Betty. Thanks to Palau (of Prog Gold fame) for finding this.

Another brilliant Youtube marriage of music and comics is Thor – GOD OF METAL!. No, it’s not the one you might be thinking of, the this Thor, it’s the real one, the blonde surfer dude with the faux-Shakespearian speech patterns, rocking out to some Slayer. Watch out for the Beta Ray Bill and Eric Masterson cameos.

The same people behind the first video also did a homage to secret agent/detective heroines, featuring a real find: the Kane Triplet’s version of the Mission Impossible theme tune, with lyrics. Very catchy it is as well.

Finally, something with no redeeming value at all and nothing to do with comix other than that its creator, David Campbell, is a dancer for comix:

All because Dave runs one of the more popular comics blogs and needed some scans from this man. He’s evil I tell you, evil.