Girly Airforce — first impressions

I was prepared to give Girly Airforce a chance, despite its utterly boring premise and mediocre looking animation, until this sorry excuse for a CGI Mig-21 showed up:

The Chinese do not use shitty looking CGI Mig-21s

And that is clearly a Mig-21 and not say one of the Chengdu J-7 variants that the Chinese airforce is actually still flying. A minor detail perhaps, but telling. When I first heard this I thought this was going to be like that fictional series from Shirobako, where you have a bunch of cute girls flying interesting planes defending the world against alien invasion. Well, that’s sort of what’s going on here, but a) the planes are butt ugly and a bit boring and b) the girls are actually AIs that need the protagonist’s manly touch to work properly and now I’ve lost all interest. Dude’s an asshole too, spending the entire first episode screaming his head off at everybody and anybody about how he wants to fly. There’s just nothing to keep me here, nothing that hasn’t been done before and better.

Dropped.

Watashi ni Tenshi ga Maiorita! — First Impressions

My, what a pretty bit of animation. Dogo Kobo really is a top tier anime studio, putting so much effort in and talent on their slice of moe series.



Nevermind though:

One day, fifth grader Hinata Hoshino brings her friend Hana Shirosaki to her house, and Hinata’s sister Miyako, a college student, falls in love with with Hana at first sight. Miyako manages to get along with Hana somehow, but her clumsy behavior and shyness, makes Hana wary. Even so, Hana gradually opens up to Miyako, who wants to become closer to her.

It’s another pedo yuri series, where a cute little girl is menaced by an adult woman overcome by her cuteness, just like last season. This series is not as over the top as that was, which I’m not sure is an improvement to be honest, making it all more realistically creepy. A shame so much talent and effort is put into something like this. Can’t we just have a proper yuri series, with actual consenting adults falling in love, rather than this pedoshit?

Shield Hero is trash, but not fun trash — first impressions

Rising of the Shield Hero is yet another “virgin nerd gets transported to a fantasy world in order to save it while creating a harem for himself”, but with one difference: it’s much creepier than usual. Sure, other isekai series come with dodgy attitudes towards women and unfashionable opinions about slavery, but Shield Hero takes it all up a notch. It’s also insanely popular for something that is as generic as it is — see the video below for more on that — which I got to experience first hand when some fanboys took exception to my offhand criticism of it on Twitter yesterday. so I thought I’d expand this criticism in this post.

Shield Hero: lots of ressentment

The first episode of the Shield Hero anime adaption starts with a quick look at our hero Naofumi’s everyday life before he got transported to another world, just like every other isekai anime does. Noticable is a small incident in which he bumps into two school girls, who are laughing together and ignoring him. This is a subtle not so subtle harbinger of what’s to come. When he’s transported to the fantasy world he has to save, it turns out he’s one of four such heroes summoned and he has the worst power of the lot, a shield he cannot take off and with which he can only defend, not attack. Also for some reason everybody is a dick to him: the people who summoned him and his fellow heroes both. That’s because he’s the second type of isekai protagonist: the seemingly underpowered weakling who’s looked down upon by everybody else but who will have his revenge in the end. Such a hero is always treated unfairly in the start, belittled and humiliated, because that makes the inevitable come uppance to all his tormentors all the sweeter. Therefore when each of the four heroes get companions assigned to them, none of those choose him, until one woman takes pity on him.

This is of course a trap; she betrays him because the story needs her to do so, but not until after he bought her armour and weapons. This in itself is an annoying cliche, the gold digger who betrays our pure and naive hero, but the way it’s done makes it so much worse. Because she doesn’t just take his money and runs, she actually accuses him of attempting to rape her. The fake rape accusation trope is one that needs to die in a fire — along with its cousin rape as background trauma — because it reinforces the idea that women lie about this constantly when in reality it’s difficult to get any rape accusation to be taken seriously and fake accusations are extremely rare. Here it’s used to justify Naofumi’s mistrust of women as well as the solution he turns to when, rejected by everybody, he still needs companions to fight for/with him so he can level up and abe able to fight the evil Waves threatening the world.

That solution is slavery. At the end of the first episode he’s seduced by a slave trader to visit his shop, having spent his time trying to get stronger on his own and not getting anywhere. The episode ends when he lays eyes on the tanuki girl who will become his first battle slave. The idea here is that because his shield is a defensive weapon, he needs somebody to fight for him but nobody is willing to do so. Furthermore, the only way Naofumi himself can trust anybody is if they’re literally unable to betray them and that’s where the slaves come in, because the seals they have on them make them suffer excruciating pain when only thinking about being disloyal. So by buying a slave girl Naofumi has somebody he can trust and somebody who can fight for him.

Now you could’ve had the same story without using either a fake rape accusation or your hero buying slave girls, but that’s the whole point of this particular nerd resentment fantasy. The point is that you cannot trust women, that the only way to be able to is if they’re literal slaves that cannot disobey you and that slavery is in fact not at all a bad thing when you have a nice master. Time and again Naofumi extends his slave harem by buying or rescuing girls from evil owners and each and every time they fall in love with him because he’s such a good master. Of course, the woman that betrays him meets an appropriately gruesome fate, raped and murdered and then apparantly raped and murdered again, though that may only happen in the original web novel as I haven’t read that far ahead in the light novel and manga.

With Shield Hero then you get a story that’s part revenge fantasy, part slave harem fantasy where you can pretend all the girls are happy being slaves and all trash, but not the fun kind of trash. I don’t actually mind power fantasies all that much normally, but not when it’s this creepy.

Japan needs tasty fish is the least of your problems — First Impressions

Congratulations anime! You managed to catch up to early seventies Lois Lane women’s lib stories:

Sora to Umi no Aida: battle of the sexes

Sora to Umi no Aida is yet another anime based on a mobile game and all it had to do was to translate its gameplay of going fishing in outer space using mythological beings as bait into another cute girls doing cute things show, but instead it went for a sort of pseudo feminist angle. So now it’s 2018 and we have an anime that features a plot seventies DC Comics would’ve found a bit patronising. Women are just as good at fishing in space as men, so let’s make our show undercut its message at every turn by making the women into incompetent harpies. It is painful watching this, seeing time wasted on this asshat when we could’ve had some good yuri going on. I know Japan has a reputation for being ‘backward’ when it comes to feminism but this is absurd.

Sora to Umi no Aida: all the fish disappeared from the ocean

So the idea is that one day in the future all the fish suddenly disappeared from the oceans and now Japan needs to satisfy its craving for tasty, tasty sushi by fishing outer space fish. It’s a stupid, absurd premise and if this series had glorified more in its stupidity rather than go for some battle of the sexes subplot it might’ve been fun; instead it’s just boring.

My Beelzebub can’t be this cute — First Impressions

Beelzebub-jou no Okinimesu mama presents the biggest mood of 2018:

Beelzebub-jou no Okinimesu mama: I want to go back to my room and become a ball of fluff

Fluffy is a good description of Beelzebub, both the series and the titular character, who is an adorable, laid back girl who likes nothing better than to stay in her room to sleep nude in bed surrounded by fluffy animals. She’s also the ruler of Hell in absence of Satan and this gap is causing her assistant Mullin (or Murrin as the audio seems to have it) some problems. To be honest, they’re partially of his own making. If he’s that quick to take offence at seeing Beelzebub naked, he shouldn’t have barged into her bedroom, no matter how late she was for that important meeting.

Beelzebub-jou no Okinimesu mama: she likes to sleep in the nude

So that sort of sums up Beelzebub-jou no Okinimesu mama: a fluffy, low energy, relaxing series with a bit of innocent fan service and some sort of romantic plot in the offering between the laid back Beelzebub and her overbearing assistant, all set in a very comfy version of Hell, resembling some 18th century Ruritarian kingdom and feels more like well, Heck at this point. Presumably future episodes will introduce some of the people seen in the opening theme and we get more romances to fill out the story a bit. I rather they do, as I’m not a big fan of the dynamics between Beelzebub and Mullins on display here. The child like ruler who has to be coaxed into doing their duties by their long suffering secretary or assistant is an anime cliche, but it’s a bit dodgy, especially when mixed with romance. Mullins comes over more as a concerned father than a possible lover, while Beelzebub is a complete airhead, who gets her way by pouting and being cute, rather than as a competent ruler of, well, Hell. Having the male underling teach the female ruler her job is never a good look. It’s sort of a mirror to the competent woman make it her life’s work to look after and clean up for the genius bloke who can’t be trusted to look out for himself. It’s infantilising.

So this seems squarely aimed at blokes who like to watch cute anime girls frolic, as long as they’re not too threatening, and who’d also like a little bit of romance mixed in. If I’m honest, I enjoyed the episode but if they do want to push the romance angle, I hope the relationship between Beelzebub and Mullins can be a bit more like that between two adults.