Slime versus Slayer

This is going to be a tad unfair, as I’ve only watched the first episode of Goblin Slayer, but I think it’s still interesting to compare its worldview as shown in that first episode with that of Tensei Shitara Slime Datta Ken. Both after all are variations on the standard Japanese RPG inspired fantasy story and its trappings, but their politics are quite different. Whereas in the first goblins are depicted as mindless raping monsters, the second has them as people to protect and nurture.

Goblin Slayer: ethnic cleansing is okay

What I despised about Goblin Slayer was not just that it used rape as a cheap way to create drama in its first episode, but what that was in service off: ethnic cleansing. And it doesn’t matter that were talking about a fictional species here, because it draws on some very real world history. A race of insatiable rapists lusting after your women has been used against everybody from Black people in slavery America to Jews in Nazi Germany (and long before). The idea that the only way you can deal with that sort of people by violence and indiscrete murder? Also not new. Goblin Slayer justifies it by saying that this is just how goblins are, being all male they need to rape women of other species to reproduce, their innate nature being such they have no choice. But all that is just bollocks that the author made up to justify having a jolly old tale of genocide. We like that sort of thing in science fiction and the list of excuses we find to justify genocide is impressive; nothing gets an sf writer’s blood pumping faster. Just in case you thought Goblin Slayer was unique in this.

Tensei Shitara Slime Datta Ken

By contrast Tensei Shitara Slime Datta Ken does something much more interesting with its goblins. As with Slayer, goblins in the fantasy world it’s set in are some of the weakest monsters, always threatened by more powerful ones or humans. The only thing less impressive is a slime, but our protagonist slime is no ordinary slime, but a reincarnation of a virgin salaryman whose dying wish was for his friend to erase the porn on his computer. As per usual with this sort of story he gets a boat load of special powers and blatant cheats and he ends up taking the goblins under his wing as their protector. He becomes their ruler, evolves them by giving them names and helps upgrade their living situation. Other monsters too join him and his protection, with the main plot just having kicked in a few episodes ago as an invasion force of orcs is threatening to destroy everything.

It’s a much more positive portrayal than Goblin Slayer — even that evil horde of orcs is brain washed and under a magic spell, not inherently evil. Yet it’s still a colonial fantasy, of the White Man (well, Japanese Man in this case) coming to the aid of the noble suffering savages and teaching them the wonders of civilisation. Therefore, while it is more benign than Goblin Slayer, it’s still something not to watch uncritically. It’s still rooted in old habits and ideas, still a bit orientalist. It is possible to enjoy either of these series — and I certainly enjoy the slime anime — while being aware of these problems. It’s when you don’t notice it that there’s danger. For me personally the rape justifies genocide elements of Goblin Slayer are vile enough not to want to watch more, while with Slime-kun the white saviour parts are overshadowed by the sheer novelty of seeing several fantasy races work and live together in a way that rejects the social darwinist mindset of so many other fantasy stories.

This is the fourth post in this year’s twelve days of anime challenge. Tomorrow: more trans zombies.

Sexual harassment is always funny — First Impressions

It’s refreshing to see an anime series being very very clear about how awful it’s going to be:

Uchi no Maid: no interested in girls who menstruate

Though by this time you already should have a good idea how much of a pedoshit show this is because Uchi no Maid ga Uzasugiru! is not shy in showing how much the titular maid, really, really loves little girls. So much so she goes into the job agency wanting a job where she gets to dress up a little white girl in clothes she makes herself. And whaddaya know, by some miraculous coincidence she gets a job doing exactly that, as the maid to a little blonde half Russian girl whose mother died and whose father is too feckless to care for her himself. The rest of the first episode is basically this girl trying to escape her sexual harassment while her father remains oblivious. There’s a hint of a decent show in here, where a lonely, embittered little girl is drawn out of her shell by her cheerful, kooky housekeeper, but since every other shot is the maid lusting after her, it isn’t this show. The only unalloyed good thing about this is the workout ending theme which is cute and adorable.

Uchi no Maid: the right idea

In everything else, our blonde protagonist has the right idea. Blow it all up. As should be done with Goblin Slayer, the other show this season with a heaping big chunk of rape in it. But here it’s meant to show how Serious and Dark and Gritty the show is and how goblins are irreemable villains whom it’s okay to ethnically cleanse. No, really:

Goblin Slayer: ethnic cleansing is okay

You know how sometimes people hold up frex X-Men as a metaphor for the American civil rights struggle of the sixties? Well, it works the other way around too. Genocide is fine when it’s fantasy genocide, when you can just create a race that’s inherently evil. It’s something that has haunted fantasy and science fiction for a long time, all the way back to Wells’ Morlocks if not earlier, because there’s always a desire for guilt free genocide. The whole idea of an inherently evil race is of course pure fascism, but it remains surprisingly popular even with people who should know better. Using rape as your way to sell the evilness, with all the shitty tropes that come with it, is the icing on this shit cake.

Goblin Slayer: still innocent

Let’s look a bit closer at what this first episode did. We start off with the girl above, wounded and stranded in a dungeon before we go into a flashback where she gets her adventurer card and she meets up with the three other members of her party as they decide to go for a dungeon raid to rescue some girls kidnapped by goblins. You know they’re going to get slaughtered within five minutes, which is exactly what happens. The sole bloke in the party gets killed off screen, the magician with the glasses loses them, then gets stabbed in the stomach with a poisoned blade. The healer girl tries to fix her but fails, as their fighter is overpowered, stripped and raped (offscreen fortunately). Healer girl escapes with the mage, they get cornered and then the goblin slayer rescues her before slaughtering every goblin in the cave, including the children as mentioned above.

Getting a bunch of mooks slaughtered to prove how dangerous and evil the villains are is a bog standard plot device. It’s the way it’s done here that’s the problem, especially the way the camera lingers on that one woman being stripped before being raped. What’s more, it’s deliberately made worse to drive home the point that goblins are inherently evil, to justify the slaughter of them. It’s not unlike how in real life horrible crimes are used to paint entire groups of people as inherently evil (frex the attempt to portray trans people as predators just because they want to pee in the right bathroom). That’s what makes this such a repellent series, even setting aside the rape (if you can).