Slow River — Nicola Griffith

Cover of Slow River


Slow River
Nicola Griffith
343 pages
published in 1995

Everybody knows about the Bechdel test now, don’t they? Introduced in Dykes to Watch out For, it’s a test to see if a given story meets a minimum feminist standard: a) does it have at least two women, who b) talk to each other about c) something else than a man? It’s a good way to think differently about the movies you see or the books you read, to see how common it is for a story to have only male characters, or only a token female character, sometimes as prize for the hero. Having a story with only male characters is normal, having one with all or majority female characters is the outlier, can get you shoved into a women only ghetto like romance or feminist literature.

This is true in science fiction as well as mainstream literature, which made reading Nicola Griffith’s Slow River so interesting. It’s her second novel, also the second of her’s I’ve read and like the first, the cast is almost exlusively female. But where that one was set on a planet where men had died off due to some handwaved plague, this one takes place in near-future English city that for once isn’t London. I’m not sure whether Nicola Griffith made this choice of cast deliberately, or it just happened naturally because of the story she wanted to tell, but it works.

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Bringing back the midlist

Last week I wrote about the new Gollancz ebooks gateway which will launch “this autumn”. A week later and we’re slowly getting to see which authors will have books on this service, as they start to mention it on their blogs.

One of the authors I’m most excited about, who most unfairly has been out of prints for years, is Pat Cadigan:

It’s been busy around here but, yes, in case you haven’t heard me turning handsprings from wherever you are, Orion/Gollancz is bringing all of my work back into print. Synners is going to be in the SF Masterworks series and Mindplayers, Fools, and Tea From An Empty Cup will be published in a single omnibus volume. My collections Patterns and Dirty Work will be ebooks.

And all will be part of Orion’s SF Gateway program.

also back in print, Nicola Griffith’s first two science fiction novels:

Ammonite appeared in early 1993 (from Ballantine/Del Rey in the US and HarperCollins/Grafton in the UK). It won some awards. Slow River followed two years later (ditto). And ditto. But the books still went out of print in the UK. (That’s the UK publishing reality. It’s different in the US. Here both books here have been through a zillion printings and still sell steadily, if not spectacularly, in print and digital editions.)

So it’s wonderful to be able to announce that I’ll finally be a Gollancz author–back where I started all those years ago. Repeat Yodel of Triumph, add Nod of Satisfaction, and follow, as always, with beer.

I was already interested in seeing what Gollancz was up to ebookwise, but these two announcements make it much more likely that’ll will buy books through them. Much will still depend on price, easy of buying and the absence of intrusive DRM on the books. The price needs to be roughly in the range of what I would spend on secondhand paperbacks or it wouldn’t be worthwhile to me, though I am willing to pay a bit more for the convenience of buying online, certainly for authors like Nicola Griffith and Pat Cadigan.

As Pat Cadigan noted in her post, twenty-thirty years ago it was normal for most of science fiction’s back cataloque to be in print and easily available. In the last decades this backlist has been steadily eroded as it no longer made commercial sense to keep most authors in print. Epublishing changes this equation: once an ebook is created, selling more of them doesn’t cost more unlike with physical books, where new print runs are usually too expensive for moderately profitable books. The Gollancz intiative helps to re-establish the backlist, another good reason to support it.

(Edited to erase an incredibly stupid brainfart; see comments.)

Reviews up at SF Mistressworks

Dept. of self promotion: the last few weeks I’ve gotten some old and new reviews published at Ian Sales’ SF Mistressworks site, dedicated to showcasing good books by female sf writers. Thought it might be good to point y’all at them.

The Female Man — Joanna Russ: “The Female Man is a tough book, but not a hard book to read. Joanna Russ is a brilliant writer and everything in here sparkles”

Ammonite — Nicola Griffith: “Nicola Griffith’s goal was to create a world populated solely with women without falling back on clichés about what such a world would look like. No “seven-feet-tall vegetarian amazons who would never dream of killing anyone, no “aliens who are really women or women who are really aliens”, but “the entire spectrum of human behavior”. ”

The Sword of Rhiannon — Leigh Brackett: “What sets The Sword of Rhiannon a touch above other pulp adventure stories is both Brackett’s writing and that elegiac sense of loss that comes across through it.”

Sign of the Labrys — Margaret St. Clair: “The infusion of what at first seemed a fairly standard science fiction story with a dose of Wicca worked pretty well. If necessary, you can ignore all the Wicca mumbo-jumbo and just think of it as psionics.”

Ammonite – Nicola Griffith

Cover of Ammonite


Ammonite
Nicola Griffith
386 pages
published in 1993

Nicola Griffith is a writer I’ve heard a great deal of but so far had never read anything by. Ammonite was her first novel and immediately made a strong impression on publication, winning both the James Tiptree Award and the Lambda Award. As these awards confirm, Ammonite is a classic feminist science fiction novel, straight in the tradition of writers like Ursula Le Guin (Left Hand of Darkness), Joanna Russ (The Female Man) and Sheri Tepper (The Gate to Women’s Country).

The world created in Ammonite is also a classic feminist science fiction trope: that of a world without men. In this case, it’s the colony world of Jeep where an alien virus killed off all men and a large percentage of women, leaving the survivors to rebuilt their societies on a one gender basis. How they’ve managed to do so is the central mystery of Ammonite, which is partially a puzzle story and partially a leisurely planetary romance as our protagonist, anthropologist Marghe Taishan, travels the planet in search of answers. Marghe is working for SEC, the government agency that was set up to safeguard the interests of indigenes of rediscovered colony worlds like Jeep from exploitation by the Company, which has a monopoly on space exploration and which whom Marghe has some unpleasant history…

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Quickfire round

A quick round of sf links.

  • The online science fiction zine Infinity Plus has a new interview up with Christopher Priest (the UK sf
    writer, not the US comics writer). I just read his latest novel, The Separation, which I liked very much and which this interview is largely concerned with.
    Infinity Plus
    Christopher Priest interview
    The other Chris Priest
  • Also in Infinity Plus, an interview with Ted Chiang, short story writer extraordinary. He doesn’t write
    much, less than a story a year, but his stories are always excellent. They’re clever stories, both for
    their sf content as for their stylistic tricks and they feature believable characters.
    Interview with Ted Chiang
    (Both this and the above interview found via Sore Eyes.)
  • Meanwhile, as you have noticed, famed socialist Scottish science fiction writer Ken MacLeod has
    gotten a blog. Like his stories, it’s very politically orientated.
    The Early Days of a Better Nation
  • I found the following interview with Nicola Griffith while searching for something unrelated. Haven’t read any of her books yet, but the interview is still interesting. Not very up to date though, as it dates back to 1994. Explore the rest of the site too.
    Nicola Griffith
  • Finally, two Mary Gentle essays, one on worldbuilding and one on the attraction of villains and
    shop soiled heroes.
    Machiavelli, Marx And The Material Substratum
    Hunchbacks, Sadists, And Shop-Soiled Heroes