Articles with the Tag Peter Sanderson

Fifty Essentials in Fifty Days 20: Essential OHOTMU Deluxe Edition Vol. 1

books and books review, Comix
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cover of Essential OHOTMU Deluxe Edition Vol. 1


Essential OHOTMU Deluxe Edition Vol. 1
Mark Gruenwald, Peter Sanderson and friends
Reprints: OHOTMU Deluxe 1-7 (December 1985 – June 1986)
Get this for: State of the Marvel Universe ’86 — Four stars

So back in 1982 Mark Gruenwald and co concieved the Official Handbook of the Marvel Universe detailing all the most important characters, places and things concieved up in some twenty years of Marvel Comics. It had run its course by mid-1984 and a year later the need was felt for an update. Hence this, the Official Handbook of the Marvel Universe, Deluxe Edition. Instead of the standard 32 pages of the first edition, it had 64 pages per issue with no ads, room to expand individual entries, cover more characters, up the text size and most importantly, use more artwork.

It was the latter that drove George Perez away from Marvel.

Which seems strange, until you know that all that extra artwork was, unlike the main art in a given entry, was not new, but copied and pasted from older comics, uncredited and unpaid for. Once Perez saw that this had happened to his artwork as well, he got so angry he refused to work for Marvel ever again. Since his main series at the time was New Teen Titans for DC this wasn’t that hard a gesture, but it did mean that the fourth part of Perez and Macchio’s Black Widow serial in Marvel Fanfare (which had been commissioned years earlier but never saw print) had to make do with an Arthur Adams cover rather than new art by Perez. He would come back to Marvel in the early nineties, after Jim Shooter had left, when ironically it was DC that was dicking him around…

Anyway, it’s all water under the bridge but it did make this version of OHOTMU a bit controversial. Marvel has learned from this: in the modern series reprinted art is all neatly credited and I assume paid for as well.

The format of the series is no different from the first: entries in alphabetic order, with corrections, glossaries and other editorial content on the inside covers. Speaking of which, the wraparound covers by John Byrne are beautiful, almost as good as Perez’s covers for the DC equivalent, Who’s Who in the DC Universe. I first encountered these covers in a Marvel Comics diary/calender published in Holland, where they were used as the background to the diary pages. Back then I could name perhaps one in ten of the characters shown but they were fascinating nonetheless.

The entries are longer and feature more obscure figures as well as the obvious ones, though luckily total time wasters like (ugh) Shamrock are not carried over from the first series. Much of the added length of many entries comes from giving those characters that deserve it longer histories, recapping the highs and lows of their careers. More attention is also paid to powers and abilities, in an attempt to standarise and systemise them, though to be honest little attention to these efforts was ever paid to them in the real comics. For geeks like me though this stuff is gold dust. No longer do you need to argue who’s stronger, the Hulk or the Abomination: the Hulk is Class Strength 100, meaning he can bench press a hundred tons regularly, while the Abomination might be able to do that once, but not in succession.

What I also like about this series, especially when I wasn’t that familiar with the Marvel Universe yet, was seeing all these characters and getting some of their backstory. It showed what a weird and wonderful place the Marvel Universe was. For those who are not quite that geeky, this is far from an essential purchase of course, but still a good snapshot of mid-eighties Marvel.

Fifty Essentials in Fifty Days 13: Essential Official Handbook of the Marvel Universe vol. 1

books and books review, Comix
Published on

cover of Essential OHOTMU


Essential Official Handbook of the Marvel Universe vol. 1
Mark Gruenwald, Peter Sanderson, Eliot R. Brown and friends
Reprints: Official Handbook of the Marvel Universe Vol 1, #1-15 (January 1983 – May 1984)
Get this for: hardcore nerding — three stars

Okay, I’ll admit it, I’ve always liked The Official Handbook of the Marvel Universe far more than its DC Comics equivalent, Who’s Who in the DC Universe, largely because the former was far geekier and willing to actually explain things, while Who’s Who was always a bit poofaced. You’d never have a “Book of Weapons, Hardware, and Paraphernalia” in Who’s Who, but it’s here in Essential Official Handbook of the Marvel Universe vol. 1, a symbol of the nerd power of three men: Mark Gruenwald, Peter Sanderson and Eliot R. Brown.

OHOTMU, to give it its official acronym was a Gruenwald project, the first series running in 1983-1984, allegedly started not just because he was the kind of fan turned professional who actually cared about how much tonnes the Thing could bench press, but also because DC was going to bring out Who’s Who as part of their Fifty years anniversary celebrations in 1985. Back then the two companies were insanely competitive and especially Marvel, then with Jim Shooter as editor-in-chief seemed keen to scoop its rival. Personally I think this series would’ve been published even without this rivalry. Gruenwald was not the only one interested in a handbook showcasing all the well known and not so well known heroes and villains in the Marvel Universe. In the early eighties a whole generation of Marvel Zombies had grown up with Marvel and kept reading them when grown up, getting obsessed with the minutia of a shared universe. Today they would be browsing Tvtropes, back then they read OHOTMU.

The first series of OHOTMU collected here ran for fifteen issues, with the first twelve going from A to Z through the Marvel Universe, two Books of the Death and one Book of Weapons, Hardware, and Paraphernalia. Each entry is between half to two pages long, has a nice picture of the featured character posing for the camera, their vital statistics, a longish potted history of their appearance and some discussion of their powers. Gruenwald and co are not afraid to make things up if the original comics weren’t clear. Artwise, most artists then working for Marvel contributed, with e.g. John Byrne handling the characters from the titles he was the artist on.

A later version of the handbook estimated that there were roughly 2-3,000 or so significant characters in the Marvel Universe, those with two appearances or more and/or who did something interesting. A limited series of fifteen issues, though without advertising, has limited room and can’t cover them all, so it’s interesting who was picked. All the familiar faces are there of course: an Iron Man or Scarlet Witch will always have a place in such a series, but a villian like Belladona (seen in a few Spider-Man stories) or a group like the Champions of Xandar (featured in a Fantastic Four story, not so much. Reading a series like this then gives an interesting look in the Marvel Universe of almost thirty years ago. Not just by who gets featured, but also by who gets half a page, a full page or is important enough for two….

Obviously most of the information here is long out of date, but that’s not the point. It’s an interesting cross section of the Marvel U. at a certain point in time and for me part of its appeal also is that this is the Marvel I grew up with. You won’t miss much by not buying this volume, but to me this is indeed an essential volume.