Your Happening World (September 24th through December 15th)

  • Bibliography | Chromatic Aberration Everywhere – As I tend to read a lot of more “academic” texts when it comes to studying anime, fandom, and interpretation, I thought it might be a good idea to throw up a list of all the things I’ve either read/seen so that anyone else interested in these types of ideas has a place to start.
  • Japan’s Cute Army – The New Yorker – This stressful, ongoing debate fuels the seeming paradox of an “endearing” military force. In Japan, where indirect communication is highly valued, cute illustrations have long played the role of tension-breakers and mediators in situations of conflict. Thus kawaii mascots, whether miniskirted girls or bunny-rabbit decoy launchers, are both a reflection of pop-cultural trends and a way to defuse the very touchy issues surrounding the military’s undeniable presence.
  • The Tyranny of Stuctureless – This means that to strive for a structureless group is as useful, and as deceptive, as to aim at an "objective" news story, "value-free" social science, or a "free" economy. A "laissez faire" group is about as realistic as a "laissez faire" society; the idea becomes a smokescreen for the strong or the lucky to establish unquestioned hegemony over others. This hegemony can be so easily established because the idea of "structurelessness" does not prevent the formation of informal structures, only formal ones. Similarly "laissez faire" philosophy did not prevent the economically powerful from establishing control over wages, prices, and distribution of goods; it only prevented the government from doing so. Thus structurelessness becomes a way of masking power
  • A Piece Of Toast – YouTube
  • Otaku Philosophy | Public Seminar – Its origins are in cultural forms imported from the United States after the war. “The history of otaku culture is one of adaptation – of how to ‘domesticate’ American culture… Otaku may very well be heirs to Edo culture, but the two are by no means connected by a continuous line. Between the otaku and Japan lies the United States.”

Your Happening World (November 4th through November 7th)

Your Happening World (September 22nd through September 24th)

  • Your Princess Is in Another Castle: Misogyny, Entitlement, and Nerds – The Daily Beast – Fixating on a woman from afar and then refusing to give up when she acts like she’s not interested is, generally, something that ends badly for everyone involved. But it’s a narrative that nerds and nerd media kept repeating.
  • #GameOverGate (with images, tweets) · strictmachine · Storify – Zoe Quinn blows #GamerGate wide open.
  • Timothy Snyder’s Lies | Jacobin – In Timothy Snyder’s Bloodlands, Hitler and Stalin are one and the same. And the partisans — Jewish fighters included — only encouraged German crimes.
  • Whirling Nerdish: Asthma and THE MIRROR EMPIRE – I’m particularly interested in how Hurley handles this character because all my life, I was told by movies and TV that people with asthma were nerds. They were geeks, dweebs, losers. Pathetic little wastes that fly into a wheezing, gasping fit when things get difficult while, meanwhile, the HERO goes and kicks the bad guys ass and handles his shit.
  • A few disjointed thoughts on other cultures and diversity in SFF – Aliette de Bodard – Researching another culture is freaking hard work, PLEASE do not undertake it lightly (and when I say “freaking hard work”, I don’t mean a few days on Wikipedia, or even a few days of reading secondary sources at the library). And PLEASE do not think you’ll be exempt of prejudice/dominant culture perceptions/etc. No one is.
  • Public Domain Super Heroes – Public Domain Super Heroes is a collaborative website about comic book, comic strip, film, literary, pulp, mythological, television, animation, folk stories, etc… Characters in the public domain fitting in genres such as the masked vigilante, caped crusader, villains, scientists, magicians, robots, jungle lord, and their supporting characters.
  • Pioneer winners — Butler: Thirteen Ways of Looking at the British Boom – “There certainly seems to be something of a boom. To a certain extent these things are always artefacts―there’s no objective criteria by which one can judge ‘boom-ness’ (boomitude? boomosity?―so the fact that everyone’s talking about it is to a certain extent definitional of the fact that something’s going on”

Your Happening World (June 27th through July 1st)

Art and politics

Wag the Dog movie poster

I don’t know if any of y’all read Roy Edroso at all, but Roy specialises in making fun of the kind of rightwing meathead who only appreciate any kind of art if it’s propaganda for their cause. There’s a whole army of lowrent rightwing cultural commentators making a living by telling fellow wingnuts how conservative a movie is or not, who only value art for how well it adheres to their own political positions, and Roy is very good at showing up the absurdity of this. Roy’s basic position seems to be that when politics are put above art, art suffers, so only fools want art to be nothing more than propaganda. And he’s right of course,there’s nothing quite as awful as art that is mindlessly political (Ian McEwan’s Saturday springs to mind).

But at the same time, art, good or bad, always has a political dimension. Even art that says it’s apolitical has one, if only in the refusal to engage openly with politics. How an artist, a novelist sees the world informs their art and politics is always a part of it. And it’s the subconscious politics that are the most interesting, when it’s not put in there for purpose, but because that’s the way the author thinks the world works.

An example, Wag the Dog, that 1997 film about a president who two weeks before the elections get involved in a sexual scandal, for which his advisors fake a war to get him out of. It’s surface politics are trite and predictable: you can’t trust politicians, they will do anything to keep their job, you can’t trust the media because they fake everything blah blah blah. But behind that surface lie much more interesting politics. This is a movie that wants to present itself as cynical and knowning, but seen with a decade of hindsight, it just looks incredibly naive and, well, dumb.

Dumb because the cynicism at the heart of it is fake, a Hollywood idea of how politics work. A war with Albania is faked to distract attention from the president being accused of sexual assault. How is this done? By getting a movie producer to fake this war, who gets in a lot of other people to do this with them and it’s all swallowed by the great unwashed. In the end the producer, once he wants the credit for his success of course has to die to keep it all a secret, but the president gets re-elected and nobody is any the wiser… Nobody innocent dies, the phony war is so phony that nothing happens outside a television studio and it’s all smug bullcrap. We’ve seen what really happens when wars get faked and the endresult is a lot less neat than this movie suggests. We’ve seen that presidents do not hesitate to kill thousands of innocents for the sake of their own career, without the need of Hollywood advisors to help them on their way.

That’s right, Wag the Dog actually sugercoats the real truth, its cynicism is fake. And I think it is because it’s actual target is not the corruption in Washington, but corruption in tinseltown. It’s all about a bunch of Hollywood liberals playing around with things without once considering their impact on the real world. It is in fact a very conservative criticism of Hollywood, despite the fact that supposed liberals like David Mamet have worked on the movie.

And that’s what I mean with the subconscious politics of a piece of art.