New PreCure looks promising

Not so much PreCure as ParCure, am I rite?

Last year’s PreCure was a bit of a disappointment for me, the first one since I started watching it seasonally that I did not finish. Neither the theme nor the characters interested me and honestly it was clear from episode one that it wasn’t one of the good PreCures. Not that I’m anywhere near the target audience of course. This year’s entry, Hirogaru Sky Precure, looks a lot more promisingly from the very start. Sora is badass even before she becomes a Precure as that parkour scene shows, not hesitating to put herself on the line for a stranger’s sake. Which means when the villain kidnaps the baby princess of Skyland just as she arrives at the capital, she immediately sets up in pursuit. The villain escapes with his hostage through a weird portal, Sora immediately follows him and rescues the baby, only to find herself, well, here:

A good PreCure series needs a good sense of humour as well being able to handle its action scenes and this was hilarious, a proper Loony Tunes moment. Sora is a great protagonist and her meet cute with Mashiro, literally dropping out of the sky on her, was great too. In most PreCure series Mashiro, the ‘normal’ girl, would be the protagonist, so having the outer worlder Sora be it instead will be interesting. Looking forward to seeing Sora and Mashiro interact in day to day life as well.

Mermaids and sexy sea slug doctors — Tropical-Rouge! Precure — Anime 2022 #013

Tropical-Rouge! Precure is the 2021 installment of the long running Precure series. This times the villains are driven by procrastination and attempt to steal people’s motivation power. The Cures’ gimmick on the other hand is make-up, with the transformation sequence being based on applying make-up.

our Precure: Asuka, Laura, Manatsu, Minori, Sango and Kururun

It all starts with Laura the mermaid being send to the human world to find “the legendary Precure” who are the only ones who can stop the Procrastination Witch from stealing everybody’s motivation powers, something she will get up to doing tomorrow. She ends up in Aozora City, coincidently the place Manatsu also ends up in after she moves from the small tropical island she lived with her father, to go to school in the city, living with her mother the aquarium director. She meets up with Laura just as the first monster attacks the city and it turns out that of course, Manatsu is one of the legendary Precure, Cure Summer. They’re joined in short order by the cosmetics loving Sango, Cure Coral, mermaid obssesed bookworm Minori who becomes Cure Papaya and finally Asuka, Cure Flamingo, a sporty third year at Manantsu’s school. Sango and Minori are fairly typical blue and yellow Cures respectively, but the tomboyish and somewhat hot tempered Asuka is more interesting. She turns out to have a bit of a hidden past with the school student president, going from best friends to enemies over a tennis match, though it’s clear both are still upset about their falling out. Of course it all gets resolved in the end.

The villains: hermit crab Chogire, sexy sea slug Numeri, the sea horse Butler and Elda the child maid prawn.

As per usual with Precure, each week one of the Procrastionation Witch’s underlings comes to town, drains a convenient crowd of people of their motivation power, then uses it to create the monster of the week. The first is Chongire, a hermit crab who normally works as the chef in the Witch’s castle. Then there’s Numeri, the sexy sea slug doctor (Precure does like its sexy older woman villains) and Elda, a literal child (and also a prawn). None of those three is actually all that bothered about their jobs, prefering doing anything else, but their loyalty to the Witch compels them to follow through with it. There’s also the Butler, sort of the head underling who is the only one who really seems a villain. When in the best Precure tradition the series turns serious in its final part, the villains get their redemption and help the Precure fight the real evil. For Precure villains they’re very relatable in their bad attitudes to their jobs.

Close-up of Laura lookign bored

Best character in the show is Laura though, vain and egocentric gremlin that she is. She wants to become queen of Grand Ocean and if it takes becoming a Precure and defeating the Procrastination Witch to do so, she will. Though she learns to genuinely care about her friends, she’s still not above using them to get her way. She also brings out the best in the other Cures, especially Asuka, who just can’t with Laura’s general attitude to life. They also become pseudo rivals for Manatsu, though that never really leads anywhere. Laura’s so great she got her own Twitter meme account. Second best character is Kururun, the seal fairy mascot whose role in the series is to show up and go ‘kururun’ every episode. A very important role indeed.

Watching too many kid shows

In this age of simulcasting, when seemingly every anime series is available less than an hour or so after airing in Japan, there’s still a major category of shows that isn’t picked up: kids shows, especially those aimed at girls. Even massive franchise in Japan — Pripara, Aikatsu, frigging Precure don’t get an English language release, subbed or dubbed. (Well, there is Glitter Force, but that uses Precure the same way Power Rangers used its source material, chopped up and Americanised. It’s still a good show, but it isn’t really Precure anymore.) Kid shows then are one of the few areas where, if you want to watch them, you’ll have to rely on fansubs if you can’t speak Japanese and/or can’t watch the original airings.

Luckily there still are a few dedicated groups and fansubbers left devoted to those series, but oh the disappointment when they lose interest in a series you are following. Which was what happened for me with Kiratto Pri☆Chan, the reboot of the Pripara magical idol series, which ended last year after four seasons and some 200 episodes. I was enjoying the new series, but the original translator dropped it after less than ten episodes and the new one couldn’t English very well and in any case also seemed to have stopped doing them. A pity, because I was enjoying it. Kiratto had a bit of a twist on the traditional idol show, as it now revolved around a sort of magical Youtube, rather than performing idol shows. It had still the same beats as its predecessors, but I wanted to see where the series was going with it, but then the fansubs stopped.

Aikatsu Friends is the third iteration of the Aikatsu! franchise: the original series ran for 178 episodes and four seasons and was followed by the 100 episodes Aikatsu Stars, which guydolls in the mix and wasn’t received as well as the original. The latest series is a return to the original formula, with a new idol joining the idol school, teaming up with an already established hot new star, to take on various other idols in friendly competition. The change here is that it’s all about friendship, with the two aimed to become platinum friends and ultimately winning the platinum friends cup to become the top idol team. All this while transforming before performing in a sort of magical virtual reality, as shown above. This and Pripara are series that sort of made idols into magical girls and both originated as arcade video games, where you could unlock new outfits and characters and the like and that’s why each idol has her own transformation cards and usually a favourite clothing line. It’s much less toxic than the actually existing idol industry in Japan of course, but that’s why these series have this fantasy element. If you like magical girl shows like Precure with their devotion to friendship and helping each other overcome your weaknesses, you’ll probably like this too.

Which brings me neatly to the eight hundred pound gorilla of kid shows aimed primarily at girls: Precure, which has been running since 2004 and arguably ran every other kids magical girl series out of business. This year’s series, Hugtto Precure is its fifteenth and therefore an anniversary edition, which has resulted in a couple of guest appearances by the previous Precure. It has also been the most openly queer of all the Precure series, as we saw two posts ago. Sadly the entire Precure franchise remains mostly unavailable in the west, but there is the Americanised Glitter Force edit of two of the older series, which is worth watching if you have children in the right age (eight or so) because a lot of the fun of the original is still present in them. Much of what makes the present series so good is the interplay between Lulu, an android who worked for the big evil of the series until she developed an actual heart and Emiru, a slightly younger fan of the Precures who attempted to become one herself; in the end they both became members. Emiru and Lulu went from friends to close friends to an actual couple and they weren’t the only ones: her elder brother became the boyfriend of Henri, the first ‘boy Precure’ as shown in that earlier post.

The one kids show that is easily available over here is of course Pokemon: sun and Moon, which some purists dislike because it doesn’t look like the original, but since I’ve never seen it having been too old for it at the time, I quite like this series. The character designs are cute, it’s not all Ash all the time, the monster battles are more than decent and every few episodes they pull something really weird out of the bag, which is great. I never thought I’d be watching this but here we are, a hundred plus episodes in and still looking forward to it every week.

This is the eleventh post in this year’s twelve days of anime challenge. Tomorrow: Watching too much anime in 2018.

The first boy Precure is genderqueer

Well, it took Henri until episode fortytwo, but they told you so in episode eight:

Hugtto Precure: maybe I will try to be a Precure too

Hugtto Precure is the fifteenth installment in the Precure franchise, which as Andrea Ritsu explains has always been somewhat progressive and queer friendly, especially for a kids franchise. In recent years this has intensified: the Maho Girls Precure protagonists kissed, while there was a canon lesbian couple among the precure in last year’s Kirakira PreCure a la Mode . In this context it would make sense for Precure to finally introduce a boy Precure as well, something with which it has flirted in the past. Not out of some percieved need to always crowbar boys into something intended for girls, but because “boys can be princesses too”. And Henri is the perfect “boy” to do so. After all, they are:

Hugtto Precure: a refined Japanese lady and a Parisian

From their very first appearance it’s clear Henri doesn’t think of themselves as a boy, but as somebody for whom gender is irrelevant, wanting to be both and lucky enough with how they look that they could pull this off. Henri is self assured, confident and completely open in how they perform their gender. Henri starts off as a bit of an antagonist of the Precure girls, being friendly ice figure skating rivals with one of them and thinking the others are holding Homare back. Once that’s resolved though Henri becomes somewhat of a friendly face, helping Emiru standing up to her far too serious brother Masato, who’s obsessed with propriety. Said brother ends up becoming his somewhat over protective boyfriend not to long after by the way:

Hugtto Precure: precious boyfriend

That’s from episode 33 when Henri blows a kiss to their adoring audience and everybody, men and women both, get hearts in their eyes, except for Masato, whose actual heart lights up. It’s a nice touch. In general I like the way the relationship between those two is shown: it’s never spelled out but it’s clear these are more than just friends with Masato always there to help Henri whenever the latter is getting depressed. And Henri does have problems: a potential injury threatens to derail his skating career, while the simple act of growing up, of getting taller, having their voice changed threatens their ability to have the gender they want.

Hugtto Precure: precious boyfriend

Henri isn’t in a lot of Hugtto Precure episodes, but the ones they’re in are some of the best of the series, laying the foundation for their eventual transformation into a true Precure. His story fits the theme of the series, with Henri’s worries for a future in which they may have to leave behind skating. Not to mention the fear that puberty will put an end to their ability to be “both a refined Japanese lady and a Parisian” as their body grows more masculine. The villains of the series too are obsessed with the future, wanting to stop time because only that way will people be unable to feel any more pain. They try to seduce Henri with this shared fear of the future and almost succeed, until:

Hugtto Precure: Cure Infini

Becoming a Precure doesn’t solve Henri’s problems or fears, but it gives back hope, a way for Henri to fight through his momentary depression at losing his skating career and see new possibilites again. Having Henri, somebody who struggled not with who they wanted to be but with being able to keep being that person as the first ‘boy’ Precure fits with the whole ethos of the franchise. Of discovering yourself, of finding new ways to be yourself if the old way no longer suffices. Had they just plunked in some random guy this wouldn’t have worked, but with Henri you have somebody who is queer enough to be a Precure, who can serve as a bit of a role model for all boys to know that they too can be princesses, without having to fear Precure will be remade to appeal more to boys in general.

This is the eight post in this year’s twelve days of anime challenge. Tomorrow: I watched way too many pretty boy series this year.