Double Vision — Tricia Sullivan

Cover of Double Vision


Double Vision
Tricia Sullivan
377 pages
published in 2005

Karen “Cookie” Orbach’s life seems fairly mundane when looked at from the ouside: she hasa job with the Foreign Markets Research Division at Dataplex Corp, does karate as a hobby and a weightloss exercise, has no boyfriend or partner but does has a cat, eats too much out of stress and for comfort, reads a lot of science fiction and fantasy. The thing is, Cookie is psychic and while she did offer her services to the police, who believes an overweight Black woman reading too much Anne McCaffrey? Luckily Dataplex did see her potential and engaged her as a Flier, somebody who can see what’s happening in the Grid, an alien world Cookie can see when she watches television, where see can monitor the progress of the military expedition there and work as a reconnaissance flier for Machine Front, which coordinates the offensive.

Cookie’s mundane even boring life stands in shrill contrast to the dangerous glamour of the Grid. Despite being only a passive observer there, it is much more real to her, much more interesting. It matters, while her routine life outside of it doesn’t. It’s a feeling that any science fiction or fantasy fan can recognise, that idea that whatever fantasy world floats your boat is more important than what happens in real life, but for Cookie that fantasy world is real — or is it?

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Lightborn — Tricia Sullivan

Lightborn


Lightborn
Tricia Sullivan
438 pages
published in 2010

Late last year Tricia Sullivan decried the fact that of the ten Clarke Award winners in the last decade, only one had been a woman, which in turned triggered a long discussion about women in sf in general much of it indexed at Torque Control. For me personally this discussion triggered a resolve to read more sf and fantasy written by women, as they had been woefully underrepresented until then. It was through the same discussions I learned about Tricia Sullivan herself, who as a writer had been completely unknown to me until then. Not only did she trigger the debate, her novel Maul ended second in the top ten Future Classics poll that Torque Control ran. So I kept an eye out for it at the local library, but they didn’t have it.

What they had instead was Lightborn, her latest novel. It’s a classic coming of age story, set in the city of Los Sombres in a somewhat alternate America, where instead of computers they have Feynmans and people use a special sort of light, Shine to program their own brains, as well as communicate with their version of the ‘net, the field, which is also inhabitated by the lightborn of the title, artificial intelligences, both benign and rogue. There are safeguards build/created in the field to keep the lightborn tame and Shine under control, but of course these fail at the start of the novel –otherwise there’d be no story after all. It leaves almost all the adults in Los Sombres permanently Shined and useless and kids like Roksana and Xavier, our heroes, scrabbling to survive in the aftermath.

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