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\nJustina Robson is one of those writers I’ve known about for years, but have never read anything by so far. One of the new breed of British science fiction writers who popped up around the turn of the millennium, her first couple of novels found critical acclaim, each being nominated for the Clarke or BSFA Award. Unfortunately popular success seemed to elude her however, until she started the Quantum Gravity<\/cite> series, of which Keeping it Real<\/cite> is the first novel.\n<\/p>\n \nIt is also the first novel of hers I’ve read. A high concept description of it would be urban fantasy meets cyberpunk, a bit like the old Shadowrun<\/cite> role playing game but much less naff. Personally I’ve always thought cyberpunk was urban fantasy’s science fiction’s mirror counterpart anyway, so the combination seems logical. As Robson explains it in the prologue, an unknown “quantum catastrophe” in the Superconducting Superconductor in Texas in 2015 had torn reality into six realms: Earth, now called Otopia, Zoomenon, the realm of Elementals, Alfheim (elves country), Demonia, home of demons, Faery, home of fairies and finally Thanatopia, supposedly the realm of the dead though no human being has ever visited. The catastrophe was quickly dubbed the “Quantum Bomb” on Otopia, with the big question that keeps human philsophers and scientists awake at night being whether the Bomb really recreated reality or just made it visible to Otopia.\n<\/p>\n
\nKeeping it Real
\nJustina Robson
\n279 pages
\npublished in 2006
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