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\nHave you ever reached that point where you’ve read twothirds of a fantasy trilogy, quite like the writer but don’t want to read the last novel because it would mean rereading the first two? Yeah, that happened to me with N. K. Jemisin’s The Inheritance Trilogy<\/cite>, so instead I read her new series, The Dreamblood<\/cite> duology. Both The Killing Moon<\/cite> and The Shadowed Sun<\/cite> were published in 2012 and can be read as standalones, though you’ll miss a lot of the background if you only read The Shadowed Sun<\/cite>.\n<\/p>\n \nOne of my ongoing frustrations with fantasy in general is how few novels take their inspiration from anything but medieval Europe. Medievaloid worlds as filtered through Tolkien and his imitators — where you can find pipe smoking peasants eating potoes with their turkey but few people of colour –are a dime a dozen, but books with Egypt as a source of worldbuilding are rare. In fact, The Dreamblood<\/cite> duology is the first series I can remember reading with Egypt as the inspiration for its setting, polytheism, annual flooding river surrounded by desert, powersharing between the priesthood and nominal god-king and all. What’s more, Jemisin was also inspired by Egypt’s historical relationship with Kush, the kingdom to the south of it in what’s now Sudan, who shared its culture and at times actually ruled it. In short, this is one fantasy in which pale Northern European heroes are in short supply.\n<\/p>\n
\nThe Killing Moon & The Shadowed Sun
\nN. K. Jemisin
\n415\/504 pages
\npublished in 2012
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