The Defiant Agents — Andre Norton

Cover of The Defiant Agents


The Defiant Agents
Andre Norton
222 pages
published in 1962

The danger with relying on Project Gutenberg for your reading is that you end up missing things, like in this case, where the first novel in a series, The Time Traders was available, but the sequel wasn’t and I only noticed once I had started to read this, the third in the series. Luckily the first chapter is all setup and infodumping, explaining how in Galactic Derelict time travel led to the discovery of a fully functioning alien spaceship, from the same aliens as see in the first novel and that in turn led to a warehouse full of navigation tapes. Those tapes were divided by lot ver various countries, including Soviet Russia and of course with the Cold War raging between the West and the USSR, spying is rife. As The Defiant Agents opens, one Soviet plant has manages to get his hands on the navigation tape for one of the most promising planets the west has in its possession, which means a crash expedition has to be launched to colonise it before the Russians do.

That crash expedition becomes literal when it turns out the Soviets are already there and have hunter/killer satellites in orbit, shooting down the expedition’s spaceship. Thanks to a bit of luck and a bit of skill the ship, though damaged, still manages to crash land on Topaz in such a way that their enemies think they’re dead. With the crew dead, the colonists, now less than forty, all volunteers from an Apache tribe, have to build a new home on a world with not just hostile nature to contend with, but also hostile humans as the Soviets who have poached the planet are still there. And it’s up to Travis Fox, once Time Travel Agent, to guide his people.

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Judgement on Janus — Andre Norton

Cover of Judgement on Janus


Judgement on Janus
Andre Norton
188 pages
published in 1963

It’s a miracle: I actually managed to start an Andre Norton series in the right order: Judgement on Janus is the first of a duology, together with Victory on Janus. Another minor miracle is the fact that my copy lasted long enough for me to read it as the cover was flaking off something fierce. Normally Ace paperbacks hold up better. This is actually one of the first Norton novels I’d bought, years ago, but had never read so far.

Naill Renfro is a young man who, caught up in the slums of the Dipple, sells himself as indentured labour (just like Charis Nordholm) in order to have enough money to give his mother a dignified death. He ends up on the planet Janus, where dour religious fanatics fight a never ending battle against the primeval forests covering the planet. These forests they consider a source of evil, as they do many things, especially the alien relics or treasures occassionally found. These are supposed to be reported and destroyed immediately. Those who don’t report it and try to keep them for themselves are punished by god with the green sick and left in the forest to die. Three guesses what happens to Naill.

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Exiles of the Stars — Andre Norton

Cover of Exiles of the Stars


Exiles of the Stars
Andre Norton
249 pages
published in 1971

It was clear from the first page that Exiles to the Stars was a sequel and a quick trip to Librarything confirmed that this was a sequel to Moon of Three Rings, which I’ve never read. It’s neither the first nor likely the last time I’ll read a sequel before the original novel and in Norts on’s case, since she wrote before the rise of the epic fantasy series, her novels always tell complete stories, with anything you need to know from earlier books neatly explained. In Exiles of the Stars the things that need explaining are the protagonists, Krip Vorlund and his companion Maelen. Both are not what they seem. Krip outwardly looks like a Thassa, a humanoid alien race, but his midn is human, having taken over the thassa body when his original was destroyed. The same thing happened to Maelen, now inhabiting the form of a glasssa, a small four footed hunting animal where she once had been a woman and priestess on a planet where the priesthood was adept at body switching. All this of course the result of the action from the previous novel.

Their prediciment shows up the important role psi powers and mind control play in Norton’s space opera, as it does here. Many of her heroes either encounter ESP or discover their own talents during their adventures. It can feel a bit old fashioned, on a par with the navigation tapes used to steer the spaceships. But in this case it also shows how large and strange Norton’s universe is, where her heroes are lucky to survive, let alone thriumph. Occasionally in the wrong body.

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The Zero Stone — Andre Norton

Cover of The Zero Stone


The Zero Stone
Andre Norton
221 pages
published in 1968

You can’t accuse Andre Norton from starting her stories slowly. When The Zero Stone opens, its protagonist, Murdoc Jern is fleeing through a primitive town on an alien planet, barely one step ahead of a mob of religious fanatics wanting to kill him. They already killed his boss when the priests of a local cult indicated the both of them for their next ritual victims, but Murdoc managed to escape. He finally manages to reach the dubious safety of a free trader ship, where his only friend is the ship’s cat, but when it falls pregnant after ingesting a strange stone on the traders’ first stopover and he himself falls ill of a strange plague once the cat gives birth, he learns not only that the trader’s crew plan to abandon him on an airless moon, but also that they had been hired to kidnap him. Luckily for him, the cat’s mutant offspring turns out to be a mysterious and powerful alien intelligence who calls himself Eet and who sets out to save Murdoc from his predicament.

The reason for Murdoc’s continuing bad luck turns out to be the old memento that was the only thing he’d taken from his adopted father’s home, who had been not just a gem trader but also a retired crime Guild boss. This memento is a ring too large to be worn and containing a dull, lifeless stone; it was found on a corpse drifting in space but Murdoc’s father could never find out anything more about it, which is why he called it the zero stone. As you’d expect in a story like this, his son has more success in finding out at least some of the story behind the stone, if only by being dragged behind it in a series of increasingly desparate escapes from danger, aided and abetted by his alien companion.

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Voodoo Planet — Andre Norton

Cover of Voodoo Planet


Voodoo Planet
Andre Norton
192 pages
published in 1956

Genre science fiction got its start in the pulp magazines of the twenties and thirties and many of its early writers were just pulp authors writing the same old stories they’d always written, just with some sf flavourings. So instead of the brave sheriff depending on his horse and trusty six gun to fight off the bandits out in the Oklahoma badlands, you got the brave space marshall depending on his trusty rocket and raygun to take out the bandits hiding out in the Martian badlands. It’s this what fans meant when they talked about space opera, before that got co-opted for something more respectable, crappy fake science fiction stories that might just as well have been westerns. As the field matured and new writers moved in actually interested in science fiction as a genre, these stories quickly disappeared.

Or did they?