You don’t terraform a thriving ecology.

Vice’s Motherboard just launched its own short sf stories subsite and went a bit overboard in its enthusiasm:

There are ​tons of ​great ​publishers of science fiction online—but still, it’s strange that there isn’t more fiction commingling with the newsy posts and personality quizzes and status updates tumbling down our feeds. We encourage the dissemination of information and storytelling in every conceivable way, be it listicles, data visualizations, video collages, tweetstorms, whatever. But when was the last time you saw a link to a short story shared on Facebook? The internet, it seems, doesn’t know what to do with the stuff.

A strange claim to make in a world with Tor.com, Strange Horizons, Apex, Lightspeed, Uncanny etc. undsoweiter. We’re actually living in a new golden age of short science fiction, after decades of decline. Once again, we get new writers breaking through on the strength of their short fiction, rather than as novelists, something that had been rare in the past two decades. So why pretend that you’re the first ones doing it?

Especially as this project seems aimed at an audience not familiar with existing sf venues, lying about them is well dodgy. Be enthusiastic, big up your project by any means, but don’t diss the competition.

Ethan of Athos — Lois McMaster Bujold

Cover of Ethan of Athos


Ethan of Athos
Lois McMaster Bujold
237 pages
published in 1986

Ethan of Athos is the third published book in Bujold’s Vorkosigan series and the third published in 1986. Whereas Shards of Honor told the story of how Miles Vorkosigan’s parents met and The Warrior’s Apprentice showed his first adventure, this is a spinoff not featuring any of the main characters in the series. In fact, at first it barely seems to take place in the same universe.

It all starts on the all male planet of Athos (named after the all-male Greek monastry on mount Athos, natch) where Ethan’s greatest worry is how to take his relationship a stage further and get his boyfriend to be more responsible. His dayjob is as a obstetrician. On a planet full of men natural child birth is of course impossible so uterine replicators using female gene cultures taken along by the original colonists are used instead. Recently these cultures have started to deteriorate however, showing their age and new cultures have been ordered from Jackson’s Whole. Unfortunately, once they show up, these turn out to be unusable thrash. Despite their desire to remain cut off from the rest of the Galaxy, the people of Athos have no choice but to send somebody out into the darkness, somebody pure who can handle the temptations of women, somebody like, well, Ethan.

Ethan is very much an innocent abroad, who course immediately stumbles into a conspiracy surrounding the lost cultures, as he’s kidnapped by Cetegandian agents, the dominant military power, who think he’s some sort of intelligence agent. They’re looking for a Terrance Cee, who turns out to be one of their escaped genetic experiments, a limited telepath who had used the shipment of tissue cultures to Athos to smuggle out the genes of his murdered female counterpart.

He’s in over his head, but luckily he stumbled into Elli Quinn, of the Dendarii Free Mercenary Fleet, taking a recuperative holiday after the events of The Warrior’s Apprentice. She’s actually in the employ of the Jackson’s Whole House responsible for the shipment of gene tissues to Athos, to keep an eye on the Cetegandians and find out what their interest in it is. Ethan, Terrance and Elli have to reluctantly team up to defeat their enemies, despite Ethan’s severe misgivings about women as the source of all evil.

As per usual with Bujold the plot and story is compelling enough that it’s hard to miss the serious world building underneath. Ethan’s consciousness raising with regards to the true nature of women is obvious enough, but the society of Athos itself deserves more attention. The planet without men is a hoary old sf cliche, but planets without women are rare if non-existent. Athos was founded as a refuge for what its founders thought were a persecuted minority, ridiculous as that sounds. It still has that siege mentality in its dealings with the wider galaxy and frex the access to galactic literature, but the society itself is refreshingly normal. Athos is a planet full of homosexual men, where heterosexuality is not just rare, but impossible. This is a single gender planet that’s not a monstrosity or missing something.

It also shows how early in her writing Bujold has been writing about what you might call traditional female concerns, dressed up in mil-sf adventure romps. The whole story is arguably driven by Ethan (and by extension, Athos) need to start a family. He starts in a traditionally female, nurturing role and doesn’t transform into an action hero but returns happily to his chosen career. Bujold presents all this matter of factly; she has that knack of slipping these sort of outrageous ideas if you think about them for a moment quietly past the reader.

It’s fun to see how different and yet recognisable by the same writer each of the three novels Bujold got published in 1986 were and how ambitious in retrospect she already was. Ethan of Athos, though usually seen as a minor novel in the Vorkosigan series, really is as ambitious and interesting as any of them.

Uncanny magazine

Uncanny is a new science fiction/fantasy magazine that’s just launched their first issue:

Featuring new fiction by Maria Dahvana Headley, Kat Howard, Max Gladstone, Amelia Beamer, Ken Liu, and Christopher Barzak, classic fiction by Jay Lake, essays by Sarah Kuhn, Tansy Rayner Roberts, Christopher J Garcia, plus a Worldcon Roundtable featuring Emma England, Michael Lee, Helen Montgomery, Steven H Silver, and Pablo Vazquez, poetry by Neil Gaiman, Amal El-Mohtar, and Sonya Taaffe, interviews with Maria Dahvana Headley, Deborah Stanish, Beth Meacham on Jay Lake, and Christopher Barzak, and a cover by Galen Dara.

Looks good and it’ll be available for free online as well for those with less money to spent on sf magazines. These can be a real crapshoot in terms of overall quality and of course a launch issue will be putting its best foot forward, so it depends on whether you trust the people behind it. At the very least, they do pay their writers.

We do seem to be a new golden age for short science fiction, with a great many interesting and strong online magazines already existing. It’ll be hard for Uncanny to find its place amongst them, but I wish them the best.

Schitterende Wereld — Mel Hartman

Cover of Schitterende Wereld


Schitterende Wereld
Mel Hartman
262 pages
published in 2013

Mel Hartman is a Flemish writer of mostly fantasy, whose series Fantasiejagers has been relatively popular in the Low Countries. Because I haven’t been paying attention to Dutch language science fiction or fantasy I don’t know her, but the cover of Schitterende Wereld caught my attention in the library, so I picked it up, browse through the introduction and was intrigued enough to take it home.

Because it turned out Schitterende Wereld (beautiful world or wonderful world) was a homage to the classic science documentary series Een Schitterend Ongeluk (A Beautiful Accident), in which six very different world class scientists got to talk about life, the universe and well, everything. Apparantly Hartman was quite taken by the documentary and accompanying book and it inspired herto write 12 stories based on the work of these six scientists: Rupert Sheldrake, Oliver Sacks, Stephen Toulmin, Freeman Dyson, Daniel C. Dennett and Stephen Jay Gould. That seemed interesting enough to take a punt on, especially since I quite liked that documentary series myself.

Unfortunately this turned out to be a bit of a disappointment though. The stories were pedestrian, puzzle stories with mostly predictable twists and little of the influence of the featured scientists noticable. The characters strive towards two dimensions, the language used is workman like and after reading several of these stories in a row you really notice Hartman’s little tics. Her characters shrug a lot, often violently, as a way to show emotion and every story seemed to have at least one instance of this.

In general, it struck me how old fashioned these stories were. Most of them could’ve been published as minor stories in a fifties Analog or Galaxy. They’re entertaining, but no more than that, with one or two exceptions. It’s a shame, because Hartman certainly has the enthusiasm and will to start such an ambitious project, just failed in making it interesting.

  • Rupert Sheldrake
    • Herinneringen (Memories)
      The first story is also the best one in the book. Martijn suffers from epileptic attacks in which he’s thrown back in his memories as if he travels back in time. When he notices that he can actually influence his younger self’s decisions, he starts to meddle in his past…
    • Toekomstvisies (future visions)
      Anton is a very uncurious fellow with one very special gift: through morphonic resonance he’s able to pick up images of live on an alien planet. This gift is exploited by a company that uses his visions to create new and improved consumer goods, as well as more sinister applications. The twist here is revealed in the title.
  • Oliver Sacks
    • Achter de Muur (Behind the Wall)
      A man who suffers from a condition that means he can only see things that aren’t moving, notices that if he concentrates and looks long enough at a single spot he can see images from another world. He falls in love with a woman he sees there but when he realises her husband is attempting to have her murdered, there’s no way he can save her, or is there?
    • Achter de Spiegel (Behind the Mirror)
      A blind woman suddenly sees a strange woman in her home. Is she a hallucination caused by optical nerves being understimulated, or something more? And does she have to chose between her and her husband?
  • Stephen Toulmin
    • Pas op wat je Wenst (Be careful what you wish for)
      A woman dies in a car crash and lands in Heaven with knowledge she shouldn’t have, then is caught in a bureaucratic nightmare as Heaven tries to make good its error.
    • De Man die nog Tien Vingers te Leven Had (The Man Who Still Had Ten Fingers to Live)
      In future where everybody’s chipped and beggars no longer exists, one of the last remaining beggars has a fool proof way to keep himself alive without being caught in the mazes of a perfect system of control…
  • Freeman Dyson
    • Cyclus van een Persoonlijkheid (Cycle of Consciousness)
      The other stand out story of the collection. With Lifeshift ™ technology, your personality can be detached from your memories and sold on to others, as you try on a personality more suited to your lifestyle. Of course, there’s always room for unscrupulous people to take advantage of the system…
    • Cyclus van het Leven (Cycle of Life)
      An expedition to plant life on a distant planet to enable the survival of humanity, comes to a horrifying discovery when investigating it: they’re not the first there. Barely readable because of the obnoxious protagonist and hoary cliches of the “and then they discovered this strange planet was actually our own Earth” ending.
  • Daniel C. Dennett
    • Mechanisch Bewustzijn (Mechanical Consciousness)
      A singleminded robot guarding the cryochamber of a frozen millionaire throwing himself into the future in search of a cure for his cancer, starts developing faults in its programming.
    • Zonder Bewustzijn (Without Consciousness)
      Slowly, without fuzz, all means of communication disappeared, newest to oldest…
  • Stephen Jay Gould
    • Op Zoek Naar het Einde van het Heelal (In Search of the End of the Universe)
      A ranting astronaut slowly going insane in search of the physical end of the universe. The worst story in the collection.
    • Het Einde van de Beschaving (The End of Civilisation)
      Deeply cynical story about a woman who has herself cryogenically frozen so she can see the future and ends up long after humanity has died out and cockroaches have become intelligent..

The Defiant Agents — Andre Norton

Cover of The Defiant Agents


The Defiant Agents
Andre Norton
222 pages
published in 1962

The danger with relying on Project Gutenberg for your reading is that you end up missing things, like in this case, where the first novel in a series, The Time Traders was available, but the sequel wasn’t and I only noticed once I had started to read this, the third in the series. Luckily the first chapter is all setup and infodumping, explaining how in Galactic Derelict time travel led to the discovery of a fully functioning alien spaceship, from the same aliens as see in the first novel and that in turn led to a warehouse full of navigation tapes. Those tapes were divided by lot ver various countries, including Soviet Russia and of course with the Cold War raging between the West and the USSR, spying is rife. As The Defiant Agents opens, one Soviet plant has manages to get his hands on the navigation tape for one of the most promising planets the west has in its possession, which means a crash expedition has to be launched to colonise it before the Russians do.

That crash expedition becomes literal when it turns out the Soviets are already there and have hunter/killer satellites in orbit, shooting down the expedition’s spaceship. Thanks to a bit of luck and a bit of skill the ship, though damaged, still manages to crash land on Topaz in such a way that their enemies think they’re dead. With the crew dead, the colonists, now less than forty, all volunteers from an Apache tribe, have to build a new home on a world with not just hostile nature to contend with, but also hostile humans as the Soviets who have poached the planet are still there. And it’s up to Travis Fox, once Time Travel Agent, to guide his people.

The reason why Apaches were chosen as colonists is because they, like the other groups of volunteers, had “a high survival rating in the past” and they were suited to the climate of Topaz; the other groups mentioned being “Eskimos from Point Barren” (sic) and Islanders. As with so much Golden Age science fiction, you never quite get the feeling the planet much more than stage dressing, certainly not an idea that planets are huge and don’t really have a uniform climate as such.

As Fox explores Topaz and the Apaches get settled, he runs into the Soviet colonists, which turns out to be Mongols who unlike the Apaches are held prisoner through the use of mind control machines. Like the Apaches, those Mongols had been subjected to Redax training, which leads them to live the lives of their ancestors while crossing space from Earth to Topaz, leaving most confused about which life is real, that of the Russia they barely remember or that of the Golden Horde. In either case, their will to escape the Soviet mindcontrol is great and it’s one such escapee, Kaydessa, that Fox runs into as she tries to flee into the mountains that would shield her from the mind control rays. Through a series of adventures Fox’s Apaches and Kaydessa’s Mongols of the Golden Horde team and overthrow the Soviet dictators and set out to lead a new and free life on an alien planet.

So yeah, there’s no denying that The Defiant Agents, like the whole Time Traders series is a product of its time, of the fifties-early sixties Cold War period. The Russian baddies are pure evil with no redeeming features and there’s that consistent paranoia about their technical abilities, far beyond those of the American heroes, who have to counter with pluck and moxie. Not surprising as this was written in the shadow of Sputnik, when the Soviet mastery of the space race seemed to prove the superiority of their system. Reading from a post-Cold War point of view this seems naive, but of course we know a lot more about the realities of Soviet Russia than could’ve been known to Norton at the time.

Far more importantly is that this is a novel where, save for the talking heads in chapter one, all the major characters are people of colour, either native Americans or Mongols, with only the Russian baddies being white and those mainly exists as obstacles. Even now this is rare in science fiction, let alone in 1962. Robert Heinlein has gotten a lot of credit over the years by making Rico out of Starship Troopers Philipino as well as hinting that Rod out of Tunnel in the Sky is black, but he never wrote a novel as upfront about having characters of colour as this one.

Mind you, the portrayal of the Apaches and Mongols both, while clearly intended to be respectful, is probably somewhat on the cliched side. I’m not too familiar with Apache culture but it reminded me here of the better sort of western movie.

One recurring Norton theme, that of the bond between telepathic animal and human, is also present here, with Fox having a telepathic bond with a pair of coyotes specially bred for this. Interestingly, Norton explains their powers by making them the descendants of coyotes living in White Sands, which is of course where the US had its first atomic tests…