science fiction Archives - Page 35 of 44

Old Twentieth – Joe Haldeman

Published on October 25, 2009

Cover of Old Twentieth

Old Twentieth
Joe Haldeman
272 pages
published in 2005

If there is such a thing as a baby boomer generation of science fiction writers, Joe Haldeman is the type specimen of them. Born in 1943 he was just old enough to be drafted at the height of the War on Vietnam after finishing college, got wounded in action and wrote his first book as a straight up retelling of his war experiences. His most famous novel is of course The Forever War (1975), which is often read as an allegory of the war and its impact on the people who fought it, a not completely unjustified view. Since then, the Vietnam war has cropped up again and again in his books as well as a more general grounding in sixties pop culture, often coupled with an encroaching sense of his own mortality as he has gotten older and obsession with the promise of evading death by becoming immortal (as e.g. The Long Habit of Living). This isn’t unique to the baby boomers of course, but this was the generation that promised themselved they’d stay young forever and then found out even they weren’t immune to entropy…

The Old Twentieth is a showcase for all these themes. It is not a good novel, if entertaining enough to finish. It’s not a good novel not just because the plot is dull, the resolution is trite, the characters are barely twodimensional and the setting is uninteresting, but because there just seems to be no point to this novel. It’s just 272 pages of not very interesting things happening, before they come to an unsatisfying conclusion and no clue as to why this story needed to be told. It reads reasonably enough on a sentence and paragraph level, but the overall story is so thin that Haldeman’s obsessions shine through it, bringing them to the foreground.

The Real-Time World – Christopher Priest

Published on September 20, 2009

Cover of Real-Time World

Real-Time World
Christopher Priest
158 pages
published in 1974

After finishing Camp Concentration I was in the mood for some New Wave science fiction and since I’d just bought this Christopher Priest collection of short stories this was as good a choice as any to read. Most of this I actually read while at the gym, on the treadmill — short stories being ideal, quickly enough read in a forty minute session and not requiring too much sustained concentration like a novel would. Some of the stories in Real-Time World I’d read before, in Dutch translation, some were new to me. All but one of the stories were published between 1970 and 1974, perhaps the height of the New Wave, and all are very much of their time. As a writer Christopher Priest has always seemed more comfortable to me at novel length than at shorter lengths, which is also notable here.

The reason why I wanted to read these stories was because I knew how seventies they were, but as often when confronted with the reality of what I was looking for, I was disappointed with it. None of the stories were entirely satisfactory and although each was competently written, they were written to formula. You could see they were written to achieve a specific effect and how Priest achieves that effect and as a result most of the effect is lost. The first story for example, “The Head and the Hand”, about automutilation as a form of performance art, with some graphic scenes including a final auto-guillotining which may have been shocking when first published, but certainly aren’t now and without this shock effect the story falls apart.

The Grain Kings – Keith Roberts

Published on August 16, 2009

Cover of The Grain Kings

The Grain Kings
Keith Roberts
208 pages
published in 1976

Nothing says seventies science fiction as much as a Fossian cover like this, slapped by Panther and Pan on every book they published regardless of contents. Big, blocky machinery, preferably some sort of spaceship, with brigh colours and no human figures: that’s science fiction and you don’t need anything more. For once, the cover is even justified, showing one of the huge grain combine harvesters from the title story of this collection. Course, you’ll still be disappointed if you get this expecting the sort of cool, clinical, techno-driven stories the cover suggests; Keith Roberts isn’t that kind of writer.

Keith Roberts debuted as a writer in 1964 in New Worlds, involved with, but not a part of, the New Wave. Partially this was due to his personality as he allegedly was quite a difficult character to work with, getting into fights with his editors and publishers. But it was also because he was less interested in the two main obsessions of the New Wave, death & entropy and sex & taboos. Nevertheless if you like Brian Aldiss or Christoper Priest changes are you’ll like Roberts as well. Roberts was more than just a writer; during the sixties he worked both as an editor for the British magazine Science Fantasy/SF Impulse, as well as its artistic director, designing most of the covers for it, as well as for several issues of New Worlds. A shame he didn’t get the chance to design the cover of this book, as the impressionist look he used in his own designs would’ve been much more suited for it. Keith Roberts has always been somewhat of a cult author, best known for his second novel Pavane, a classic alternative history story and one out of two of his books still in print today (the other one is The Furies).

The Best of Murray Leinster

Published on June 28, 2009

Cover of The Best of Murray Leinster

The Best of Murray Leinster
Murray Leinster
368 pages
published in 1978

Yesterday was Murray Leinster day in Virginia set up to honour one of science fiction’s pioneer writers. Murray Leinster started writing science fiction before it even existed as a genre, 1919 with the story “The Runaway Skyscraper” for pulp magazines like Argosy. When Hugo Gernsback created the world’s first dedicated science fiction magazine, Amazing Stories in 1926, Leinster was there, with “The Runaway Skyscraper” reprinted in the July issue. Leinster continued to write science fiction through the Campbell revolution of the late thirties and forties, when the higher writing standards Campbell demanded were too much for many pulp writers and kept being published throughout the fifties and sixties. Though he wrote in other genres, science fiction always seemed to be his first love and several of his stories were first: the first story to predict the internet, the first alternate worlds story, one of the classic stories of first contact.

All of which is why I read this, The Best of Murray Leinster, as a short of honour, a way to remember one of science fiction’s pioneers. This is one of a series of absolutely brilliant short story collections put out by Ballentine/Del Rey in the seventies, collecting the best stories of the socalled Golden Age science fiction writers: people like Isaac Asimov, Frederik Pohl, C.L. Moore, Leigh Brackett and Murray Leinster. Though long out of print as far as I known, this series can still be easily found in secondhand bookstores and is well worth searching out. As far as possible the collections were selected by the authors themselves, but sadly Leinster had already died by the time this collection was published. Instead it was edited by J. J. Pierce, who did quite a few of these. It’s a great selection, including the three stories I alluded to above.

The Gone-Away World – Nick Harkaway

Published on June 24, 2009

Cover of The Gone-Away World

The Gone-Away World
Nick Harkaway
532 pages
published in 2008

Whoa.

Now I understand why The Gone-Away World was one of last year’s most discussed science fiction books. I’d noticed the fuzz but not gotten my hands on a copy until yesterday when I checked it out of the library for beach reading, but once I got it home it gripped me and didn’t let me go until I’d finished it late at night after everybody else had gone to bed. Books like that are rare and you always finish them with a hint of regret that a pleasurable journey is over. And The Gone-Away World is very much a journey type of book, with plenty of amusing diversions along the way asnd in no hurry to reach its destination.

In fact, most of The Gone-Away World after the first chapter is a hugely extended flashback, only catching up to the present three fifths of the way through the story. Some may find this annoying enough to argue that the book would’ve been better off without that teaser. Personally I disagree, I think this structure was necessary. The “teaser” is there to get you interested in the world Harkaway has created, while the extended flashback explains both the personal history of the narrator and the world he lives in and how it came to be. When you rejoin the action after the flashback this added and detailed history gives added weight and poignancy to what happens next. It wouldn’t have worked if it had been in strict chronological order.