science fiction Archives - Page 41 of 44

Slaughterhouse-Five – Kurt Vonnegut

Published on March 17, 2008

Cover of Slaughterhouse-Five

Slaughterhouse-Five
Kurt Vonnegut
215 pages
published in 1969

Back in the days when I read every book in the local library which had that little squiggle on it that meant it was science fiction, I read and reread a hell of a lot of Vonnegut. Books like Breakfast for Champions,God Bless You, Mr. Rosewater, Slapstick and of course Slaughterhouse-Five. At the time I read them without any consideration of their literary status, but simply because Vonnegut was a science fiction author and I read science fiction, even if much of the Vonnegut novels I read weren’t quite science fiction. I liked them for their cynical black humour and inventive, seemingly slapdash plots.

Rereading Slaughterhouse-Five some twenty years later it’s easy to see why it made such an impression as a work of literature and why it’s so popular with generations of English students. It’s chock full of the sort of symbolism that makes it an easy book to dissect in a student essay. However, that also makes it hard to write about now, almost forty years after its first publication, because so much has been written about it already. I don’t want to write a review that comes over as yet another student paper.

Ammonite – Nicola Griffith

Published on March 8, 2008

Cover of Ammonite

Ammonite
Nicola Griffith
386 pages
published in 1993

Nicola Griffith is a writer I’ve heard a great deal of but so far had never read anything by. Ammonite was her first novel and immediately made a strong impression on publication, winning both the James Tiptree Award and the Lambda Award. As these awards confirm, Ammonite is a classic feminist science fiction novel, straight in the tradition of writers like Ursula Le Guin (Left Hand of Darkness), Joanna Russ (The Female Man) and Sheri Tepper (The Gate to Women’s Country).

The world created in Ammonite is also a classic feminist science fiction trope: that of a world without men. In this case, it’s the colony world of Jeep where an alien virus killed off all men and a large percentage of women, leaving the survivors to rebuilt their societies on a one gender basis. How they’ve managed to do so is the central mystery of Ammonite, which is partially a puzzle story and partially a leisurely planetary romance as our protagonist, anthropologist Marghe Taishan, travels the planet in search of answers. Marghe is working for SEC, the government agency that was set up to safeguard the interests of indigenes of rediscovered colony worlds like Jeep from exploitation by the Company, which has a monopoly on space exploration and which whom Marghe has some unpleasant history…

The Big Time – Fritz Leiber

Published on January 28, 2008

Cover of The Big Time

The Big Time
Fritz Leiber
127 pages
published in 1961

Rereading Asimov’s The End of Eternity remonded me of another time wars novel, a far more cynical and modern one: Fritz Leiber’s The Big Time. And since I had never read a Leiber novel during all the time I’ve kept my booklog, I thought it was time to start. I had read this novel before, first in Dutch, then in English and been impressed by it. Nor was I the only one: in its original, magazine publication in 1958 it so impressed the fans that it won a Hugo Award, which is high praise indeed.

The Big Time is a somewhat unconventional science fiction novel, in that it’s staged as a one room play, with the stage fixed while characters move on and off it. Which means that all the action that doesn’t happen in the room has to be described in dialogue between the characters, which of course has a distancing effect. For a genre which often takes pride in creating awe inspiring, inventive and strange settings and then making them believable to the reader, this is an audacious trick. Leiber takes this huge idea of a time war, in which history is in constant flux and which spans billions and billions of years throughout the universe and only shows us glimpses of it. You wouldn’t think it would work, but it did.

The Execution Channel – Ken MacLeod

Published on January 23, 2008

Cover of The Execution Channel

The Execution Channel
Ken MacLeod
307 pages
published in 2007

The Execution Channel is MacLeod’s newest science fiction novel and a return to the sort of book he made his name with, after several more traditional sf novels: intensily political, near future novels in settings that seems to flow logically from our own times and as a reaction to contemporary political developments. In science fiction the urge to respond to current events often results in shallow, cliched tripe, but that’s never the case with Macleod, largely because he’s a better writer than that, but also because he doesn’t as much respond to a single event as to the general direction politics is taken. In his Fall Revolution novels he was partially responding to the accelerating pace of globalisation and the role of the US as a caretaker superpower, here it’s the War on Terror and the emergence of the hypersecurity state and the increasing brutalisation of our societies as a result of this, made visible by the concept of the execution channel. Which is exactly what it sounds like, a tv channel dedicated to showing state sanctioned killings.

MacLeod has been at his best so far when he’s writing near-future science fiction and The Execution Channel is about as near-future as you can get, set perhaps ten years from now, perhaps only five. It’s a future in which all the fears we’ve had and still have about the War on Terror have become true: American and British troops not just in Iraq and Afghanistan anymore, but all over the Middle East, while in Britain itself the security state has taken over, terrorism is rampant and this in turn has led to pogroms against Muslims. And then a military airfield, RAF Leuchars, is hit by what looks like a nuclear attack. From there on things get worse.

The End of Eternity – Isaac Asimov

Published on January 20, 2008

Cover of The End of Eternity

The End of Eternity
Isaac Asimov
192 pages
published in 1955

So it turns out that in the more than seven years now that I’ve kept this booklog, I had not read any Asimov novel at all. Which is somewhat strange, as it was for a large part due to discovering Asimov in my local library’s youth section that I became a science fiction fan. I, Robot for example may very well have been the first proper science fiction book I ever read. For a long time Asimov was
in fact the gold standard against which I measured every new science fiction writer I came across. If they weren’t at least half as entertaining or interesting I wouldn’t bother with them. Of his many novels and stories it was this, The End of Eternity that was my favourite, one of the first science fiction books I bought for myself and the first to introduce me to the idea of time travel as more than an excuse to visit scenic parts of the past. Rereading it, the question was whether it would be as good as I remembered it to be. So many novels first read as a child disappoint when you reread them; fortunately this didn’t. In fact, it read almost exactly as I expected it to be.

The central idea in The End of Eternity is the existence of Eternity, an organisation that monitors and safeguards all of humanity’s history from the first invention of the secret of time travel. Most people outside of Eternity think the organisation only exists to facilitate trade between various centuries and perhaps in some vague way protect them from the unspecified dangers of time travel. What they don’t realise is that Eternity in fact exists outside of time, from which realm it can not just study and monitor time, but alter reality to make sure that humanity is kept on an ever increasing path to perfection. A whole organisation of Computers, the people who calculate these reality changes, Technicians, who execute them and various other specialists all work together to this goal, over a span of time that is literally millions of years long. Power is provided by tapping into Nova Sol, the Sun as it goes nova at the end of its lifecycle. An incredibly neat idea, not quite original to Asimov, but as I said the first time I encountered it was here.