Mundane beauty — Mou Ippon!

One overlooked strength of anime is how it can make the mundane beautiful, how it can set a scene or mood by just a serious of establishing shots and the right music:

Yes, this could be done in live action as well, but it could never be as beautiful.

It sets the stage for the story Mou Ippon! wants to tell perfectly. We start with the sun high in the sky, a hot Summer’s day, the noise of cicadas in the background reinforcing it. Pan down to your typical anime high school, slowly focusing on a cicada on a tree. A loud thud scares it and it flies off. The thuds repeat as we come to the martial arts dojo. Coming inside we still don’t know what’s causing the thuds as the camera focuses on the details of the hall: the half open blinds, a fan, a water bottle, the tatami mats covering the floor. Then, a hand pushes off the mats and we zoom out to see a girl in judo gear doing rolling exercises, causing the sound that lured us here. When she finishes them, we get our first look at her face and follow her line of sight to the doors, where her three friends just came in. The scene continues for a while, showing how comfortable and content the four are practising with each other. Three of them spar for a while, while the fourth does stretches; she’s slightly different from the others. It ends with them in a circle on the tatami mats, hot, sweaty but happy. Then cue title drop and the actual start of the story.

The four main characters lying in a circle on the tatami mats in judo and sports gear

It all starts with Michi, the girl practising on her own, and Sanae going to her final judo competition in middle school. They’re the last two left of their school’s judo club and have little hope of making it far. And indeed, after Sanae is eliminated so is Michi, when her opponent gets her in a headlock and she loses consciousness. To make matters worse somebody videoed it and put it on social media. Michi isn’t too heartbroken as she wants to quit judo anyways in high school. When they do get into high school some time later, their other friend Anna tries to convince Michi to join the kendo team. She lures the both of them to the dojo where they stumble upon the same girl who defeated Michi holding off the entire kendo team while trying to lay out the tatami mats needed for judo. Turns out the judo club no longer has members so the kendo team will take over the entire hall. Towa counters that they only need three members to revive the club and then starts fighting with Anna over Michi. Then, through some clever foot work by Sanae, Michi gets in a judo grapple with Towa and defeats her with an ippon. End result: they’ll join the judo club.

Towa and Anna in a literal tug of war using Michi as rope

If you watch this and notice a little bit of a lesbian tone to the proceedings, you’re not wrong. It’s clear that Sanae only started judo to be with Michi, while Anna is as obviously infatuated with her sporting prowess — and maybe more — as well. Even Towa seems to be strangely attracted to her, stalking her as she left that judo competition trying to get her attention, but failing to do so through Anna turning up at the wrong moment. And then she engages in a literal tug of war about her with Anna, which couldn’t be more obvious. Now all of this may just be simple friendship but I’d like it to be a bit more if possible. In any case this already looks a really fun series. The fights so far have been excellent, selling the physicality of the sport really well. This looks to be more of a series about the camaraderie of doing a sport together than about winning the Interhigh, which I can only approve of.

Did you know there’s more to animation than Disney or anime?

Uzbudljiva ljubavna priča is an exciting love story of a man desperately searching for his lover, cleverly exploiting the limitations of the frames he’s animated in:

This and much more can be found at the Youtube channel Zagreb Film: The Art of Animation dedicated to showcasing the lost treasures of Yugoslavian animation, specifically the Zagreb School of Animation. As Animation Obsessive puts it:

Let’s back up. If you’re not familiar with the Zagreb School, it was a movement that remade this medium. Inspired by UPA, it built cartoons that were radically new and different. It started during the ‘50s in Yugoslavia, a communist country that no longer exists. Quickly, the influence of this animation spread across the globe.
[…]
Basically, this stuff follows its own rules. It’s weird. It’s dogmatically anti-Disney. It often features stories never previously tackled in animation. The films don’t look normal, and they don’t even sound normal — as Vukotić once said, animation that doesn’t imitate real motion requires abstract sounds that “do not imitate real noise.”

In short, this is a tradition of animation inspired by post-war US animation’s turn towards the stylistic as opposed to the kinetic styles of Disney, Loony Tunes etc. Less emphasis on movement and making it smooth, more limited animation and design. The poster child for this new style of cartoon making in America was Gerald McBoing-Boing. These Yugoslavian animators went further, more experimental. And one of the things often cut out was dialogue. The cartoon above has no dialogue, except for the protagonist shouting his lovers name and she occasionally answering with his. This is a cartoon where the humour and appeal is almost entirely visual. Which, coincidently, also makes it a lot easier to sell abroad. If you’re interested in animation, the art of it and its history, this is a great channel to check out. Not just the former Yugoslavia, but much of Eastern Europe has a rich animation tradition that would be great to be made available again in the same way; this is a great start.

Duelists? Brides? This sound familiar

A new girl enters a prestige school and is forced into a duel over a girl she just met against the most elite duelist in the school. Revolutionary Girl Utena? No, it’s the new gundam series: Gundam – The Witch from Mercury but as this video shows it certainly has taken a long, good look at Utena

There are worse series to be influenced by to be honest and the first new Gundam television series in almost a decade deserves to be special. It’s not enough to just have the first female protagonist in a Gundam series, but making her get a fiancee by stumbling into a duel? Chef’s kiss.

It’s grim up north

This Arte documentary looks at the impact Brexit has had on cities like Grimsby and Hull, but in the process makes it very clear that Brexit was just the final nail in the coffin after decades of neglect and decay.

It’s easy to be judgmental about somebody like Darren Kenyon, the fisherman featured here. How could he have been so stupid as to believe the lies told about Brexit? How could he have voted to cut his own throat? It’s easy and tempting to do so because it absolves everybody else. Your own fault, you shouldn’t have been so stupid as to trust the Tories. You made your bed, now lie in it. But the reality is that Darren’s company was in trouble long before he voted for Brexit, one of the few fishing companies left in a town that once had thousands. Through decisions made and policies created beyond his control, Darren and thousands like him, not just fishers were left to struggle. No wonder they went for Brexit when it was explicitly sold to them as the one thing that could take away all those obstacles. Somebody like Darren, who started work at 13, not “very educational” as he puts it himself, but who managed to create a small, thriving business with his own hands yet sees it threatened by forces beyond his control, was primed to believe the promises Brexit and Boris Johnson made.

As such Darren and all the other Brexit voters like them are the least culpable for this disaster. Their fault was to trust the media and politicians who lied to them. Decades of tabloid lies about the EU and politicians blaming everything bad on it, but who steal the credit for the good it brought set the stage for the referendum. Then the media, from the BBC on down failed completely to educate and inform, at best just parroting what both sides said with few attempts to actually determine the truth. And even in those rare cases where this was attempted, it once again was reduced to “experts say X but these politicians disagree, we’ll let you figure it out”.

Worse, once Brexit was a reality and the only issue in question was how damaging it was going to be, the media and the political establishment did its upmost best to make it as damaging and hardcore as possible, while sinking any chance of an alternative. It was deemed more important to keep a mild social democrat out of Number 10 then it was to make sure the country wasn’t entirely fucked over. Time and again chances to get a soft Brexit were missed and the end result was the clown show that was the 2019 election, where Boris Johnson was shitefested over the finish line by an united press and political establishment determined to see off the threat of Corbynism. That three years later it has ended with hyperinflation, a crumbling economy and a health service on the edge of collapse is the price they would pay all over again if asked.

On the remain side there’s this annoying tendency to blame Brexit for all of the UK’s woes, but at best it’s a catalysor of already existing trends. Back in 2001 I was doing leafletting in the then elections for the Socialist Alliance in Plymouth and getting to see some of its estates was shocking. A level of poverty I’d never seen in the Netherlands. Again, reading between the lines in this documentary it’s clear that the poverty and misery in places like Grimsby and Hull aren’t recent either, but have been present for decades. This is why people voted for Brexit because it promised to change things and people were desparate enough to take that gamble. We shouldn’t blame them for it.