Edgy comedians

Because some dipshit Dutch comedian apparently had started whinging about how there’s no more edgy comedy because everybody’s getting CaNcElLeD, here’s that clip from James Acaster again:



What makes it even better is he’s doing it — accidentally or deliberately — decked out in the trans colours. He perfectly nails the attitude as well. The only thing missing from it is the self inflicted martyrdom.

That’s what annoys me the most, actually. “You cannot say anything anymore without being cancelled”, says the edgy comedian as he hosts his fifth comedy special on Netflix. People like Ricky Gervais, like Dave Chappelle want to do their lazy, racist, sexist, transphobic material and want to be praised for it. They want to be called brave but suffer no consequences for their ‘bravery’. Fearless speakers of truth, but the least criticism has them sobbing in the newspapers how unfair it all is.

For contrast, let’s look at a few relevant pages of Lenny Bruce’s Wikipedia page:

On October 4, 1961, Bruce was arrested for obscenity[45] at the Jazz Workshop in San Francisco, where he had used the word “cocksucker”, and said that “to is a preposition, come is a verb”; that the sexual context of ‘come’ was so common that it bore no weight; and that if someone hearing it became upset, he “probably can’t come”.[46] Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under obscenity charges.
[…]
On December 5, 1962, Bruce was arrested on stage at the Gate of Horn folk club in Chicago.[48] That year, he played at Peter Cook’s The Establishment club in London, and in April the next year he was barred from entering the United Kingdom by the Home Office as an “undesirable alien”.[49]

In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. He was arrested along with club owners Howard and Elly Solomon, who were arrested for allowing an obscene performance. On both occasions, Bruce was arrested after leaving the stage.[46]

A three-judge panel presided over his widely publicized six-month trial, prosecuted by Manhattan Assistant District Attorney Richard Kuh, with Ephraim London and Martin Garbus as the defense attorneys. Bruce and Howard Solomon were found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from—among other artists, writers and educators—Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans.[50] Bruce was sentenced on December 21, 1964, to four months in a workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon, the owner of the club where Lenny was arrested, later saw Bruce’s conviction overturned.[51]

Now there’s a real edgy comedian.

New PreCure looks promising

Not so much PreCure as ParCure, am I rite?

Last year’s PreCure was a bit of a disappointment for me, the first one since I started watching it seasonally that I did not finish. Neither the theme nor the characters interested me and honestly it was clear from episode one that it wasn’t one of the good PreCures. Not that I’m anywhere near the target audience of course. This year’s entry, Hirogaru Sky Precure, looks a lot more promisingly from the very start. Sora is badass even before she becomes a Precure as that parkour scene shows, not hesitating to put herself on the line for a stranger’s sake. Which means when the villain kidnaps the baby princess of Skyland just as she arrives at the capital, she immediately sets up in pursuit. The villain escapes with his hostage through a weird portal, Sora immediately follows him and rescues the baby, only to find herself, well, here:

A good PreCure series needs a good sense of humour as well being able to handle its action scenes and this was hilarious, a proper Loony Tunes moment. Sora is a great protagonist and her meet cute with Mashiro, literally dropping out of the sky on her, was great too. In most PreCure series Mashiro, the ‘normal’ girl, would be the protagonist, so having the outer worlder Sora be it instead will be interesting. Looking forward to seeing Sora and Mashiro interact in day to day life as well.

Mist

for those of y’all still claiming Germans don’t have a sense of humour, let me introduce you to Bernd das Brot:

An anthropomorphic loaf of bread with short, stumpy arms and a pessimistic, cynical personality, Bernd comes from a German children’s tv series and has become a bit of a mascot for KiKa, the channel this was broadcast on. KiKa is aimed at children and only broadcasts between 6:00 AM and 9:00 PM, which means there’s a lot of dead air. So they decided to fill this air time with short movies like the one above, in which Bernd is basically put through a series of psychological and existential torture in Der KiKa Lounge. His attitude with which he undergoes these trials is what makes it hilarious and this particular one had me especially giggling. It’s just all very…

(And for all the nerd mockery on display in this video, it’s in the end actually very respectable.)

So if you’re ever in a German speaking country and late at night you’re flicking channels and come across a boxy, stubby armed muppet undergoing strange tortures in a white room, you now know what it is and no, it’s not a hallucination brought on by too much bratwurst and dunkelbier.

Mundane beauty — Mou Ippon!

One overlooked strength of anime is how it can make the mundane beautiful, how it can set a scene or mood by just a serious of establishing shots and the right music:

Yes, this could be done in live action as well, but it could never be as beautiful.

It sets the stage for the story Mou Ippon! wants to tell perfectly. We start with the sun high in the sky, a hot Summer’s day, the noise of cicadas in the background reinforcing it. Pan down to your typical anime high school, slowly focusing on a cicada on a tree. A loud thud scares it and it flies off. The thuds repeat as we come to the martial arts dojo. Coming inside we still don’t know what’s causing the thuds as the camera focuses on the details of the hall: the half open blinds, a fan, a water bottle, the tatami mats covering the floor. Then, a hand pushes off the mats and we zoom out to see a girl in judo gear doing rolling exercises, causing the sound that lured us here. When she finishes them, we get our first look at her face and follow her line of sight to the doors, where her three friends just came in. The scene continues for a while, showing how comfortable and content the four are practising with each other. Three of them spar for a while, while the fourth does stretches; she’s slightly different from the others. It ends with them in a circle on the tatami mats, hot, sweaty but happy. Then cue title drop and the actual start of the story.

The four main characters lying in a circle on the tatami mats in judo and sports gear

It all starts with Michi, the girl practising on her own, and Sanae going to her final judo competition in middle school. They’re the last two left of their school’s judo club and have little hope of making it far. And indeed, after Sanae is eliminated so is Michi, when her opponent gets her in a headlock and she loses consciousness. To make matters worse somebody videoed it and put it on social media. Michi isn’t too heartbroken as she wants to quit judo anyways in high school. When they do get into high school some time later, their other friend Anna tries to convince Michi to join the kendo team. She lures the both of them to the dojo where they stumble upon the same girl who defeated Michi holding off the entire kendo team while trying to lay out the tatami mats needed for judo. Turns out the judo club no longer has members so the kendo team will take over the entire hall. Towa counters that they only need three members to revive the club and then starts fighting with Anna over Michi. Then, through some clever foot work by Sanae, Michi gets in a judo grapple with Towa and defeats her with an ippon. End result: they’ll join the judo club.

Towa and Anna in a literal tug of war using Michi as rope

If you watch this and notice a little bit of a lesbian tone to the proceedings, you’re not wrong. It’s clear that Sanae only started judo to be with Michi, while Anna is as obviously infatuated with her sporting prowess — and maybe more — as well. Even Towa seems to be strangely attracted to her, stalking her as she left that judo competition trying to get her attention, but failing to do so through Anna turning up at the wrong moment. And then she engages in a literal tug of war about her with Anna, which couldn’t be more obvious. Now all of this may just be simple friendship but I’d like it to be a bit more if possible. In any case this already looks a really fun series. The fights so far have been excellent, selling the physicality of the sport really well. This looks to be more of a series about the camaraderie of doing a sport together than about winning the Interhigh, which I can only approve of.

Did you know there’s more to animation than Disney or anime?

Uzbudljiva ljubavna priča is an exciting love story of a man desperately searching for his lover, cleverly exploiting the limitations of the frames he’s animated in:

This and much more can be found at the Youtube channel Zagreb Film: The Art of Animation dedicated to showcasing the lost treasures of Yugoslavian animation, specifically the Zagreb School of Animation. As Animation Obsessive puts it:

Let’s back up. If you’re not familiar with the Zagreb School, it was a movement that remade this medium. Inspired by UPA, it built cartoons that were radically new and different. It started during the ‘50s in Yugoslavia, a communist country that no longer exists. Quickly, the influence of this animation spread across the globe.
[…]
Basically, this stuff follows its own rules. It’s weird. It’s dogmatically anti-Disney. It often features stories never previously tackled in animation. The films don’t look normal, and they don’t even sound normal — as Vukotić once said, animation that doesn’t imitate real motion requires abstract sounds that “do not imitate real noise.”

In short, this is a tradition of animation inspired by post-war US animation’s turn towards the stylistic as opposed to the kinetic styles of Disney, Loony Tunes etc. Less emphasis on movement and making it smooth, more limited animation and design. The poster child for this new style of cartoon making in America was Gerald McBoing-Boing. These Yugoslavian animators went further, more experimental. And one of the things often cut out was dialogue. The cartoon above has no dialogue, except for the protagonist shouting his lovers name and she occasionally answering with his. This is a cartoon where the humour and appeal is almost entirely visual. Which, coincidently, also makes it a lot easier to sell abroad. If you’re interested in animation, the art of it and its history, this is a great channel to check out. Not just the former Yugoslavia, but much of Eastern Europe has a rich animation tradition that would be great to be made available again in the same way; this is a great start.