Your Happening World (December browser tab amnesty)

Here are some interesting articles cluttering up my browser tabs:

    Biopolitical Binaries (or How Not to Read the Chinese Protests) — The internalisation of this false binary in Western narratives risks resulting in misreading the Chinese protests by interpreting the protesters’ rejection of the authoritarian biopolitics of zero covid as a tacit demand for the necropolitics of the United States. At the same time, this type of binary thinking severely constrains our ability to comprehend the global lessons of the pandemic as we enter an age of collective crisis.
  • Victoria 3 Players Think Communism Is Too OP — Victoria 3 is a political simulation game that plays like accounting software. And currently, apparently even the game’s numbers agree with the so-called radical left that communism is the most economically efficient government system. Victoria 3 players have taken to the internet to complain that there aren’t any other ways of playing that are better than Marxism.
  • New dates suggest Oceania’s megafauna lived until 25,000 years ago, implying coexistence with people for 40,000 years — The U-series dating provides minimum age estimates, which means the fossils could be older. But since our estimates are supported by previous accelerated mass spectrometry dating, collectively the data provide a compelling case for the existence of megafauna in Sahul as recently as 25,000 years ago.
  • Thorsday Thoughts 276 – Thursday December 8, 2022 — While I tend to view Thunderstrike as a continuation of this run, it’s also its own thing. This is the final issue of Thor by Tom DeFalco and Ron Frenz after taking over at the end of 1987. They did two unrelated issues, one an untold story from Secret Wars focusing on Thor and the Enchantress, and one introducing Dargo, the possible Thor of the future. After a one-off by Jim Shooter, Stan Lee, Erik Larsen, and Vince Colletta, the run proper began and lasted for just over five years. It’s hard to sum up those five years in a simple statement, because, if there was one thing constant throughout those years, it was how willing Frenz and DeFalco were to change things up.
  • Scientists Identify 208 Natural Minerals That Formed From Human Activity — A new study has found that the incredible upsurge of new minerals around the time of the industrial revolution led to the unprecedented diversification of crystals on Earth, eclipsing even the Great Oxidation Event 2.3 billion years ago as the “greatest increase in the history of the globe”.
  • ‘Murder game’ cinema: Rollerball, its precursors and influences — here’s a list of Rollerball related movies I need to watch as well. Recommended fodder for those interested in dystopian sevneties sci-fi. (Some of the less obvious movies on here are by the same director.)
  • AND WHO DO YOU HIT? Three West German films on familial and economic violence in the Märkisches Viertel — examing and screening several socialist, realistic documentary movies coming out of seventies West-Germany depicting the life in a particular apartment building. Entirely different from the glitzy Hollywood sci-fi of the above list, but you can see some continuity here, can’t you?
  • My Stepfather Became My Dad the Day He Took Me to My First Football Match — My dad, Barrie, isn’t technically my dad. He’s my stepdad, but he became my dad on 12 November 1988 when Southampton beat Aston Villa 3-1 at The Dell, the club’s dilapidated former home. My birth father had effectively disappeared by then, leaving my mum with two sons, one of whom was football mad. That was the first game of football Barrie took me to.

I especially recommend Tom Williams’ very personal account of the way football brought him and his dad together.

Did you know there’s more to animation than Disney or anime?

Uzbudljiva ljubavna priča is an exciting love story of a man desperately searching for his lover, cleverly exploiting the limitations of the frames he’s animated in:

This and much more can be found at the Youtube channel Zagreb Film: The Art of Animation dedicated to showcasing the lost treasures of Yugoslavian animation, specifically the Zagreb School of Animation. As Animation Obsessive puts it:

Let’s back up. If you’re not familiar with the Zagreb School, it was a movement that remade this medium. Inspired by UPA, it built cartoons that were radically new and different. It started during the ‘50s in Yugoslavia, a communist country that no longer exists. Quickly, the influence of this animation spread across the globe.
[…]
Basically, this stuff follows its own rules. It’s weird. It’s dogmatically anti-Disney. It often features stories never previously tackled in animation. The films don’t look normal, and they don’t even sound normal — as Vukotić once said, animation that doesn’t imitate real motion requires abstract sounds that “do not imitate real noise.”

In short, this is a tradition of animation inspired by post-war US animation’s turn towards the stylistic as opposed to the kinetic styles of Disney, Loony Tunes etc. Less emphasis on movement and making it smooth, more limited animation and design. The poster child for this new style of cartoon making in America was Gerald McBoing-Boing. These Yugoslavian animators went further, more experimental. And one of the things often cut out was dialogue. The cartoon above has no dialogue, except for the protagonist shouting his lovers name and she occasionally answering with his. This is a cartoon where the humour and appeal is almost entirely visual. Which, coincidently, also makes it a lot easier to sell abroad. If you’re interested in animation, the art of it and its history, this is a great channel to check out. Not just the former Yugoslavia, but much of Eastern Europe has a rich animation tradition that would be great to be made available again in the same way; this is a great start.

Short Shorts — Anime 2022 #27-30

Not every anime is created equal. If you keep up with seasonal anime, you’ll have noticed that almost every season has one or two very short anime series that only exist to promote whatever source material they’re based on. Yes, there are full length anime that do this at well, but at least there you can still some semblance of a story. How much can you do in two to three minutes on the other hand? Not enough to waste much time writing on them to be honest. The three examples here I coincidently finished watching back to back in June, hence grouping them together like this.

Yotogame-chan wonderign whether Nagoya is part of Kanto or Kansai

Yatogame-chan Kansatsu Nikki Yonsatsume (#27) is the fourth season of Yatogame-chan Kansatsu Nikki, about a Tokyo high school boy who moved to Nagoya, where he clashes with the titular Yatogame-chan, very proud of her hometown. Based on a manga, this is almost incomprehensible as its humour is deeply rooted in the peculiarities of the Nagoya region and its various rivalries with other cities. It also doesn’t help that it has build up a huge cast over the previous three seasons. I watched it more because I’d watched the previous series than out of any real interest.

Usagi-chan walking towards school against a photographic background of a typical Urawa neighbourhood

Urawa no Usagi-chan (#28) I watched because it was getting a sequel in the Summer 2022 anime season and then I never watched the sequel. I did watch the special (#29) though. Apparantly created to promote Urawa City in Saitama, Japan, it does so through the antics of a group of high school girls in the same club. Usagi-chan is a cheerful idiot, her friends similar sort of stereotypes. animation wise its mains strength are its gorgeous backgrounds. They clearly did their research.

Various game characters playing mahjong

Jantama Pong (#30) is not intended to promote a Japanese region or city, but is an ad for an mobile Mahjong game. this one takes the route of throwing wacky shit at the viewer until they capitulate. In the first episode for example they threw a truck at the mahjong temple so it got isekaied with all the characters in it. Another one ended with the world destroyed. Glad they went this route because I know nothing about mahjong except the few bits I learned from watching Saki.

(It’s late November and here I am blogging about series I finished in June. Bloody hell.)

In heav’n we are ourselves entire

A hymn written by Jay Hulme for the Transgender Day of Remembrance (today, 20th November), music by Yshani Perinpanayagam, performed by St. Wulfram’s Church Choir. It was written to “provide a traditionally-written and classically-composed hymn to enable Anglican (and other) choirs to make a musical contribution to that day within a traditional idiom” as churches increasingly hold services on this day. Jay Hulme, himself a trans man has also written on Twitter on the purpose of holding a Transgender Day of Remembrance service as a Christian church:

That’s the core of a TDoR service. Trans people are dying, often because of a social climate that has been ignored or approved by Christians.

The job of a Church is to create a safe space for people to mourn and rage and lament, not to justify our religion and their place in it.

An atheist myself, but there’s a deep comfort in seeing at least some people within the Christian faith to make these attempts to be inclusive. Seeing how their faith gives people like Hulme the strength to fight for a better world gives me joy and hope.

Sharing food is ableist — oh really?

As everybody on Twitter is convinced their favourite hellsite is dying and the exodus to alternatives is increasing, here’s a reminder of something that can only happen on twitter: having a meltdown because somebody tweeted about cooking chili for her neighbours. That’s not something that could’ve happened on Mastodon! Or Facebook. Or Instagram. Or any other social media site, really. I’m sure there are users on other social media websites who take personal offence to some harmless act somebody else is writing about, but only Twitter can blow it up so efficiently. On Mastodon? It would’ve never left its home instance.

It all started with someboy tweeting that her new neighbours were a bunch of college kids and wanting to feed them by cooking them a chilli. Which is, well, a fairly ordinary thing to do for your neighbours? A nice little gesture to introduce yourself and maybe get to know your new neighbours better. My own upstairs neighbours, who moved in during the pandemic have done this a few times for me and tasty it was too. In return it became a lot easier to ignore the increased noise from above (the last tenant was an elderly woman who you’d never hear unless her grandchildren visited). My next door neighbour looks after my cat when I’m on holiday, while I accept postal packages for most of my neighbours since I work from home most of the week. Just those little things you do for each other.

Only on Twitter can this incredibly normal thing be made into something weird and problematic. First there was the gender critical (sic) brigade harassing her, partially because of pre-existing beef for her being too much of a trans ally. They went with their normal existential sexism: “A mAn WoUlD nEvEr Do ThIs” and “YoU’rE tRaInInG mEn To Be HeLpLeSs” and “DoN’t CoDdLe MaLeS”. That sort of thing is to be expected if you’re a reasonably well known Twitterer and you’ve spoken out against TERFs. But the weirdo who responded to this act of kindness by imagining it was them receiving it and then cataloging all the ways in which it was inappropriate for them, that was special.

Again, there seems to be a pre-existing grudge at play here: why else get so offended at a stranger offering kindness? Why make it this personal? Why spent this many tweets on it? It’s not just that this person wouldn’t have done this, or not have liked having been the recipient of this, it’s the way in which they go out of their way to make their dislike into a moral issue. It’s not just that this gift is unwelcome; it’s ableist. It’s not just that this maybe a bit too a noisy a neighbour, no, she’s a white saviour. It’s not that she made this food unprompted, it’s that she didn’t ask for consent. Everything about it needs to be morally wrong. So they go into way too much detail about their own personal situation and the way their own disabilities means that this gesture would’ve been ableist and the wrong kind of help, without even noticing they contradict themselves in the process. If you’re too tired and incapable of cooking because of OCD that you need to order take out, why exactly is having a free meal brought by a neighbour instead a problem again? Why indeed should the original poster have catered for your own personal situation when that was completely irrelevant to what she was doing for her actual neighbours?

There’s a real problem with this kind of social justice language abuse by crybullies. Here it just comes over as laughable and pathetic, but in the real world we’ve seen it used by transphobes (PrOtEcT wOmEn) to invent situations in which it’s morally justified to harass and attack an already vulnerable minority. So it’s good to see it slapped down hard in this case. What lends it power is the structure and design of Twitter: it’s easy for a tweet from a relativily ‘famous’ poster to escape their own circle through quote tweeting and retweeting to new audiences. Unlike almost every other social website, Twitter offers the illusion of privacy while in reality everybody is shouting to everybody else in the same town square. So a tweet written with a certain audience in mind can easily be picked up and misunderstood by other audiences unfamiliar with the context, especially when malicious actors retweet them. On a site like Mastodon, deliberately designed to slow down this process this would be far harder to do.

The downside being of course that it’s also harder for benign content to find new audiences. One of the worst things on Twitter, that uncontrollable spread of (mis)information, is also its best. So many new things and people I’ve found because they got retweeted into my timeline. More importantly, this process was and is incredibly important in getting (underrepresented) communities to find each other and grow.
Quote tweeting, retweeting and hash tags makes it easier for isolated members of such a community to find each other and for groups of like-minded people to ‘advertise’ their existence. It’s this that has made Twitter, more than any other social medium, so important for marginalised groups and peoples. That’s why I’m a bit skeptical of Mastodon’s refusal to implement quote tweeting and other technical solutions against bullying and bigotry.

(And of course everything about chiligate here is hilarious and I think Mastodon on the whole is too po-faced to enjoy this sort of content.)