Watching pretty boy anime can be pretty relaxing

Yes, it is incredibly hypocritical of me to watch any halfway decent cute girls doing cute things series but only give the equivalent pretty boys series a chance because of a favourable Anime Feminist review of the first episode.

Rokuhoudou Yotsuiro Biyori: pretty boys bringing soup

But I’m glad I did, having skipped it originally because nine time out of ten these series just don’t hold my interest. I’ve tried a few, usually gave up after a few epsiodes, but this one kept me engaged throughout. There’s something very comforting about four sweet boys doing their best to keep their customers happy by feeding them good food and help them solve their problems. A good, diverse cast beyond the four primary protagonists too. I could’ve done without the subplot of the glasses wearing dude having an estranged brother who’s some big businessman, but on the whole this was a nice way to unwind every week.

There are two other pretty boy series I watched this season. Devils Line was a confused mess, about vampiric “demons” as second class citizens and how hard it is to be in love when being in love makes you want to drink the blood of your woman. Kakuriyo no Yadomesh is better, but started rough and isn’t finished yet. A young woman is kidnapped by a ogre who claims she was the collatoral for her deceased grandfather’s debt and now she has to marry him. It’s gets better, as she establishes herself at the inn the ogre runs and starts her own restaurant. Again, a pretty relaxing series to follow, with low stakes problems being overcome easily as our protagonist wins the hearts and mind of all the ‘monsters’ she comes across.

Island — First Impressions

Twin tailed heroine stumbles and faceplants straight into our very naked protagonist’s crotch. Even without knowing anything else about it, you know this is going to be based on a visual novel. It’s as if the early 2000s have never left.

Island: Face full of alien wing wong

Naked boy here lost his memory but knows he was sent back from the future to save the past and keeps having little flashbacks/forwards about the girls he interacts with. Said girls so far include the blonde sporty twintailed tsundere above, the silver haired weirdo who can only leave her house at night and the flat chested priestess who looks significantly younger than the other two. Lots of buildup and mysterious allusions so far, not much plot and a little bit of the usual smexy comedic antics any self respecting visual novel adaptation has to has. Enjoyable, but I’m under no illusion this may turn out to be good. As long as it doesn’t turn out to be actively obnoxious I’ll keep watching.

Amanchu Advance: what a waste

I wasn’t quite sure why so many people who’d liked the original series were so down on Amanchu Advance until this happened in the penultimate episode:

Amanchu Advance: heteronormativity for the win

The original series was all about the blossoming relationship between Teko and Pikari. Teko was the shy, timid girl who had to leave her home town and friend behind as her parents had to move for their jobs, who found a new friend in the exuberant and outgoing Pikari, getting introduced to the wonderful world of ocean diving. The focus was firmly on their friendship, with a bit of a lesbian undertone to it that surely wasn’t just my imagination. It had a good supporting cast, but the centre remained Pikari and Teko.

Amanchu Advance: Kokoro-chan

Amanchu Advance changed that. It started off by introducing Kokoro-chan, a twelve year old girl as Teko’s rival for Pikari’s love, with a similar but slightly older girl as the same for Teko, though the latter featured much less. This in itself wasn’t bad, but it did eat up screen time that could’ve been spent on Teko and Pikari. What was worse was that for three episodes, both were completely ignored in favour of the story of Peter, a school ghost who on special nights would attempt to seduce a girl to join him in his dream. This was the same plot line that got me to drop the original manga and it wasn’t much better animated. And then, in the penultimate episode, it was revealed that Kokoro-chan was actually a boy and Teko immediately started rooting for him to romance Pikari. Again, something out of the original manga.

All of which means that all of the slow buildup of the first series and the first half or so of this one, all the little signs we’ve had about how Pikari and Teko felt about each other, didn’t matter. Because here is a twelve year old boy with a crush on Pikari, so let’s make sure the audience know that this is the approved relationship for her. What a waste. What a disappointment.

Why Precure is more mature than Graham Linehan

When a children’s anime series is more kind and insightful than the whole of socalled “gender critical” Twitter put together:

Hugtto Precure: boys can be princesses too

It all started with episode eight of Hugtto Precure, with the introduction of Wakamiya Henri, an ice skating friend of Kagayaki Homare who likes to wear dresses and who described himself as “both a refined Japanese lady and a Parisian”. Little fuzz was made about this, the real conflict that episode was about Henri wanting to take Homare back to figure skating full time. At the end of the episode he decided he would hang around alittle bit longer and transferred into the Precures’ school, but so far little more had been done with him. Until episode 19.

Hugtto Precure: girls cannot be heroes?

Episode 19 also sees the return of this asshole, the brother of Aisaki Emiru, the Precure fan who likes to hang around with Lulu. Last time we saw him, in episode 15, he was telling Emiru she couldn’t play the guitar. This time he’s telling her that girls cannot be heroes, as well as getting shook by seeing Henri wear a dress. Basically, he is the voice of conventionality in these two episodes and in both he’s quickly proven to be wrong. Girls can be heroes, boys can be princesses. Now of course Precure doesn’t use words like genderqueer or trans to talk about Henri, but just seeing a cool, handsome boy like Henri comfortable in his dress, unbothered by the censure of people like Emiru’s brother, in fact convincing them they’re wrong, is a great example for the young girls (and boys!) that are Precure’s primary audience. Such a contrast to the carrying ons of Graham Linehan, once best known as the writer behind Father Ted, currently best known as a transphobic asshole:

Graham Linehan being transphobic on Twitter

That’s him talking about trans men getting top surgery, as if there’s a cabal of trans people out there that takes innocent little butch girls and forces them to become men. Reality is of course that getting any help with physically transitioning is difficult enough for an adult and almost non-existent for those under eighteen. Note btw that his original example was of somebody in their mid twenties, hardly a child. How different this hysteria is from the calm acceptance of Precure. And no, people like Linehan may wring their hands about “unnecessary” surgery, but they don’t condone more “innocent” forms of genderplay either. Men or trans women dressing in female coded clothing: must be predators. Women or trans men dressing butch: must be brainwashed. Anything that doesn’t strictly adhere to a binary worldview where there are only men and women is suspect.

Cervical screening (or the smear test) is relevant for everyone aged 25-64 with a cervix. Watch our animation to find out what to expect when you go for screening

Case in point: this innocent tweet by UK Cancer Research, calling on everybody with a cervix to get themselves tested. Oh, that got the transphobes out in force. Starting with Labour (!) MP Anna “dumb dumb” Turley asking why have you used the term ‘everyone with a cervix’ in this tweet please? Because god forbid we pay attention to trans men or genderqueer people who may have a cervix but aren’t women. Better to use women and ignore that not all women, not even all cis women even have a cervix and need this test. Maybe you’ve already had cervical cancer and had to have it removed. But either these people don’t realise this or they don’t care, because keeping UK Cancer Research tweets ideologically pure is much more important.

So yeah, if you’re looking for understanding and acceptance, don’t look to media personalities like Linehan, look to an anime series aimed at young girls.

Legend of the Galactic Heroes: shipping wars

Forget the politics, the wars, all that crap. The most important question you have to ask yourself about Legend of the Galactic Heroes is: am I team Ketchup-Mustard or team for gods sake Yang, sit in a chair like a regular human being?

LOGH: shipping wars

In a series with only half a dozen or so female roles but with lots and lots of delectable young men in uniform making bedroom eyes at each other, there’s a lot of gay potential. Not that any of it is actualised of course, this being a Serious Space Opera, but that has never stopped shippers. And honestly, it’s so obvious that Kircheis and Reinhard are attracted to each other, that the only real question is whether Kircheis is only in love with Reinhard, or would like to be the jam filling in a Lohengramm sandwich of Reinhard and his sister…

Yang Wenli does get a heterosexual romance later in the series, but it doesn’t have half the sexual tension that any given pair of strapping admirals has with each other.

In modern anime, there are plenty of series aimed at socalled fujoshi, female fans of boys love stories, but I wonder if some of the success and longevity of Legend of the Galactic Heroes can also be due to them…