Needs more story — Yuusha Party wo Oidasareta Kiyoubinbou — First Impressions

In this first episode Orhun is thrown out of his party, saves a girl in the dungeon, then gets a job offer from her sister, the head of a famous guild.

A black haired, black clad swordsman dissects a green orc with his sword as other orcs watch

If that sounds a bit thin for a first episode, don’t fret: there’s plenty of unnecessary exposition to fill up the runtime,as Orhun monologues to himself about things he already knows. A common flaw in light novel adaptations, of which Yuusha Party wo Oidasareta Kiyoubinbou of course is one. You can get away with it in text, but there’s not much fun in watching him fight utterly generic monsters will thinking about how he was kicked out from his party for not being a good enough support magician, as he retrained from being a swordsman. Even if it’s all animated a bit better than usual for such series. The whole experience is less like watching anime and more like having somebody read a fan wiki entry to you explaining the world building.

Orhun's old party

It’s not great. And the worst thing it does is give you room to think about how absurd the setup is. Orhun is thrown out of the Hero’s Party supposedly because he’s not good enough an support magician. He’s not good enough because originally he was a swordsman and had to retrain himself into this new role as his party needed it. Nevertheless, they still became a record-setting S-rank party. So why sack him? Because they teamed up with another S-rank party, whose leader Sophia Claudel — inventor of the party system and a support magician herself — was so much better than him that they had no choice but to sack him. A bit unfair if you ask me and it doesn’t really make sense. Especially since Sophia herself clearly does value him, despite only having met him once, during that team-up. Sure, ulterior motives may be in play, but it all seems not very well thought out. Easy to skip over in a manga, but hard to ignore in anime.

A better adaptation would’ve avoided all this by cutting down on the exposition and start where this ended: as Orhun accepts Sophia’s job offer of mentoring a group of newbies in her guild during their first dungeon crawl. Start it there, then you can show why he got the job and hwy he was available much more naturally. Or they could’ve started with that collaboration between Orhun and Sophia’s parties, which would’ve neatly led to the banishment etc. By keeping rigidly to the way the manga/light novel did it, we instead got an episode where the action was done less then ten minutes in, the rest of it just being people talking at each other. A good example of the weakness of most of this sort of fantasy series, putting setup over storytelling.

Anime Resolution 2026

This year I set myself the goal of finally finishing three anime series (Mazinger Z, Goldfish Warning and Mobile Suit Gundam ZZ that I’d been allegedly watching for years. I started Mazinger Z back in 2022 and the other two in 2020 even! That’s way too long. Even at the start of December I was still far behind my goal. I found a solution: make one giant playlist alternating episodes, the comedic Goldfish Warning as a palate cleanser between the more serious other two shows.

This helped a lot. I found it a lot easier to watch one episode of three different shows than set myself down to binge three episodes of the same show. It helped build anticipation for the next episode, especially with Gundam ZZ. It also helped to keep my attention, as especially with Mazinger Z, a rather formulaic show at times, I found myself starting looking at my phone a lot a few episodes into a binge watch.

Getter Robo

So why not do the same thing next year? Take a couple of seventies, eighties and nineties shows, pile them in another playlist and make it a weekly watch? What I wanted as a sventies entry was simple: following Mazinger Z it had to be Getter Robo of course, the mecha series that Go Nagai created after Mazinger Z, which ran at the same time as the latter’s sequel, Great Mazinger. That would be the “super robot” entry in my playlist. The other candidate was Great Mazinger, but that was 56 episodes and I’m a bit fed up with Mazinger anyway.

The main mecha striking a pose

To follow up Mobile Suit Gundam ZZ I wanted an eighties mecha series. First I thought about either Ideon or Armoured Troopers Votoms, but decided in the end on two shorter series: Giant Gorg and Panzer World Galient, which at twentysix and twentyfive episodes neatly matched Getter Robo‘s fiftyone. Both are also more typical eighties mecha series than either Ideon or Votoms would’ve been.

Nadia running away from her would-be captors, Jean following her in a motorised unicycle

All that left is the nineties option. Ideally this would’ve been a full length television series, but I couldn’t find any that struck my fancy, so I compromised by instead adding several OVA series: Dirty Pair Flash (16 eps.), Patlabor: The New Files (16 eps.) and Giant Robot: the Animation (7), leaving em twelve episodes short. Which is just enough to finally finish off Nadia: The Secret of Blue Water which I first started watching in 2017!

If I start watching on January 4th and watch three episodes each Sunday, I can finish it all up roughly around Christmas again, without stressing myself out about having to finish all of them. And by focusing on smaller series alongside Getter Robo I can hit milestones earlier too, which is a bonus. I could even swap out series if one turns out to be a bit naff. All this to avoid mindlessly watching terrible crap just because it’s airing.

This is my anime resolutions for 2026: do you have any and if so, what are they?

Dreaming of a Weeb Christmas

Remember, it’s not really Christmas until Ichigo swings that axe:

Ichigo holding a giant axe ready to destroy that tree

Here’s your weeb Christmas song playlist. First up, Aikatsu wishing you a Merry Christmas and a Happy Nieuwjaar:

If we got Aikatsu you cannot neglect PriPara either:

Moving on from idols, Toradora did a Christmas song too!

And finally, IdolM@ster remembers the reason for the season: it’s Jesus’s birthday! Happy b-day Jesus!

Wandance is good actually

People have been slagging off Wandance for its supposedly bad CG animated dance sequences, but I don’t see it myself. Maybe I’m used to seeing slightly dodgy CG animation being used in idol or magical girls shows, but doesn’t this, part of the dance battle in episode 8, look perfectly fine?

What you need to understand is what Wandance is trying to do here. If you go in expecting idol show like performances, you will be disappointed. This is not a style of dancing we see a lot of in anime, street dancing, hip-hop style, raw, improvised rather than carefully choreographed as in a Love Live or IdolM@ster. The dance scenes are not animated to make them look cool or dramatic, they’re animated to showcase the moves the dancers make, to allow you to understand what they’re doing and how it relates to the music they dance to.

This why it doesn’t matter that the faces look plasticky or the background spectators a bit wonky: you’re not supposed to look at them, you should look at the dance moves, at the way the dancers use their arms or legs instead. Throughout the series each dance scene goes for clarity over impact, to make sure you understand what’s happening. Which is why you can easily understand how both Iori in the clip above and On-chan in the clip below take the same part of the song to dance to yet dance so very differently from each other

The way the animation is created is by motion capturing actual professional dancers, with each of the main cast having their own real life counterpart. It’s honestly impressive how dedicated Wandance is to keeping the dancing as real as possible. For how well it does, check out this reddit thread from a professional dancer. For me, this sort of fidelity easily trumps the occassional goofy CG face. And for a taste of what the real dancers can do when not limiting themselves to high school amateur level, check out them dancing to the opening.

Wandance is one of those series where each episode feels like it’s only five minutes long: no sooner are you invested in this week episode then the ending theme plays already. It fits in well with the trend of somewhat more realistic high school sports and romance series.The protagonist Kabo is a big long dude who has always gone along with whatever his friends did, partially because he stutters. (This must be the only anime that has a Scatman Jones clip in its first episode). Wanda, the girl that inspires him to dance is slightly less well defined than him, but not a manic pixie girl either and the supporting cast, so far mainly Iori and On-chan as featured above is great too.

OVAs We Love: Genmu Senki Leda

Back in August, to celebrate the tenth anniversary of the site, Zimmerit.moe asked a bunch of people about their favourite OVAs:

Direct-to-video anime was a format that really helped set anime apart. The original video animation format allowed unusual ideas to flourish, creators to experiment, and offered up the perfect mix of length and shock value to help jump start the anime licensing industry in the English-speaking world. OVAs (or OAVs, if you’re of a particular age) offered a new way to commercialize anime and make money off an older subset of anime fandom following the implosion of the early ’80s gunpla boom.
[…]
To celebrate the site’s anniversary and to encourage folks to go looking in the video bins of history, I reached out to a range of folks to hear about their favorite OVAs. I asked them to write about an OVA they loved. Not necessarily their favorite or even one that was easy to recommend, but a single OVA that they loved. The following article consists of what was shared with me.

The result is a love letter to the format, full of both obscure and well known examples. with the emphasis on the former rather than the obvious big names. Thinking about what example I would’ve chosen, if I did the same and not go for nostalgia titles (Bubblegum Crisis, Dominion Tank Police, Guyver, there waas only one choice: Genmu Senki Leda:

A 1985 original seventy minutes long story about a school girl upset about how her first love ended, that least with an elegiac mood piece of her mourning her lost love, before she promptly gets abducted into another world. Where it turns out she’s the legendary warrior princess destined to save the world, all while wearing a chainmail bikini and having to fight off barbarian warriors and mecha both.

It’s great fun and cramps a lot into its runtime but mostly I love the animation and mood setting in this. If you like things like Greed or Legend of Lemnear this is worth seeking out.