School girls go to the South Pole — First Impressions

Sora yori mo Tooi Basho: high school girls go on a visit to the South Pole.

Sora yori mo Tooi Basho: school girls in Antarctica

Tamaki Mari is a very ordinary second year high school girl who one day suddenly realises that she’s a very ordinary second year high school girl. Which puts her in the mood to go on some big adventure, so she decides to skip school and travel to Tokyo. But then it rains so she doesn’t. She talks to her friend about her frustration of always failing to take that first step and always chickening out. Then, as she goes home, she notices the girl running past her to get her train drops an envelope. Tamaki picks it up and runs after her, but the girl’s gone. So she looks into the envelope to see what’s in it and finds:

Sora yori mo Tooi Basho: one million yen

One million yen!

That’s her first encounter with Kobuchizawa “Antarctica” Shirase, whose mother wrote a book about visiting the South Pole, but disappeared when Shirase was in middle school. Ever since she’s been working and saving up to make enough money to pay for a trip to Antarctica. For Tamaki Shirase’s dream is exactly what she wanted for herself, but never found or had the courage to go look for. But this time it’s different.

The ordinary school girl frustrated with her own ordinariness is not a new character type of course, often seen as the protagonist in school club series like K-on or Amanchu!, their frustrations driving them to try something, anything new to not be ordinary, overcoming their own fears in the process. They tend to be either enthusiastic go-getters (like Mikan from Love Live Sunshine) or shy fraidycats dragged into something almost against their will (Ami Kurata from Long Riders). Tamaki Mari is a mix of both, afraid to try new things and knowing this about herself, frustrated with it, but pushy and enthusiastic once she has made up her mind.

Sora yori mo Tooi Basho: Kobuchizawa Shirase is grateful

Kobuchizawa Shirase meanwhile looks like the typical well put together long black haired school princess, serious and driven. Having set herself a life goal, she’s dilligently working towards it while most of her peers are satisfied with just playing around. But she isn’t stoic or emotionally withdrawn; rather she wears her heart on her sleeve, most noticably when Tamaki hands her back the million yen she had lost. I like how aware she is how her dream of traveling to Antarctica to find her lost mother comes over to other people, that she isn’t deluded to how hard it would be to realise it, but accepts it and moves on.

Both Maki and Shirase than are archetypes I’ve seen in dozens of anime before, but with enough originality and character to come across as actual people you’d want to spend time with. There’s a good sense of humour, that doesn’t come at the expense of either of them and I like the pacing of this episode. All we saw was Maki coming to grips with her normalcry and wanting to do something about it, getting to know Shirase and the both of them deciding to go on a trip to Hiroshima where a polar exploration ship was holding an open house. There’s a sparkle to the animation, which is just that bit better than it needs to be, sharing some of its style and realism with last year’s Tsuki ga Kirei and Just Because.

Very much a recommendation. If this level of quality keeps up, this may be the sleeper hit of the season.

(01) the ultimate anime Christmas movie

This was supposed to be a post about what I wanted to see in anime in 2018 — in short, Crunchyroll to get its thumb out and actually sub openings and endings — but fuck it, this is about Tokyo Godfathers because damn this is a movie everybody really needs to see.

Tokyo Godfathers: the moment of discovery

Like most people, the first Satoshi Kon movie I watched was Paprika. Tokyo Godfathers had been on my wish list for several years to watch at Christmas, but I never got round to it. Until today, when I had a three hour train journey to fill and a laptop loaded with anime. What would be more fitting on Christmas Day than this movie?

Tokyo Godfathers starts on Christmas Eve as three homeless people: Gin, an alcoholic, Hana, a trans woman and Miyuki, a teenage runaway, find a baby in a garbage dump. Instead of doing the obvious thing and handing her over to the nearest police post, the three take her “home”, mainly on the insistence of Hana, who always wanted to be a mother. After a night getting Kiyoko — as Hana has named her — to eat and sleep, the next morning Hana persuades the other two to look for Kiyoko’s mother.



What follows is a series of misadventures that are connected together by a series of coincidences and accidents, as in the fragment above. The ultimate coincidence is of course the homeless trio finding the baby in the first place. Normally such a string of incidents and coincidences would’ve bothered me, but the movie sets them up early and cleverly enough that this wasn’t a problem. As Hana puts it, Kiyoko is a child gifted by god, while the explicitly Christian opening to the movie, when the homeless trio attend a Christmas service to get free food, already telegraphs that there will be miracles here. And of course, a good Christmas movie always depend on a little bit of magic to get things going.

Tokyo Godfathers is a horribly sentimental movie, but the sentimentality fits. Everything works out, everybody gets some sort of happy ending, a reconciliation with their past and where it not for me watching this in the train, it would’ve had me ugly crying most of the way through. This never felt cheap or theatrical, as it was earned, through the Gin, Hana & Miyuki themselves, their backstories as well as their actions. Each time they let their better side guide them, they get rewarded for it.

Tokyo Godfathers is also incredibly funny, like when that ambulance out of nowhere crashes into the chemist, but also in the character acting. Just look at the way Gin and Hana run in the clip above and how it fits their characters and is funny in its own right. The exaggerated reactions and movements of the characters keep things funny even in the most melodramatic scenes, yet are grounded in their character. So Hana at all times is overly correct in her feminine way of moving and her mannerisms, which are exaggerated in a dramatic chase scene like the above.

This is such a clever, intelligent movie that I feel I’ve only scratched the surface having seen it once. It has enormous heart as well, which is why it’s such a good Christmas movie.

This is the twelfth and final post in this year’s twelve days of anime challenge.

(02) Unexpected gems

Yes, that title is indeed a pretty obvious reference to Houseki no Kuni: who knew that a CGI anime about genderless almost immortal gem people could be so good?

Houseki no Kuni: more Cinnebar blushes please

But that’s only one of several surprisingly good anime series that came out this year. Kemono Friends was the first and perhaps most surprising of these, a wonky looking CGI anime about cute animal girls that turned out to have not just excellent writing, but heart enough to melt the most cynical anime fan. A very pleasant surprise at a time when heart was something sorely needed in the real world. A heart warming experience right during the coldests, dreariest months of the year.

Two more series I had no expectations for whatsoever were Tsuki ga Kirei and Just Because, romance series which went for realism in their romance. Both had strong characters who weren’t tied to the usual romcom stereotypes, while the writing had the courage to go slow on the development of the romance. It made for a very different sort of anime romance story.

18if: Wizard of Oz

18 If was a series that was easy to overlook, but for me was one of the best series of the Summer season. The biggest problem with it was that the overall storyline, of a guy stuck in dreamland having to rescue girls from Sleeping Beauty syndrome, where they’re stuck in their own private dream worlds The strongest episodes were those where the nominal protagonist was barely present or only as observer, when the focus was on the girl’s own story. The series wasn’t afraid to change its anime style frequently to suit each story, so it’s easy to think of it as an anthology and not pay too much attention to the overall plot.

gamers: love polygon

Gamers was great because it looked like it would be a typical school club series, where the geeky loner protagonist is invited to the gaming club by the school’s beautiful idol, only for him to politely reject the offer. It then turns into one of the best cringe comedies I’ve seen in anime, as everybody misunderstands everybody and everybody thinks everybody else is in a relation with somebody other than they’re actually are. It gets so bad you have the characters themselves drawing up love diagrams to keep everything straight. It’s rare that a comedy anime makes me laugh each episode, but Gamers! did it.

Animegataris: hating on itself

Animegataris also started out as a seemingly ordinary school club series, this time based around the love of anime and for about nine episodes we got that, before it all became one giant glorious meta mess as things became a bit too anime. Even before that transformation it was already delightful, in how positive a vision it had of anime, going beyond the usual consumerism of otaku baiting series and not neglecting international fandom either, by both introducing a Chinese fan as well as showing how the shared love for magical girls shows had made another character friends in the American high school she went to.

So while you think that it couldn’t happen anymore, what with online news and fansites dissecting all info coming out of Japan and simulcasting delivering shows as they’re aired there, but there were still plenty of shows that came out of the blue this year, not just for me, but for most anime fans. It can only be good if anime creators can still surprise us like that.

This is the eleventh post in this year’s twelve days of anime challenge. Tomorrow: looking forward to 2018.

(03) Disappointing sequels

This year saw a lot of even better sequels to already excellent series. KonoSuba 2 was even funnier than the original, Shouwa Genroku Rakugo Shinjuu moved back to the present and put everything we learned in the first into doubt again while Sangatso No Lion‘s new season is killing at the moment. But we won’t talk about those here. This is for the disappointing sequels.

Seiren: depravity in my pants

And I don’t mean something like Rewrite S02: if the first season was a shit storm, why get disappointed in the second? Nor do I mean slightly under par follow-ups to classics like the latest Symphogear, which was decent enough but didn’t live up to the insanity factor of previous series. Since I’m probably the only person that hated the tournament arc in Boku no Hero Academia I won’t even mention that. Even Seiren, spiritual successor to Amagami, though disappointing, is not something I want to talk much about. Other than to note that put too much emphasis on reproducing the latter’s weird fetishes and not enough on the romances.

Kino killing fighting sheep in the final episode

No, what I mean with disappointing sequels is a series like Kino no Tabi, though technically a remake of the original 2003 series rather than a sequel. For this series they got the fans of the light novels to chose their favourite stories to adapt, which didn’t help with the coherence of the series and then adapted them in the blandest way possible. Most of the charm of Kino’s adventures was lost this way, while there were whole episodes without Kino even showing up other than in cameo. It wasn’t bad, it just wasn’t what I wanted or expected from a new Kino series.

Virgin Soul: Nina blushing was cute though

Worse though was Shingeki no Bahamut: Virgin Soul. The original Shingeki no Bahamut: Genesis was a cheerful fantasy adventure, which, because it was adapted from a mobile game, had low expectations hung on it when it first came out, but which turned out to be something special. It wasn’t perfect, as every time the series returned to its nominal plot rather than focus on the misadaventures of Favaro and Kaisar it became a bore. The new series, by focusing on a new protagonist just living her life in the capital, at first seemed to avoid that particular pitfall, but that only lasted four episodes, if that. From then on it’s all about the struggle against Lord Charioce, who plans to destroy both demons and angels to create a new world for humanity.

Both the plot as the villain I found boring and obnoxious, especially because the latter always won whatever his opponents threw at him. At every turn, he turned out to be one or two steps ahead, effortlessly dealing with the latest plan the heroes came up with. I got so bad I stopped watching from episode eighteen: I still got the last seven episodes to watch. The worst part of it is that Nina, our protagonist, has a crush on him, which doesn’t change once she knows of all his loathsome deeds and plans for genocide. I got the feeling the series was working towards his redemption, and I couldn’t deal with that.

This is the tenth post in this year’s twelve days of anime challenge. Tomorrow: unexpected gems.

(04) MMO Junkie is rape culture

Two guys stalk an ex-coworker in order to get a date from her.

MMO Junkie: joking about sexual assault is always hilarious

Really, wasn’t this supposed to be a relatable cringe comedy about a woman in her thirties quitting her job to become a NEET and play MMOs, perhaps with a bit of online gender swapped romance? How did it get to this?

MMO Junkie: meet uncute

In hindsight things had begone to go wrong since the second episode. In the first episode our protagonist Morioka Moriko, had started in a new MMO role playing as Hayashi, a male knight. She met up and quickly became best friends with Sakurai Yuta, a guy role playing as Lily, a female healer, though neither know of the other’s gender switch. In the second, after Hayashi and Lily had spent the whole night playing together, Morioka literally runs into Sakurai going to the convenience store. She passes out and wakes up with him having taken her to the hospital. When she texts him later to thank him for his help, he asks her out. Which seems a bit iffy: how often do you hit on women you’ve accidentally knocked unconscious?

MMO Junkie: stalking is fine

That could’ve been forgiven, but the third episode opens with Sakurai asking his co-worker about Morioka, as they had worked at the same company, having already stalk^w researched her enough to find this out and find the training manual she had written. Dodgy enough, but then the co-worker tells about the time he caught her crying on the phone, which, yeah. Remember that at this point Sakurai doesn’t know anything about Morioka, or that she’s Hayashi; she’s literally just a woman who he ran into in the streets, nothing more. Even his co-worker Koiwai calls him a stalker at this point, though as the next episode proves, he’s just as bad.

MMO Junkie: Kowai is aggressive

Or perhaps even worse, as he coincidently runs into Morioka at the supermarket, recognises her and talks her into a date. Koiwai is the most problematic character in the series: aggressive, manipulative and not above gaslighting Morioka if it gets results. That he does it for a noble cause, to get Morioka and Sakurai together is no excuse. The scene in this episode where he basically pressures Morioka in going for drinks together was painful to watch and not in a good cringe worthy way. It just came across as low level harassment rather than something romantic. He uses his past acquaintance with her and her admission that she’s jobless and a NEET to browbeat her into accepting, where she herself feels she has no right to refuse.

MMO Junkie: defenceless

Episode five and six is where it all came to a head for me. In episode five Morioka prepares for her date with Koiwai, asking advice from Lily online, as Hayashi, with neither of them yet knowing who they are in real life. However, because of what Hayashi tells Lily about his date, the latter does begin to suspect he is Morioka. When she goes on her date and Kowai doesn’t show up, she thinks she has mistook the day it was supposed to take place. However, it’s strongly hinted that Koiwai had actually set her up. I got the impression his plan all along had been to skip out on his date, to give Sakurai a chance to “coincidently” run into her and go out with her instead. An impression reinforced by how much he talked Sakurai up when Koiwai went on his date with her the next day. Which lead to the sending of the text message and photo as shown at the top of the post. It was at this point I stopped watching the series, as the combination of Koiwai gaslighting Morioka and the rapey text he sent was just too much.

MMO Junkie: no self confidence

One other thing that bothered me about episode 4-5 needs mentioning too. The clerk at the supermarket Morioka shops at had noticed that she was always buying internet money for use in the MMO she played as Hayashi. He talks to her about it, learns who she is then reveals he’s actually her guild master. Which in itself is not a problem, but he then uses this to hassle her a bit about her on and offline life. All with the best of intentions, but still. This is a recurring theme in the middle episodes of the series: he, Koiwai, Sakurai all know more about Morioka than she does about them. Sakurai knows or suspected that she was Hayashi since episode five, but only tells the truth about himself at the end of episode eight. This information disparity means Morioka is continuously in the dark about their true motives. It doesn’t help that she’s already suffering from a low self esteem and has a lack of confidence in herself. You could imagine a Morioka in real life might’ve been devastated to find out that her online confidante was actually the man who was romantically pursuing her. There’s a trust issue here that’s never really resolved.

MMO Junkie: despite everything, a happy end

The series improves a lot from episode seven onwards. Sakurai struggles to match his attraction to Morioka with his knowledge that she is Hayashi, then learning in episode seven that she was also his best friend in a previous MMO. When he finally confesses the truth about him being Lily to Morioka in episode eight, things can finally move ahead and the last two episodes is where they finally and slowly start to develop their relationship, with some last minute meddling by Koiwai. This part was actually quite sweet but came a bit late for me after the unpleasantness of the middle episodes. I get the strong feeling that the writers just didn’t know how to get Morioka and Sakurai from being online friends without knowing the other in real life into a proper relationship, other than to use a hefty dollop of romcom coincidences and third party manipulation by Koiwai, who conveniently knew them both. It’s a pity, because there’s so much you could do with an online relationship moving beyond friendship into mutual attraction and something more, the slow discovery of the “real” person behind the MMO character. Both Morioka and Sakurai are perfectly sweet, innocent cinnamon buns, so it’s vexing that the series had to manipulate them this way to get them together.

This is the ninth post in this year’s twelve days of anime challenge. Tomorrow: disappointing sequels.