Slow Start — the slow burn of forbidden love

We’ve all been there.

Slow Start: waking up hungover is always awful

It’s a school night and you’ve let yourself be tempted to go out for a few drinks with a co-worker or friend after work. Because you can’t actually hold your drink all that well, the one or two beers you drunk are enough to make you blotto and you have to be brought home by someone. So the next morning you wake up on the couch with a terrible hangover, not knowing quite how you got home. As you slowly wake up, you idly look around your apartment and realise you barely remember anything from the previous night. You don’t even remember bringing your student home with you, let alone why you tied her up.

Slow Start: Eiko is tied up

Slow Start episode 7 was …interesting. In a season with quite a few outstanding slice of moe series, Slow Start was looking a bit lost, a perfectly competent adaptation of yet another Manga Time Kirara series but offering nothing not seen before. Apart perhaps from slightly more overt yuri content. Throughout the series so far the girl tied up above has been shown to be very affectionate with another one of the main cast, her childhood friend who had barely grown since she last saw her in elementary school. Eiko herself meanwhile being one of those cool beauties that has a girlfriend in every class. All of which is as expected until this episode, when she was the focus character for once and it turned out she was heavily into their home room teacher, the poor woman who woke up to find Eiko tied up in her living room.

Slow Start: Eiko is a bit masochistic

Earlier in the episode Eiko is celebrating her birthday in class, with all her classmates having given her hair pins. When the teacher shows up, Kiyose teases Eiko a bit about her many many hair pins before putting one in herself: a paperclip. As Eiko and the rest of the main cast discuss all this, she lets it slip that Kiyose is her type exactly: cold and a bit overbearing. She certaintly likes to flirt with her, as the episode shows, with Kiyose not exactly playing along or encouraging her, but still having a natural rapport with Eiko. In the safe world of a slice of moe yuri baiting series all this is very cute.

Slow Start: Eiko is my student

Nevertheless I’m not sure I’d be onboard if the series does anything more with it. There was a strange seriousness to this episode, almost as if it was intended to be romantic rather than comedy, an erotic undercurrent (what with the needless tying up of Eiko) out of place in a series like this. There’s nothing wrong with Eiko having a crush on her teacher, or trying to flirt with her and test her boundaries that way, but the show as a whole seems to root for her and that’s a bit iffy. Student/teacher romances are always a no-no no matter if it’s yuri or not: too much of an age and power difference to be healthy. Which is a pity because the flirting between these two is really nice. Eiko is light hearted and teasing, Kiyose has an innate ability to just say or do exactly the right thing to melt Eiko in a puddle of embarassement. I could cheer them on if only they weren’t student and teacher. Luckily even when drunk Kiyose still remembers Eiko is her student; she does nothing to encourage her. I like Slow Start, so I hope it’ll be back to normal next week and the flirting just becomes a running gag again rather than the way too intense forbidden love it wanted to be this episode.

Whatever Happened to the Man of Tomorrow

I’ve got such mixed feelings about that story. Rereading it just now, having been triggered by Tegan’s tweet, it still choked me up, as it does every time. But I’m also fully aware of how schmalzy it is, how dependent on having feelings for Silver Age Superman with all its silliness already.

To start with, the creative staff for what was to be the very last story to be ever told about the classic, Silver Age Superman and his world, was pretty much stunt casting. There’s Curt Swan, the classic Silver Age Superman artist, brought back to team up with two of the hottest flavours of eighties DC: Alan Moore and George Perez. It makes sense to have Swan there, but not have him being inked by e.g. Murphy Anderson, not having Cary Bates or Elliot S! Maggin or any of the other long term Superman writers write the last ever Superman story feels a bit sad.

The real problem is the context in which Whatever Happened to the Man of Tomorrow was published. DC had decided that it didn’t want to be saddled with its fifty year history anymore, that all that old stuff was dumb and embarrassing, that they needed somebody modern like John Byrne to come around and give Superman a make-over. Even with Alan Moore being quite fond of Silver Age Superman, he was still in his make superheroes edgy phase and that same mood pervades Whatever Happened to the Man of Tomorrow. Imaginary stories (“aren’t they all”) were always much more bloodthirsty than mainstream Superman, but Moore turns it up to eleven. Just because Lois and Clark survive and get a superbaby doesn’t make this a happy ending.

Everybody dies: friends, villains, lovers, superdogs. Bizarro destroys his own planet before attacking Metropolis. The Toyman and the Prankster murder Pete Ross and reveal Clark Kent is Superman. Metallo attacks the Daily Planet to murder Superman’s friends. The Legion of Supervillains murder Lana Lang and Jimmy Olsen when they’re defending the Fortress of Solitude. The Kryptonite Man takes out Krypto but not before he’s bitten to death by him. Brainiac usurp’s Lex Luthor’s body. And the one responsible for the carnage turns out to be a bored Mister Mxyzptlk, because “a funny little man in a derby hat” doesn’t work in the eighties anymore. Next issue Byrne would come and reboot Superman as Superyuppie.

Thirtyplus years on it’s all just as silly as the Silver Age Supes it was saying farewell too and a darn sight more offensive. The combination of nostalgia and carnage would be a prelude of some of DC’s worst instincts during the next three decades, constantly killing off, rebooting and killing off again. In hindsight, I like the imaginary stories of Mr and Mrs Superman much better.

I’m a woman, you know — Hakumei to Mikochi

How to disappoint me in just two sentences.

Hakumei to Mikochi: asking whether they are a couple

Hakumei to Mikochi is an adorable, warm fuzzy series about two tiny girls living together in a magical forest full of talking, sentient cats and weasels and other critters. I’ve been enjoying it a lot, especially since it comes out early enough on Friday that it’s the perfect end of the working week wind down anime. Each episode has Hakumei and Mikochi going along their daily lives, going shopping in the big town nearby, going to work, etc. Throughout the series so far, they have been shown to care for each other and behave very much like a couple, though it’s never been explicitly stated that they are, just that they live together. It’s only in the latest episode, episode five, in the scene above that somebody asked outright if Mikochi was Hakumei’s wife. And I immediately had a bad feeling about it.

Hakumei to Mikochi: I am a woman

And I was right. Hakumei immediately responds with “I’m a woman, you know” which is the sort of denial that may leave open the possibility that they are in fact a couple, but which is pretty clear that officially, no, they’re not. A bit like having your gaybaiting cake and eating it. It was such a disappointment that it made me physically a bit ill. There are so few canonically gay couples in anime and it would’ve taken so little to make Hakumei and Mikochi one of them, even if only by never stating the question outright and just showing their lives together. But no, they had to make sure we know they weren’t a couple, just good friends living together or some such bullshit. I like the series and will keep watching it, but this still leaves a sour taste in my mouth.

I hope to be as petty as her some day — Yorimoi ep 5

Because this really is amazing but well deserved pettiness.

Sora yori mo Tooi Basho: Shirase is petty

It’s typical of any school to take the credit for the hard work of their students after the fact, having done nothing to help or encourage them and considering how long Shirase has been mocked and laughed at for wanting to go to Antarctica, it’s not surprising she keeps her speech to a short and simple “I’m going”. It’s a wonder she didn’t rub everybody’s faces in it more. But she stays calm, cool and if people don’t understand that this is her rubbing it in how wrong everybody was, that’s fine with her. She knows what she meant and that’s good enough. A far cry from how nervous she’s recording one of the promos for the expedition together with Mari and Yuzuki in literally the next scene. When Yuzuki wonders why Shirase is so nervous but was fine at the assembly, Mari theorises it’s because she can only be confident if she thinks she’s surrounded by enemies and her “screw you” switch gets flipped…

Sora yori mo Tooi Basho: Takahashi Megumi

But this episode isn’t really about Shirase or any of the four going to Antarctica. It’s about this girl, Mari’s best friend (only friend?) until she met Shirase: Takahashi Megumi, who’d always been there to support Mari. Throughout the series so far she’d been the voice of caution, tempering Mari whenever she gets a bit too enthusiastic about her plans to go to Antarctica, pointing out how it all might happen. Megumi keeps telling Mari not to get too invested, to not try too hard or it will hurt all the more if she fails again. Her concerns are understandable, considering she’s been Mari’s friend since childhood and always had to support her and until now, she always had to pick up the pieces when Mari failed to go through with what she set out to do (as in the first episode, when she wanted to skip school and ended up going there anyway, because it rained). Yet as Mari’s plans to go to Antarctica became more and more concrete, the less convincing Megumi’s concerns became. She has become more of a wet blanket than she’s helpful. Mari takes her advice at face value, but as a viewer you know there’s clearly something going on with this girl.

Sora yori mo Tooi Basho: four friends

Meanwhile take a look at those four, on their way back from the promo that Shirase had so much problems with. Discussing their luggage quota of a hundred kilograms — which includes themselves–, Mari boasts that she can take “upwards of fiftyeight kilos” with her. Which is such bullshit. I couldn’t even ship myself with that quota. In any case, Hinata on the right immediately goes “not with that arm flab, sister” but you can tell it’s all teasing rather than meant seriously. I really like how the series portrays those four, with Hinata and Mari slightly more sarky than the other two, Yuzuki in particular more serious than the other three and Shirase prone to switching between serious and panicing, as said. Even in this screenshot you can see some of their character shine through. As for Mari, she’s clearly more at ease with these three now than she is with her childhood friend, even as she tries to get her involved. There’s a distance between the two that Mari must’ve subconsciously noticed

Sora yori mo Tooi Basho: I came to break up

It all comes to a head on the very morning that Mari leaves for Antarctica, after having her goodbye karaoke with Hinata, Shirase and Megumi, not to mention her farewell diner with her family. When she walks out of the door, Megumi is there, waiting for her. When asked what she wants, Megumi tells her she comes to break up with her. They can no longer be friends and as Mari stares at her uncomprehending, she spells it out for her. She tells her how much of what she warned Mari about she actually spread around, like the rumours about Shirase carrying around a million yen. She tells her how scared she actually is to see her relationship with Mari changed, how she liked being the dependable one but now she no longer had her as a crutch to boost her self esteem. She needs to let go, even if Mari forgives her for her jealousy.

Sora yori mo Tooi Basho: break up cancelled

Mari has other ideas.

It’s a brilliant scene, the climax of five episodes of buildup, a real serious spot in a series that’s been mostly light hearted. You can so understand Megumi’s frustration, of seeing somebody who has always been dependent on you go their own way, leaving you behind as they find new friends. Her insecurity and jealousy is nasty, but you can sympathise with her; she’s not a total asshole, just scared of losing her friend and therefore deciding to burn her bridges herself. But Mari has other ideas. She understands where Megumi is coming from and can forgive her for it. In any case, they’ll be away from each other for three months, so any resolution can wait until she’s back…