History is hokum

scenes from the Emu War as drawn by Korwin Briggs

The Emu War, Headless Folk of the French Revolution, Norse God Family Tree, how Voltaire broke the lottery, Mummy Brown and other Historical Colors and the Management Secrets of Genghis Khan are just some of the Veritable Hokum dregded up from history and served in comic form by Korwin Briggs. I discovered this by accident, following an ant’s trail of links after somebody had stolen that Mummy brown comic for their own site. Glad I did, because Korwin’s artwork is charming and he has a knack for finding interesting historical tidbits.

About that Star Wars boycott



Chuck Wendig misses the point when he talks about the efficiency of the too few white people in this movie Star Wars boycott:

Okay, first, let’s talk about the efficacy of such a hashtag, which is to say, it will have literally no effect at all. You’re throwing pebbles at mountains, bro. Boycotting Star Wars is like boycotting the sun. It will do nothing. The sun will keep on shining. Its heat will remain radiant and globally present. It will remain at the center of this space and we will continue to orbit it in an elliptical manner. Your efforts will have no meaningful result except to reveal yourself as a cruddy dingleberry dangling from fandom’s ass-hairs.

Showing that you’re an arsehole is of course the whole reason for this boycott in the first place, whether it really is a 4chan troll or not. In the cesspool of American rightwing politics being obnoxious, hateful and dumb are positive qualities and there’s an ongoing competition to lower the bar. Boycotting the new Star Wars movie because it now contains some actual people of colour fits in perfectly. If you want a career as a rightwing pundit or politician, you have to earn your pay churning out this sort of low grade idiocy to show you’re willing, without anybody but the dumbest part of the base expecting anything to come from it. In fact, that would even be counterproductive as the whole lifecycle of rightwing politics depends on recycling the same old issues in different mutations to keep the base hyped up and unhappy. Actually achieving something interferes with that.

Actually, I am a… (Jitsu wa Watashi wa)

welcome to the world of idiots - from Jitsu wa Watashi wa

Kuromine Asahi is a normal high school student with one big problem: he can neither lie nor keep a secret, something that amuses his friends greatly, though it does put a crimp in his social life, as those who do need to keep a secret avoid him. Worse, his complete inability to hide his feelings let him to be rejected by his crush “last summer” before he even had a chance to talk to her. But now he’s turning a new leaf, sure that he is able to hide his attraction to Shiragami Youko, a mysterious “cool beauty” he’s been admiring from afar, a girl distant from the rest of the class, always alone. His friends of course find out about his new crush in less than half a dozen of pages and challenge him to confess to her — better to confess and be rejected, than be shotdown before you even get the chance. With their encouragement he rushes over to talk to her, only to find out that she’s a vampire.

Kuromine meets vampire - from Jitsu wa Watashi wa

That in a nutshell is the central conceit in Jitsu wa Watashi wa (Actually, I am a…), with poor Kuromine now having a much greater secret to protect than any he has failed to keep so far. If anybody else finds out Shiragami’s secret, or that he knows her secret, her father will force her to quit high school. Meanwhile his discovery completely derailed his plans of confessing to her. His challenge now is to keep her secret and try and get closer to her, but things get complicated quickly, as they should in a harem comedy. And of course the first thing a harem comedy needs is some more love rivals, the first of which is Aizawa Nagisa, his class rep, not to mention the girl who shot him down before he could confess to her last summer. She has a secret too.

the class rep is a tiny alien - from Jitsu wa Watashi wa

Aizawa’s a tiny alien steering a human size replica of herself (and for some reason she’s very good at coordinating her own outfits with her outer body’s) who has infiltrated Kuromine’s high school to observe Earth culture. As so often the case in this kind of story, it’s only now that Kuromine hs become friends with Shiragami that Aizawa becomes interested in him and starts wondering if she was too hasty to reject them. Cue a bunch of hilarious incidents in which mutual misunderstandings ultimately lead to Kuromine/Shiragami and Aizawa learning each other’s secrets. But that’s only the start. Before long there’s not only the obligatory childhood friend & tormentor of Kuromine, but other strange creatures showing up at the school as well, including Shiragami’s childhood friend, the wolfman. And that brings me to what I like the most about this series, its sense of humour. Because how would you test that the scary looking dude that interrupted your date with Shiragami is indeed that childhood friend? Like so:

how to test somebody is a wolfman: play fetch - from Jitsu wa Watashi wa

This is a comic that thrives on stupidity, both of plot and characters; not for nought it’s “welcome to the world of idiots” as shown above. Kuromine might have been introduced as the idiot who can’t keep secrets or tell lies, but it soon turns out he really is the straight man in a menagerie of idiots. Before long you wonder how Shiragami was ever able to keep her secret on your own, or how the class rep ever got around without his help, not to mention Shiragami’s father, not the brightest tool in the shed either, showing up to sports’ day as a giant bat holding a video camera… The author, Masuda Eiji, has a knack for writing comedy coming from the characters themselves as for developing over the top, contrived situations, often set in motion by the demon principal and principal troll. There’s a lot of slapstick comedy, but perhaps the best part is the way Masuda draws reactions. His faces are elongated, elastic and great at showing exaggerated emotions:

Masufa Eiji does great faces - from Jitsu wa Watashi wa

Aren’t those great faces? That fixed grin on the maid in the background, the surprise on the three walking past her, the series is full of moments like that, where you have to just laugh out loud at the absurdity of it all. but there’s more to this series than just comedy, though it never remains serious for long. Unlike some harem series, Jitsu wa Watashi wa is clear about the fact that Kuromine loves Shiragami, that she ultimately loves him back and does actually make progress in their relationship, even though both are less than honest or brave in their emotions at the start. And it manages to do so without devaluing the other two love interests, the class rep and childhood friend, whose love may go unreciprocated but is still real, without throwing more girls at the main character, with more people showing up to add to the hilarity, but not to the harem and without making the girls each other enemies. Shiragami and Aizawa especially are friends and remain friends despite being love rivals. That’s what makes this series so much fun to read.

the usual bunch of idiots- from Jitsu wa Watashi wa

Sadly though it’s not yet legally available in English, though a first volume is slated to be published in 2016. if you’re not bothered overly much by legal niceties, scanlations are available. You may want to switch on the in comic comments as well, because this is a series that benefits from reader snark…

immanentising the Eschacon at ABC

My local science fiction bookstore is holding its own convention:

Eschacon is a three-day festival from 5 to 7 November with panels, writing workshops and book signings. Featuring several of the most interesting and talented upcoming science-fiction & fantasy authors from around the world, Eschacon is all about World SF and the craft of writing speculative fiction.

[…]

Thursday 5 November

18:30-21:00 Tribute to Chip Book Presentation and World SF panel discussion

Author and editor Bill Campbell will talk about his latest project The Stories For Chip, a tribute to Science Fiction Writers of America Grandmaster Samuel R. “Chip” Delany. Following the presentation is a panel discussion about World SF and diversity in the speculative fiction genre with authors Zen Cho, Corinne Duyvis, Marieke Nijkamp, Rochita Loenen-Ruiz and Tade Thompson.

Friday 6 November

14:00-16:00 Speculative Fiction Writing Workshop
A workshop to kickstart your own writing under the guidance of professional author Rochita Roenen-Ruiz.

18:00-19:30 Q&A and booksigning with Zen Cho and Tade Thompson
Join us for an evening around the (imaginary) fireside with authors Zen Cho and Tade Thompson. Zen and Tade will discuss their new books, the art of writing and the business of getting published.

Saturday 7 November

10:00-11:00 Kaffeeklatsch
Getting up early has never been so fun. Enjoy a cup of coffee (or tea) while talking about books, stories and other geek-related subjects with authors Aliette de Bodard, Zen Cho, Rochita Loenen-Ruiz, Bill Campbell and Tade Thompson.

14:00-15:30 Q&A and booksigning Aliette de Bodard
Author Aliette de Bodard will talk about and read parts from her debut The House Of Shattered Wings.

ABC has been remarkably active in promoting science fiction and fantasy in the past year or so, with various author talks and other events, much of it due to its SFF buyer, Tiemen Zwaan. It has helped galvanise something of an sf scene in Amsterdam, of which is the culmination so far. What I like especially about it is that this going beyond just mere commercial considerations, but that ABC has done its bit to help make SFF more diverse, more plugged into developments outside its traditional heartlands. The line-up for the con reflects that, with people like Aliette de Bodard, Rochita Loenen-Ruiz and Zen Cho.

I hope this becomes a success, because it’s been a while since we’ve had a proper science fiction con in Amsterdam.

Concrete Revolutio: superhero fun the Japanese way



As you may have realised, I’ve become slightly more interested in anime then I used to be, going so far as to try and attempt to follow the new season in real time, rather than catching up with series as they finish. As you know Bob, each anime season roughly corresponds with the real season, so we’re currently starting the Fall 2015 season, one of the shows in which I wanted to check out being Concrete Revolutio: Superhuman Fantasy. Not that I knew anything about it before I sat down to watch it, other than what I’d read about in the various previews on anime blogs; hadn’t even seen the promo above. I went in with no expectations therefore.

Our heroine working as a waitress in a coffee bar

What got me to sit up and notice was the art design: gorgeous and unlike everything else being shown recently. just look at those bright colours, and the pop-art style big dots in the background. It has a bit of a sixties vibe to it, which it turns out is roughly when the series is supposed to be set. Again I only found this out later though, from that preview shown at the top. In the show itself there’s nothing that made think it was supposed to be set at some time other than “the present”, save for that art style. It reminded me of some of the later, post-war Loony Tunes cartoons: huge slabs of colour, modernist buildings/furniture and crazy angles.

Our heroine transformed into a magic girl

The plot, despite skipping around in time, was fairly simple. It stars when purple haired Kikko Hoshino, a waitress in a cocktail coffee bar is asked by pink haired Jirō Hitoyoshi to help him catch a Japanese scientist selling secrets to a foreign spy. Said spy instead hands over a state of the art astronomic device the scientist needed for his research, at which point Kikko interferes, steals the device and flees the bar by switching places with a mannequin in a nearby clothes store. There she transforms into a magic girl. Because that’s what she really is. the spy shows up and turns out to be an alien, transforms into a giant, at which point another giant shows up, looking very Jack Kirbyesque and with an Egyptian god motive and who turns out to be Grosse Augen, the hero of the people. As explained by the oh so convenient six year old superhero fan nearby.

Car turned mecha, magical girl, Kirbyesque Ultraman stand-in

It was then that I realised that this wasn’t a sci-fi thriller or magical girl show but rather a proper full blown superhero adventure, with a lot of continuity hinted at through frex the blase attitude of various bystanders to seeing yet another superhuman fight. As we find out about halfway through the episode, Jirō works for “the Institute of Supervision of Human Resources”, an organisation dedicated to helping superhumans. Not so much “who watches the watchmen” as who protects the protectors as they’re busy safeguarding humanity. Something that wouldn’t have been out of place in Kurt Busiek’s Astro City and indeed that’s what it kept reminding me off. A similar sort of world building by way of genre archetypes given a new spin.

happy magical cloud to the rescue

The art works the same way as in Astro City, which has the underrated talent of Brent Anderson to integrate dozens of disjunct character archetypes from seventy years of superhero comics history at its disposal. Here you can have a magical girl summon a red nosed cartoon cloud to block the attack by a giant alien monster on a Porsche turned mecha without any of it looking out of place and while staying true to their respective genre backgrounds.

As said, the plot so far has been mostly setup, hinting at future developments through its time hops: Something Dark is going to happen, and is somewhat confusing because it tries to do so much in one episode. As you might have guessed though this wasn’t the main draw for me anyway. Rather, I want to see more of the world of Concrete Revolutio, as well as of Kikko the magical girl, who is somewhat more interesting than Jirō. Hopefully this show can keep up the high quality of its first episode: so far it’s the biggest surprise of Fall 2015 for me.